It's the fourth volume of the Eisner-nominated, best-selling EAST OF WEST. "WHO WANTS WAR?" sees YEAR TWO of the Apocalypse kick into high gear. Collects EAST OF WEST #16-19 & EAST OF WEST: THE WORLD.
Collects X-Men (2019) #4, X-Force (2019) #4, Marauders (2019) #4, Excalibur (2019) #4, Fallen Angels (2019) #4, New Mutants (2019) #4. Mutants are the future as the Dawn of X continues! The X-Men’s Krakoan leaders attend an economic forum to show humankind what real power looks like! X-Force hits the ground running, taking on deadly threats that target mutantkind’s rightful place in the world! Captain Kate and her Marauders wreak havoc on the high seas, from the Atlantic to the Pacific, in the name of the mutant cause! As the Lighthouse of Excalibur grows, Apocalypse and Rictor must master the earth beneath their feet! Can the Fallen Angels take on the children of Apoth? And the New Mutants’ Armor thought bringing her friends home to Krakoa would be an easy sell and a quick trip — until everything went sideways!
This is the world. It is not the one we wanted, but it is the one we deserved. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in DEATH! The second volume of the Eisner Award nominated series is finally here! "We Are All One" follows our cast around the fractured future-scape of America as we learn more about a world that's rapidly coming to an end.
Twenty years ago, at the Basel Art Fair, Astrid Ullens bought a photograph by Brancusi, more or less on the spur of the moment. This proved to be the first step in the formation of an impressive collection that today comprises more than 5,000 photographs, some by such renowned figures as Lewis Baltz, Lee Friedlander, Helen Levitt and Walker Evans, others by young photographers like Francesco Neri, Georges Senga, Massao Mascaro and Tarrah Krajnak. 00Ullens, who confided her collection to a specially created foundation, the Fondation A Stichting in Brussels, is not interested in trophy-hunting. For her, it is the photographer?s eye and stance that matter, and collecting is an aspect of a wider project to promote photography as a way of looking at and better understanding the world, while also, of course, helping to support contemporary practitioners.00This substantial volume provides an excellent introduction to the collection, with more than 100 photographers plentifully represented in no fewer than 2,000 images. In doing so, it takes the reader on a fascinating journey through the self-reflexive and conceptually-inflected documentary photography of the 20th century, with plenty of surprises alongside the well-known landmarks. It also offers a portrait of a cohort of photographers who still, in one way or another, sought to give the viewer a better understanding of the world, of nature, mankind, society, and photography itself ? something that can no longer be taken for granted in the flood of images in which we find ourselves immersed today, put into further question by advances in AI. 00Exhibition: during les Rencontres d?Arles, France (01.07. - 22.09.2024).
These twenty-nine original essays focuses on how cultural and literary genres and norms have developed in response to historical and cross-cultural influences.
Psychology in India Volume IV: Theoretical and Methodological Developments is part of the periodic surveys in the major disciplines of the social sciences to assess disciplinary developments and to identify gaps in researches conducted by The Indian Council of Social Science Research. Six essays cover appraisal of the methodological developments in psychological research, efforts towards developing indigenous perspectives in psychology etc. Also psychoanalytic contributions, concerns of gender in psychological research, and some other critical perspectives are also discussed.