In Earnest, Earnest?, the speaker, Eleanor, writes postcards to her on-again-off-again lover, Earnest. The fact that her lover’s name is Earnest and that their relationship is fraught, raises questions of sincerity and irony, and whether both can be present at the same time. While Earnest can be read literally as Eleanor’s lover, he is best understood as another side of the poet’s self. The ambiguity at play in Earnest, Earnest? is embodied in the form of the “Earnest Postcards” that structure the book—these postcards are experimental in their use of images and formal in their dialogue with the sonnet. Thus, Earnest, Earnest? is a question of tone, address, and form.
In this delightfully romantic LGBTQ+ comedy-of-errors inspired by Oscar Wilde’s The Importance of Being Earnest, a high school senior works up the courage to ask her long-time crush to prom all while deciding if she should look for her bio family.
The thesis of this book is that neither laughter nor humor can be understood apart from the feeling that underlies them. This feeling is a mental state in which people exclude some situation from their knowledge of how the world really is, thereby inhibiting seriousness where seriousness would be counterproductive. Laughter is viewed as an expression of this feeling, and humor as a set of devices designed to trigger it because it is so pleasant and distracting. Beginning with phonetic analyses of laughter, the book examines ways in which the feeling behind the laughter is elicited by both humorous and nonhumorous situations. It discusses properties of this feeling that justify its inclusion in the repertoire of human emotions. Against this background it illustrates the creation of humor in several folklore genres and across several cultures. Finally, it reconciles this understanding with various already familiar ways of explaining humor and laughter.
In Earnestly Contending, Dickson Bruce examines the ways in which religious denominations and movements in antebellum America coped with the ideals of freedom and pluralism that exerted such a strong influence on the larger, national culture. Despite their enormous normative power, these still-evolving ideals--themselves partly religious in origin--ran up against deeply entrenched concerns about the integrity of religious faith and commitment and the role of religion in society. The resulting tensions between these ideals and desires for religious consensus and coherence would remain unresolved throughout the period. Focusing on that era's interdenominational competition, Bruce explores the possibilities for and barriers to realizing ideals of freedom and pluralism in antebellum America. He examines the nature of religion from the perspectives of anthropology and cognitive sciences, as well as history, and uses this interdisciplinary approach to organize and understand specific tendencies in the antebellum period while revealing properties inherent in religion as a social and cultural phenomenon. He goes on to show how issues from that era have continued to play a role in American religious thinking, and how they might shed light on the controversies of our own time.
A critical analysis of Percival Everett's oeuvre through the lens of Menippean satire Percival Everett, a distinguished professor of English at the University of Southern California, is the author of more than thirty books on a wide variety of subjects and genres. Among his many honors are the American Academy of Arts and Letters Literature Award, the Huston/Wright Legacy Award for Fiction, the PEN Center USA Literary Award for Fiction, and the Dos Passos Prize in Literature. Derek C. Maus proposes that the best way to analyze Everett's varied oeuvre is within the framework of Menippean satire, which focuses its ridicule on faulty modes of thinking, especially the kinds of willful ignorance and bad faith that are used to justify corruption, violence, and bigotry. In Jesting in Earnest, Maus critically examines fourteen of Everett's novels and several of his shorter works through the lens of Menippean satire, focusing on how it supports Everett's broader aim of stimulating thoughtful interpretation that is unfettered by common assumptions and preconceived notions.
A friendly rescue dog saves a couple from heartbreak as they navigate troubling times in this novel by the bestselling author of An Unexpected Grace. Earnest. It’s the perfect name for a sweet, eager-to-please yellow Labrador retriever. Anna and her boyfriend Jeff fall for him the minute they see those guileless eyes gazing up from behind his gate at Seattle’s Best Friends Shelter. In no time at all, they’re a pack of three, with Earnest happily romping in their condo on Gamble Island. During the day, Earnest keeps Anna company in her flower shop, located in a historic gingerbread Victorian on the island’s main street. Anna hopes to buy and restore the house, once owned by her beloved grandmother. But when that dream is threatened by Jeff’s actions, Anna’s trust is shattered. For so long, the house has encompassed all her ideals of security, home, and family. Yet Earnest’s devotion to his two people, and theirs to him, make it impossible for them to walk away from each other. And when a crisis hits, it’s Earnest—honest, stubborn, and uncannily wise—who will help Anna reconcile her past and embrace what the future can bring . . . Praise for Earnest “Be prepared to fall in love with Earnest, a yellow Labrador retriever adopted from a shelter who teaches his humans a thing or two about resilience, loyalty, and forgiveness. Von Kreisler goes beyond depicting Earnest as a catalyst and instead deftly portrays him as an actual character with a point of view and feelings. A truly charming story sure to please dog lovers everywhere.” —Amy Hill Hearth, New York Times–bestsellingauthor of Miss Dreamsville and the Lost Heiress of Collier County and Having Our Say “If you’ve ever wondered whether animals were smarter than humans, Kristin Von Kreisler’s Earne
