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Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 1995-11-16
Total Pages: 292
ISBN-13: 9780521558433
DOWNLOAD EBOOKDevoted to the study of music from the early Middle Ages to the end of the seventeenth century
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 2009-05-21
Total Pages: 312
ISBN-13: 9780521760034
DOWNLOAD EBOOKThe study of music from the early Middle Ages to end of the seventeenth century.
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 2002-11-21
Total Pages: 304
ISBN-13: 9780521818872
DOWNLOAD EBOOKEarly Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 21 include: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello; Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy; The Triodia Sacra as a key source for late-Renaissance music in southern Germany; The debate over song in the Accademia Fiorentina.
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 1999-03-04
Total Pages: 350
ISBN-13: 9780521622424
DOWNLOAD EBOOKEarly Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 2002-04-08
Total Pages: 338
ISBN-13: 9780521807739
DOWNLOAD EBOOKEarly Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 20 include: The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music; The Vatican Organum Treatise Re-examined; Ludwig Senfl and the Judas Trope: Composition and Religious Toleration at the Bavarian Court; Who 'Made' the Magnus liber?
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 1995-02-23
Total Pages: 322
ISBN-13: 9780521472821
DOWNLOAD EBOOKConcerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 1994-02-24
Total Pages: 258
ISBN-13: 9780521451802
DOWNLOAD EBOOKIncludes contributions on European knowledge of Arabic texts referring to music and the motets of Philippe de Vitry and the fourteenth-century renaissance
Author: Justin Paterson
Publisher: Routledge
Published: 2021-07-25
Total Pages: 321
ISBN-13: 0429957238
DOWNLOAD EBOOK3D Audio offers a detailed perspective of this rapidly developing arena. Written by many of the world’s leading researchers and practitioners, it draws from science, technologies, and creative practice to provide insight into cutting-edge research in 3D audio. Through exploring the intersection of these fields, the reader will gain insight into a number of research areas and professional practice in 3D sonic space. As such, the book acts both as a primer that enables readers to gain an understanding of various aspects of 3D audio, and can inform students and audio enthusiasts, but its deep treatment of a diverse range of topics will also inform professional practitioners and academics beyond their core specialisms. The chapters cover areas such as an Ambisonics, binaural technologies and approaches, psychoacoustics, 3D audio recording, composition for 3D space, 3D audio in live sound, broadcast, and movies – and more. Overall, this book offers a definitive insight into an emerging sound world that is increasingly becoming part of our everyday lives.
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 2001-04-19
Total Pages: 312
ISBN-13: 9780521790734
DOWNLOAD EBOOKEarly Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561; Urban Minstrels in Late Medieval Southern France; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.
Author: Mark Everist
Publisher: Cambridge University Press
Published: 2018-08-09
Total Pages:
ISBN-13: 1108577075
DOWNLOAD EBOOKSpanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
