Early American Cinema in Transition
Early American Cinema in Transition

Author: Charlie Keil

Publisher: University of Wisconsin Pres

Published: 2001-12-10

Total Pages: 321

ISBN-13: 0299173631

DOWNLOAD EBOOK

The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

Early American Cinema in Transition
Early American Cinema in Transition

Author: Charlie Keil

Publisher: Univ of Wisconsin Press

Published: 2001-12-03

Total Pages: 324

ISBN-13: 9780299173647

DOWNLOAD EBOOK

The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

American Cinema’s Transitional Era
American Cinema’s Transitional Era

Author: Charlie Keil

Publisher: Univ of California Press

Published: 2004-07-12

Total Pages: 392

ISBN-13: 9780520240278

DOWNLOAD EBOOK

This 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form, filmmaking practices & the emergence of the studio system. The pattern which emerged dominated the industry for decades to come.

The Talkies
The Talkies

Author: Donald Crafton

Publisher: Univ of California Press

Published: 1999-11-22

Total Pages: 656

ISBN-13: 9780520221284

DOWNLOAD EBOOK

This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.

American Cinema of the 1910s
American Cinema of the 1910s

Author: Charlie Keil

Publisher: Rutgers University Press

Published: 2009

Total Pages: 298

ISBN-13: 0813544459

DOWNLOAD EBOOK

It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.

Bad Women
Bad Women

Author: Janet Staiger

Publisher: U of Minnesota Press

Published: 1995

Total Pages: 250

ISBN-13: 9781452902678

DOWNLOAD EBOOK

On female sexual morality

The Last Great American Picture Show
The Last Great American Picture Show

Author: Alexander Horwath

Publisher: Amsterdam University Press

Published: 2004

Total Pages: 395

ISBN-13: 9053566317

DOWNLOAD EBOOK

This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.

Early American Cinema
Early American Cinema

Author: Anthony Slide

Publisher: Scarecrow Press

Published: 1994

Total Pages: 316

ISBN-13: 9780810827226

DOWNLOAD EBOOK

Provides a concise history of the American motion picture industry before 1920.

American Cinema of the 1920s
American Cinema of the 1920s

Author: Lucy Fischer

Publisher: Rutgers University Press

Published: 2009-04-15

Total Pages: 310

ISBN-13: 0813547156

DOWNLOAD EBOOK

During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy. In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.

Hollywood
Hollywood

Author: Jill Tietjen

Publisher: Rowman & Littlefield

Published: 2019-04-26

Total Pages: 401

ISBN-13: 1493037064

DOWNLOAD EBOOK

The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.