G. F. Handel

G. F. Handel

Author: Mary Ann Parker

Publisher: Routledge

Published: 2013-10-15

Total Pages: 488

ISBN-13: 113678358X

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Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.


Australia’s Music: Themes of a New Society (2nd ed.)

Australia’s Music: Themes of a New Society (2nd ed.)

Author: Roger Covell

Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au

Published: 2016-12-01

Total Pages: 342

ISBN-13: 073403783X

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Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.


Private Music Collections

Private Music Collections

Author: James Coover

Publisher: Warren, Mich. : Harmonie Park Press

Published: 2001

Total Pages: 762

ISBN-13:

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This volume identifies the location of the most important books, recordings, graphic materials, and scores held in private music collections. Entries range from 1467 to 1995 and have no geographical or language limitations. Information is divided into categories including catalogs and literature, unnamed collections, the migration of private collections, private collections now in institutions, vendors of collections, and lists, catalogs, and inventories. Data includes where the item can be found, buyers of sales items if an individual library was later put up for sale, birth and/or death dates for important collectors, and other relevant details.


The Oxford Companion to Australian Music

The Oxford Companion to Australian Music

Author: Warren Arthur Bebbington

Publisher: Melbourne : Oxford University Press

Published: 1997

Total Pages: 696

ISBN-13:

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The Oxford Companion to Australian Music is a reference work that will be of interest to music lovers as well as of use to musicians, scholars and students. To date no volume has combined an account of Australia's music with biographical information about its musicians, a critical guide totheir works, publishers and recordings, and a guide to the burgeoning literature in the field. With more than 2,000 entries, the Companion ranges across a wide spectrum, from ancient Aboriginal traditions and European-derived orchestral, operatic and concert music, to Australian folk jazz, country, popular, rock, electronic and experimental music. It covers the music not only of mainstreamaudiences but also of Australia's religious denominations and recent migrant communities. Special attention is given to the distinctive features of Australian musical life: its reliance on government support rather than private or ecclesiastical patronage, its unquenchable appetite for eisteddfods,choral societies and bands; the shadow cast by European traditions; the vicissitudes of its attitudes towards composers; the late development of music criticism and scholarship; and the role of regional cities and towns. There are numerous entries on Aboriginal subjects and on key musical organizations and considerable space is given to a series of longer entries covering musical works, institutions, genres, instruments, terms, and many of the historical contexts of Australian music. These key essays offer anauthoritative framework for a better understanding of the shape and originality of music-making in Australia.