Early Music History: Volume 19

Early Music History: Volume 19

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2001-04-19

Total Pages: 312

ISBN-13: 9780521790734

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561; Urban Minstrels in Late Medieval Southern France; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.


Early Music History: Volume 20

Early Music History: Volume 20

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2002-04-08

Total Pages: 338

ISBN-13: 9780521807739

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 20 include: The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music; The Vatican Organum Treatise Re-examined; Ludwig Senfl and the Judas Trope: Composition and Religious Toleration at the Bavarian Court; Who 'Made' the Magnus liber?


Early Music History: Volume 18

Early Music History: Volume 18

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2001-05-10

Total Pages: 434

ISBN-13: 9780521652018

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in Volume 18 include: Music notation in Arcivio San Pietro C 105 and in the Farfa Breviary, Chigi C.VI 117; Rinuccini the craftsman: A view of his L'Arianna Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a Christian king; Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs.


Early Music History: Volume 17

Early Music History: Volume 17

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 1999-03-04

Total Pages: 350

ISBN-13: 9780521622424

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.


Early Music History

Early Music History

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2009-03-19

Total Pages: 274

ISBN-13: 9780521746540

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seven include: Music, ritual and patronage at the Church of Our Lady, Antwerp; Instrumental music in urban centres of Renaissance Germany; and the fourth-century origin of the gradual.


The Rise of Music in the Ancient World, East and West

The Rise of Music in the Ancient World, East and West

Author: Curt Sachs

Publisher: Courier Corporation

Published: 2008-01-01

Total Pages: 338

ISBN-13: 0486466612

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An eminent scholar explores the evolution of music, from the ecstatic singing of early civilizations to the development of more structured styles in Egypt, East Asia, Rome, and other regions.


Early Music History: Volume 23

Early Music History: Volume 23

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2004-12-27

Total Pages: 336

ISBN-13: 9780521842501

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Musical history from the early Middle Ages to the end of the seventeenth century.


Early Music History: Volume 13

Early Music History: Volume 13

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 1995-02-23

Total Pages: 322

ISBN-13: 9780521472821

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Concerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry


Early Music History: Volume 22

Early Music History: Volume 22

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2003-10-16

Total Pages: 346

ISBN-13: 9780521831093

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 22 include: O Quelle Armonye: dialogue singing in late Renaissance France; Ars Subtilior and the patronage of French princes; Laboring in the midst of wolves: reading a group of Fauvel motets; Watermarks and musicology: the genesis of Johannes Wiser's collection.


Musical Authorship from Schütz to Bach

Musical Authorship from Schütz to Bach

Author: Stephen Rose

Publisher: Cambridge University Press

Published: 2019-05-30

Total Pages: 261

ISBN-13: 1108421075

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Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.