New York Times bestselling author Stephen Graham Jones and artist Davide Gianfelice’s epic time-twisting historical slasher reaches its astonishing end! What began with a bloody battle to kill Christopher Columbus in 1492 has led to a war of words in the revolutionary streets of 1776 Philadelphia as Emily’s strange partnership with Benjamin Franklin brings her within striking distance of the Declaration of Independence. A pen’s stroke may be all that separates the world from total ruin—and Emily’s pact with Tad, Sosh, and Yellow Kid to save the future by stopping the creation of America will live or die with her choices in this final chapter of EARTHDIVERS.
These narratives compare earthdivers in myths who brought dirt up from the watery earth to form land, with present-day earthdivers, mixed bloods, who dive into urban areas connecting dreams to the earth
The Indigenous chrononauts’ plot to sabotage the mission to the so-called New World takes a strange turn. Reeling from disaster, the Niña’s crew places Tad under lock and key and Columbus develops a disturbing personal interest in his would-be assassin. As the admiral lets down his guard to decide if this prisoner is a godsend or Satan himself, Tad moves to make the most of the situation. But as his influence on the past intensifies, his wife and friends in 2112 find themselves in the crosshairs of a new history.
Explore the rich worldview of the first Americans, from creation stories to tales of the afterlife. Learn about the ceremonies and rituals that connect these people to each other and to the earth and animals that are so revered in Native American cultures.
This book is a comprehensive overview of the history and culture of the peoples who are now known as the First Americans. Author Walter C. Fleming covers the many different tribes that stretched from the Atlantic to the Pacific, including compelling biographies of their greatest leaders. He examines the beliefs, customs, legends and the myriad contributions Native Americans have given to modern society, and details the often tragic history of their conquest by European invaders, their treatment—both historical and recent—under the US government, and the harsh reality of life on today's reservations.
Readers explore the rich worldview of the Native Americans through myths and legends. Tales originating from various tribes functioned in a number of important ways: they explained the story of creation, described the relationship of humans to the rest of the universe, and preserved the sacred history of the tribe. In addition, myths and storytelling helped Native Americans pass on knowledge related to hunting, fishing, farming, healing the sick, and dealing with conflict or disaster. This book also places their mythology in historical context, for example, connecting earth myths with the Native Americans real-life, tragic struggle to preserve their lands. Filled with colorful photographs and works of art, Native Americans beliefs are beautifully illustrated, including their reverence for animals and the earth.
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
The first book devoted exclusively to the poetry and literary aesthetics of one of Native America's most accomplished writers, this collection of essays brings together detailed critical analyses of single texts and individual poetry collections from diverse theoretical perspectives, along with comparative discussions of Vizenor's related works. Contributors discuss Vizenor's philosophy of poetic expression, his innovations in diverse poetic genres, and the dynamic interrelationships between Vizenor's poetry and his prose writings. Throughout his poetic career Vizenor has returned to common tropes, themes, and structures. Indeed, it is difficult to distinguish clearly his work in poetry from his prose, fiction, and drama. The essays gathered in this collection offer powerful evidence of the continuing influence of Anishinaabe dream songs and the haiku form in Vizenor's novels, stories, and theoretical essays; this influence is most obvious at the level of grammatical structure and imagistic composition but can also be discerned in terms of themes and issues to which Vizenor continues to return.
