Early Readers are stepping stones from picture books to reading books. A blue Early Reader is perfect for sharing and reading together. A red Early Reader is the next step on your reading journey. Meet the Topsy-Turvies family - they do everything back to front! They get up at midnight, wear their pyjamas outdoors and eat breakfast at the end of the day. So when a burglar comes to visit, he is in for a shock.
The Topsy-Turvies are just a nice ordinary family. They sleep in the kitchen, get up at midnight and have breakfast in the bedroom, wear their coats indoors and their pyjamas when they go out, and are most surprised when they visit Mrs Plum next door and find she doesn't. They decide to make her house lovely for her by turning everything upside down - and when a burglar climbs through the window, they do their best to make him feel at home. First published in 1995, this story is as witty and original as one would expect from the author of Horrid Henry. It is now reissued with brand-new illustrations by Emily Bolam, whose bright and brilliant pictures of the Topsy-Turvies are as much fun as the text.
Early Readers are stepping stones from picture books to reading books. A blue Early Reader is perfect for sharing and reading together. A red Early Reader is the next step on your reading journey. Dizzy the dog loves to sing, but the mean old Alley Cats won't let him join their chorus. But what do cats know about singing anyway? It's time to show them just what the dogs can do!
Reuse, recycle, renew, and rethink! Climb aboard the Topsy-Turvy Bus with Maddy and Jake as it travels around the country teaching communities the importance of taking care of the earth and creating a better, cleaner, healthier world. Based on a real Topsy-Turvy Bus created by Hazon, the largest Jewish environmental organization in North America.
Ten tiny turtles take you on a historical journey through New Orleans to celebrate the tri-centennial in 2018. From when the French explorers first disembarked from their tall ships, waded ashore, and established the city of New Orleans, to the city¿s topsy-turvy history of pirates and parades, battles and brass bands, colorful cuisine, a chess champ, and some very heavy weather, the turtle family of Brennan¿s restaurant has borne quiet witness from its stately courtyard. In the tradition of New Orleans¿ rich culinary history, the first five of the ten tiny turtles, the ¿Muthas,¿ have been named after the five mother sauces of classical French cuisine, which are so essential to the city¿s fare: Béchamel, Espagnole, Hollandaise, Tomate, and Velouté. The ¿Othas,¿ bear the names of five other sauces that complement signature New Orleans dishes: Bordelaise, Cocktail, Mignonette, Remoulade, and Ravigote. Here, for the first time, the present generation of ten tiny turtles ¿ nine girls and one boy ¿ reveals the vibrant evolution of the beloved city, New Orleans, and in particular, the story of one of its most iconic restaurants, Brennan¿s, in the historic French Quarter.
In his most expansive and unruly collection to date, the acclaimed poet Charles Bernstein gathers poems, both tiny and grand, that speak to a world turned upside down. Our time of “covidity,” as Bernstein calls it in one of the book’s most poignantly disarming works, is characterized in equal measure by the turbulence of both the body politic and the individual. Likewise, in Topsy-Turvy, novel and traditional forms jostle against one another: horoscopes, shanties, and elegies rub up against gags, pastorals, and feints; translations, songs, screenplays, and slapstick tangle deftly with commentaries, conundrums, psalms, and prayers. Though Bernstein’s poems play with form, they incorporate a melancholy, even tragic, sensibility. This “cognitive dissidence,” as Bernstein calls it, is reflected in a lyrically explosive mix of pathos, comedy, and wit, though the reader is kept guessing which is which at almost every turn. Topsy-Turvy includes an ode to the New York City subway and a memorial for Harpers Ferry hero Shields Green, along with collaborations with artists Amy Sillman and Richard Tuttle. This collection is also full of other voices: Pessoa, Geeshie Wiley, Friedrich Rückert, and Rimbaud; Carlos Drummond, Virgil, and Brian Ferneyhough; and even Caudio Amberian, an imaginary first-century aphorist. Bernstein didn’t set out to write a book about the pandemic, but these poems, performances, and translations are oddly prescient, marking a path through dark times with a politically engaged form of aesthetic resistance: We must “Continue / on, as / before, as / after.” The audio version of Topsy-Turvy is performed by the author.
