First published in 1913, this book provides an index of early Latin hymns, found in hymnaries from before 1100. Entries contain the following information, where applicable: the incipit, followed by the subject of the hymn, followed by the author, then references to where the text of the hymn can be found in print and manuscript form. The text was originally intended to be the chief feature of a book on Hymns and Canticles in the series of Handbooks of Liturgical Study edited by Professor H. B. Swete and Dr J. H. Srawley, but when completed it proved to be so large that it was necessary to publish it as a separate volume. This book will be of value to anyone with an interest in religious music and the history of Christianity.
Hymns and the music the church sings are tangible means of expressing worship. And while worship is one of, if not the, central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a 60-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing--yet important--in accessible formats for the current literature.
Though best known today for his Old English homilies, the Anglo-Saxon scholar Ælfric also composed a Latin 'letter' to his fellow monks at Eynsham (Oxfordshire) containing a detailed outline of their daily and seasonal round of prayer and other duties. The document offers a rare glimpse of what ordinary monks in Anglo-Saxon England were expected to know and do. This 1999 book contains an edition of the Latin letters a textual commentary, and a complete English translation of the work. Dr Jones also provides substantial introductory chapters which establish the exceptional importance of the Eynsham letter for our understanding of late Anglo-Saxon monasticism and liturgy. The book will interest students of early medieval culture, monasticism and Church history.
Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."
