(Guitar Method). The perfect introduction for anyone just discovering the tenor guitar. This easy-to-use book with online audio also functions as a crossover method for folks who already play guitar, mandolin, or tenor banjo. Many useful exercises, fun songs and popular arrangements await! Topics covered include: tuning, scales, arpeggios, sequences, position shifting, chord strumming, single-note picking, fingerpicking, hammer-ons, pull-offs, slides, and more.
This new manual, intended for beginners, contains all you need to begin playing authentic Irish jigs, reels, hornpipes and more on the mandolin. Starting with simple polkas and slides, 26 common session tunes are included. the tunes are all favorites allowing you to rapidly join the fun of session playing. A special section explains pick direction for authentic jig picking. Included are instructions on basic Irish ornamentation for reels and jigs. the accompanying CD can be used for traditional by ear learning. Presented in mandolin tablature and standard musical notation.• Contains all you need to begin playing authentic Irish jigs, reels, hornpipes and more on the mandolin•
(Banjo). Tenor and plectrum banjos are key ingredients of Dixieland jazz music. The bright percussive chord strums and flashy tremolo picking glissandos help define the genre. In the 1920s, when Dixieland jazz was at its zenith, the four-string banjo was the fretted instrument of choice because it could easily be heard above the simultaneous improv of the band's clarinet, cornet, saxophone, and trombone frontline. (Electric guitars were not invented until a decade later.) The chord voicings in these expertly crafted arrangements were selected so that the melody notes were always within reach to enable the user to play chord/melody style if desired. The lead sheets consist of lyrics and two sets of chord diagrams tenor and plectrum positioned throughout the arrangements. This collection of 45 songs includes: Ain't Misbehavin' * Alexander's Ragtime Band * Basin Street Blues * Bill Bailey, Won't You Please Come Home * Honeysuckle Rose * I Got Rhythm * Lazy River * St. Louis Blues * Sweet Georgia Brown * 'Way down Yonder in New Orleans * and more.
Understanding DADGAD is a complete introduction to using the DADGAD tuning for fingerstyle acoustic guitar. the book systematically explores the tuning, starting with simple chords and scale patterns, ultimately showing how DADGAD can be used to play in nearly any key and in many different musical styles. Topics include moveable and open-string chords and scales, intervals, the harp-effect, common chord progressions in DADGAD and more, all in the context of either short musical examples or complete tunes.Rather than just providing scales, chords, or tunes, this book guides the reader through the process of understanding the guitar from the perspective of DADGAD tuning. Topics are organized as a series of small self-contained sections ideal for a single study session or lesson. After exploring extremely easy ways to get started with DADGAD, involving as little as a single finger on the fretting hand, the book progresses to examples that will interest even more advanced players. 200 musical examples, including several full performance-quality pieces, demonstrate each concept. the companion recording features the author playing many of the examples.A complete introduction to DADGAD tuning for fingerstyle acoustic guitar. Begins with simple chords and scale patterns and progresses to more complex musical examples in many different keys. Topics include moveable and open-string chords and scales, the harp-effect, intervals, common chord progressions in DADGAD and more.
This picture/diagram chord book shows all of the basic chords for four-string or tenor banjo. for all of the major, minor, seventh, diminished, augmented, and ninth chords there is a photo of the fingering on the banjo fretboard and a diagram. Major seventh, minor seventh, sixth, minor sixth, seventh augmented fifth, and seventh diminished fifth chords are shown in diagram form only. the introduction discusses how to hold the banjo, tuning (low to high C- G-D-A), and more. Also suitable for mandola.
The finest tenor banjo method available, this text represents Mel Bay's ownapproach to fundamental musicianship for those desiring to play tenor banjo. This book is the standard by which others are judged. Easy-to-understand and thorough in its approach, this method addresses both melody playing and chord strumming. Through numerous studies, folk songs and several duets, students are systematically introduced to the various notes and positions on the tenor banjo fretboard. Photos of the fretboard fingertips aid in learning the proper hand positions. Once in two volumes, this method is now presented it its entirety in thissingle comprehensive edition. In notation only. Tuned for Mandola
An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.
Learning the mandolin should be required for every violinist: it has the same tuning and is a chordal instrument. This book provides violinists with the skills and knowledge needed to master the mandolin; it also teaches ways in which mandolin concepts can open up one's violin playing. the book offers key insights into the similarities and differences between the two instruments so that violinists can quickly learn to play the mandolin. the book and companion CD cover basic fingering and picking techniques and then move through exercises and pieces drawn from the classical, swing and folk genres.
(Banjo). The best-selling banjo method in the world! Earl Scruggs's legendary method has helped thousands of banjo players get their start. The "Revised and Enhanced Edition" features more songs, updated lessons, and many other improvements. It includes everything you need to know to start playing banjo, including: a history of the 5-string banjo, getting acquainted with the banjo, Scruggs tuners, how to read music, chords, how to read tablature, right-hand rolls and left-hand techniques, banjo tunings, exercises in picking, over 40 songs, how to build a banjo, autobiographical notes, and much more! Includes audio of Earl Scruggs playing and explaining over 60 examples!
