Based entirely in the fictional world of Walford, this exciting review takes an up-close and personal look at all the juiciest bits of the most recent season of EastEnders. Packed with exclusive features on such themes as adultery and doomed romances, a special report on the Square's Pyscho Women--among them May, Clare, and Stella--is also included along with a death map of Walford’s dearly departed complete with symbols indicating murder, car crash, or natural causes. Fun quizzes and games--including the "Queen Vic Challenge” plus a riveting personality test to match you up with your ideal EastEnders date--complete this enthralling guide.
This pioneering study of migrant journeys to Britain begins with Huguenot refugees in the 1680s and continues to asylum seekers and east European workers today. Analyzing the history and memory of migrant journeys, covering not only the response of politicians and the public but also literary and artistic representations, then and now, Kushner’s volume sheds new light on the nature and construction of Britishness from the early modern era onwards. It is an essential tool for those wanting to understand why people come to Britain (or are denied entry) and how migrants have been viewed by state and society alike. The journeys covered vary from the famous (including the Empire Windrush in 1948) to the obscure, such as the Volga German transmigrants passing through Britain in the 1870s. While employing a broadly historical approach, Kushner incorporates insights from many other disciplines and employs a comparative methodology to highlight the importance of the symbolic as well as the physical nature of such journeys.
Explores the complex relationship between sexuality and socialist politics in Britain, arguing that sexuality has been a key, though often neglected aspect of party politics in the last century and a half. It also explores the relationship between the personal and the political in a wide-ranging study of British society.
Offers a challenging new interpretation of politics in contemporary Britain through an examination of non-governmental organisations. Demonstrate how politics and political activism has changed over the last half century.
Branding Television examines why and how the UK and US television industries have turned towards branding as a strategy in response to the rise of satellite, cable and digital television, and new media, such as the internet and mobile phone. This is the first book to offer a sustained critical analysis of this new cultural development. Branding Television examines the industrial, regulatory and technological changes since the 1980s in the UK and the USA that have led to the adoption of branding as broadcasters have attempted to manage the behaviour of viewers and the values associated with their channels, services and programmes in a world of increased choice and interactivity. Wide-ranging case studies drawn from commercial, public service, network and cable/satellite television (from NBC and HBO to MTV, and from BBC and Channel 4 to UKTV and Sky) analyse the role of marketing and design in branding channels and corporations, and the development of programmes as brands. Exploring both successful and controversial uses of branding, this book asks what problems there are in creating television brands and whether branding supports or undermines commercial and public service broadcasting. Branding Television extends and complicates our understanding of the changes to television over the past 30 years and of the role of branding in contemporary Western culture. It will be of particular interest to students and researchers in television studies, but also in creative industries and media and cultural studies more generally.
Stunned when her fiancé calls off their wedding, Liv Elliot embarks on a life-altering trip to Sydney, Australia, where she finds a new career and new romance, until a chance encounter with Ben Parker, with whom she had indulged in a brief summer fling, turns her life of upside down. Reprint.
In ONE DAY PLUS you can get closer to Em and Dex than ever before. As well as the original bestselling novel this enhanced edition contains never-before-seen footage of David Nicholls discussing One Day and the film adaptation, at an exclusive event during the iTunes Festival on St Swithin’s Day, 15th July 2011. This edition also includes the International trailer for the film directed by Lone Scherfig, starring Anne Hathaway and Jim Sturgess. 15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And every year that follows? Twenty years, two people, ONE DAY. From the author of the massive bestseller STARTER FOR TEN.
In recent years, social work academics and practitioners have highlighted the need to "re-claim" methodologies which unpack creativity and resourcefulness. In the bleakest of times many turn to humour to survive. Making a unique contribution to social work thought, this is the first book to focus exclusively on humour use in relation to social work. Over eight chapters Jordan covers a range of examples of social work humour, using examples from practice, fiction and research. He concludes that social work has a complex relationship with humour and that humour has an important role in social work as it enables social workers to hold contradictory views. It also allows society to manage its ambivalent and contradictory view of social work. Aimed at academics, students and social work professionals, this book explores social work’s sometimes uneasy relationship with humour. It will be of interest to anyone with an academic interest in humour.