Plays and their Makers up to 1576

Plays and their Makers up to 1576

Author: Glynne Wickham

Publisher: Routledge

Published: 2013-09-05

Total Pages: 404

ISBN-13: 113628897X

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This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.


Part I - Early English Stages 1576-1600

Part I - Early English Stages 1576-1600

Author: Glynne Wickham

Publisher: Routledge

Published: 2013-06-17

Total Pages: 465

ISBN-13: 1136288392

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This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.


Part II - Early English Stages 1576-1600

Part II - Early English Stages 1576-1600

Author: Glynne Wickham

Publisher: Routledge

Published: 2013-06-17

Total Pages: 320

ISBN-13: 1136288694

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This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.


1300 to 1576

1300 to 1576

Author: Glynne William Gladstone Wickham

Publisher: Psychology Press

Published: 2002

Total Pages: 524

ISBN-13: 9780415197830

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This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.


Requiem and an Epilogue

Requiem and an Epilogue

Author: Glynne Wickham

Publisher: Taylor & Francis

Published: 2023-05-09

Total Pages: 265

ISBN-13: 1000949540

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First published in 2002.This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.


A New History of Early English Drama

A New History of Early English Drama

Author: John D. Cox

Publisher: Columbia University Press

Published: 1997

Total Pages: 590

ISBN-13: 9780231102438

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Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.


Painted Faces on the Renaissance Stage

Painted Faces on the Renaissance Stage

Author: Annette Drew-Bear

Publisher: Bucknell University Press

Published: 1994

Total Pages: 158

ISBN-13: 9780838752302

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She also shows that in Renaissance comedy, playwrights exploited the many bawdy meanings of fucus, or cosmetic paint, to dramatize that "theres knauery in dawbing.".


Jewish and Christian Voices in English Reformation Biblical Drama

Jewish and Christian Voices in English Reformation Biblical Drama

Author: Chanita Goodblatt

Publisher: Routledge

Published: 2018-02-01

Total Pages: 422

ISBN-13: 1317111060

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English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive cruxes in the biblical text generate the dramatic text and performance, as well as how the drama’s enactment underlines the ethical and theological issues as the heart of the biblical text. By looking at English Reformation biblical drama through a double-edged prism of exegetical and performative perspectives, Goodblatt adds a new dimension to the existing discussion of the historical resonance of these plays. Jewish and Christian Voices in English Reformation Biblical Drama integrates Jewish and Christian exegetical traditions with the study of Reformation biblical drama. In doing so, this book recovers the interpretive and performative powers of both biblical and dramatic texts.