Painters and Paintings in the Early American South

Painters and Paintings in the Early American South

Author: Carolyn J. Weekley

Publisher: Yale University Press

Published: 2013

Total Pages: 0

ISBN-13: 9780300190762

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This beautifully illustrated volume presents the complex ways in which the lives of artists, clients, and sitters were interconnected in the early American South. During this period, paintings included not only portraits, but also seascapes, landscapes, and pictures made by explorers and naturalists. The first comprehensive study of this subject, Painters and Paintings in the Early American South draws upon materials including diaries, correspondence, and newspapers in order to explore the stylistic trends of the period and the lives of the sitters, as gentility spread from the wealthiest southerners to the middle class. Featuring works by John Singleton Copley, Charles Willson Peale, and Benjamin West, among many others, this important book examines the training and status of painters, the distinction between fine art and the mechanical arts, the popularity of portraiture, and the nature of clientele between 1540 and 1790, providing a new, critical understanding of the history of art in the American South. Published in association with the Colonial Williamsburg Foundation Exhibition Schedule: Colonial Williamsburg Foundation(03/23/13-09/07/14)


Art in a Season of Revolution

Art in a Season of Revolution

Author: Margaretta M. Lovell

Publisher: University of Pennsylvania Press

Published: 2007-02-13

Total Pages: 351

ISBN-13: 0812219910

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"Lovell delights, astonishes, and challenges us with her insightful new readings of early American paintings and material culture objects."--"Journal of the Early Republic"


Early American

Early American

Author: Sharon Core

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9781934435465

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In 2007, American photographer Sharon Core (born 1965) encountered the work of the early nineteenth-century American still-life painter Raphael Peale (1774-1825). Peale's images of fruit, cakes and vegetables are famed for their uncanny realism, and they inspired Core to undertake a series of photographs titled Early American, a brilliant exploration of trompe l'oeil's relationship to photography, and of photography's relationship to the past. Core replicates as closely as possible the subject matter, lighting and compositional characteristics of Peale's paintings. She describes an extraordinarily intensive preparation for the project, researching and acquiring period porcelain and glass and growing, from heirloom seeds, varieties of fruits and vegetables that were in existence in the early nineteenth century. "Through these efforts," she writes, "I hoped to achieve a mirroring of Peale's painstaking painting process, and the themes that lie under their surfaces." This volume reproduces the 31 images comprising this ambitious enterprise.


American Paintings of the Eighteenth Century

American Paintings of the Eighteenth Century

Author: National Gallery of Art (U.S.)

Publisher: Princeton University Press

Published: 1995

Total Pages: 454

ISBN-13:

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The energy and optimism of the new nation are abundantly apparent in this catalogue. It features some of the icons of American art, such as John Singleton Copley's The Copley Family and Gilbert Stuart's portraits of the first five presidents. Numerous paintings, including Benjamin West's Colonel Guy Johnson and Karonghyontye (Captain David Hill), are discussed from a new perspective, the result of information culled from letters, wills, and other previously unpublished documents. The author offers new interpretations of some works, among them Charles Willson Peale's portrait of the Baltimore couple Benjamin and Eleanor Ridgely Laming. The volume is richly illustrated, with carefully selected comparative illustrations.


American Paintings at Harvard

American Paintings at Harvard

Author: Theodore E. Stebbins

Publisher: Yale University Press

Published: 2008-01-01

Total Pages: 649

ISBN-13: 030015352X

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This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.


World War I and American Art

World War I and American Art

Author: Robert Cozzolino

Publisher: Princeton University Press

Published: 2016-11

Total Pages: 320

ISBN-13: 0691172692

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-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---


An American Celebration

An American Celebration

Author: Charles Wysocki

Publisher: Workman Publishing

Published: 1985

Total Pages: 200

ISBN-13:

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In over 200 glorious full-color works, Charles Wysocki portrays the joy of Early America.


Transporting Visions

Transporting Visions

Author: Jennifer L. Roberts

Publisher: Univ of California Press

Published: 2014-01-17

Total Pages: 238

ISBN-13: 0520251849

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"Published with the assistance of the Getty Foundation."


The Red Man's Bones: George Catlin, Artist and Showman

The Red Man's Bones: George Catlin, Artist and Showman

Author: Benita Eisler

Publisher: W. W. Norton & Company

Published: 2013-07-22

Total Pages: 497

ISBN-13: 039324086X

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The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.


Citizen Spectator

Citizen Spectator

Author: Wendy Bellion

Publisher: UNC Press Books

Published: 2012-12-01

Total Pages: 384

ISBN-13: 080783890X

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In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.