Lady Caroline Carol is thrown out of her father’s home for continuously insulting Daniel, the new Earl of Dalwood, who is the same man she had insulted ten years earlier about the scar on his cheek. To hide his shame, Daniel grows a beard. Angered by the new insult that forbids his wife’s burial on his old home, Dalwood, her father says Caroline has to go to a nunnery or with the first man through the door of the house. Caroline does not recognize Daniel without the beard he just shaved off as he enters the house. She has to go with him as a common woman because Daniel is incognito as a common man in order to find out why the Dalwood Estate is losing so much money. She now has to learn how to be a good common woman while the Earl investigates the crime. When Caroline learns how to be civilized, Daniel marries her, but still as a commoner. So why does someone shoot them both?
According to the Elliot Ness myth, which has been widely disseminated through books, television shows, and movies, Ness and the Untouchables defeated Al Capone by marshaling superior firepower. In Scarface Al and the Crime Crusaders , Dennis Hoffman presents a fresh new perspective on the downfall of Al Capone. To debunk the Eliot Ness myth, he shows how a handful of private citizens brought Capone to justice by outsmarting him rather than by outgunning him. Drawing on previously untapped sources, Hoffman dissects what he terms a "private war" against Capone. He traces the behind-the-scenes work of a few prominent Chicago businessmen from their successful lobbying of presidents Coolidge and Hoover on behalf of federal intervention to the trial, sentencing, and punishment of Al Capone. Hoffman also reconstructs in detail a number of privately sponsored citizen initiatives directed at stopping Capone. These private ventures included prosecuting the gangsters responsible for election crimes; establishing a crime lab to assist in gangbusting; underwriting the costs of the investigation of the Jake Lingle murder; stigmatizing Capone; and protecting the star witnesses for the prosecution in Al Capone's income tax evasion case. Hoffman suggests that as American society continues to be threatened by illegal drugs, gangs, and widespread violence, it is important to remember that the organized crime and political corruption of Prohibition-era Chicago were checked through the efforts of private citizens.
In a friendship spanning 60 years, Earl Smith and Bob DiMatteo reminisce about their lives, their families and their country. Longtime residents of Palmyra, a small town in Central Pennsylvania, they were born when the movies were silent and people were just becoming acquainted with the model T. They raised their children in a time and place where doors were unlocked and neighbors were family. They lived to understand Ipads and Avatar. Earl and Bob share stories of their family, work, and play. They had heroes like Babe Ruth, Dwight Eisenhower, Amos and Andy, Lowell Thomas, Dick Tracy, Tom Mix and Milton Hershey. What Gone with the Wind was to Atlanta, Bob and Earl is to Palmyra. It is a time that will never be again. This book is a dramatic reminder of just why the millions of Bobs and Earls along with their wives Lennie and Cas were proud unsung members of the Greatest Generation, the generation that made America strong. With steely focus, Bob and Earl, and their peers across the United States, built a better nation, one community at a time
"Don't get high on your own supply." Brian de Palma's brash, bloody version of Scarface was trashed by critics when it came out twenty-five years ago and didn't do well at the box office, but has become a spectacular fan favorite and enduring pop culture classic since. "Never underestimate the greed of the other guy." What makes millions of people obsess over this movie? Why has Al Pacino's Tony Montana become the drug kingpin whose pugnacity and philosophy are revered in boardrooms and bedrooms across America? Who were the people that made the movie, influencing hip-hop style and swagger to this day? "The world is yours." Scarface Nation is Ken Tucker's homage to all things Scarface—from the stars that acted in it to the influence it's had on all of us, from facts, figures and stories about the making of the movie to a witty and comprehensive look at Scarface's traces in today's pop and political culture. "Say hello to my li'l fren!" You know you love the line. You know you've seen the movie more than once. Now dive into the ultimate book of Scarface—mounded as high as the pile of cocaine on Tony's desk with delicious details and stimulating observations. "You know what capitalism is? F--- you!"
'Scarface' is a powerful, stylized commentary on violence, materialism, excess, corruption and crime in America. Set during the drug-driven decadence of Miami in the 1980's, it is a rags to riches story about the rise and fall of an illegal immigrant from dishwasher to narcotics kingpin who is undone by greed and delusions of grandeur triggered by cocaine psychosis. It is both thrilling entertainment and a wicked, nightmarish parody of the American dream. 'Scarface: The Ultimate Guide' places the movie in its historical context and examines its origins, development, production, release, critical reception and current status in the culture. The highlight of the book is a detailed analysis of the movie from first frame to FADE OUT. ""Chi-Chi. Chi-Chi. Get the yeyo.""
The wild, true story of the Mutiny, the hotel and club that embodied the decadence of Miami’s cocaine cowboys heyday—and an inspiration for the blockbuster film, Scarface... In the seventies, coke hit Miami with the full force of a hurricane, and no place attracted dealers and dopers like Coconut Grove’s Mutiny at Sailboat Bay. Hollywood royalty, rock stars, and models flocked to the hotel’s club to order bottle after bottle of Dom and to snort lines alongside narcos, hit men, and gunrunners, all while marathon orgies burned upstairs in elaborate fantasy suites. Amid the boatloads of powder and cash reigned the new kings of Miami: three waves of Cuban immigrants vying to dominate the trafficking of one of the most lucrative commodities ever known to man. But as the kilos—and bodies—began to pile up, the Mutiny became target number one for law enforcement. Based on exclusive interviews and never-before-seen documents, Hotel Scarface is a portrait of a city high on excess and greed, an extraordinary work of investigative journalism offering an unprecedented view of the rise and fall of cocaine—and the Mutiny—in Miami.
Robbie Robertson was a ruthless ex-soldier from Los Angeles. He had become the leader of a gang of bank robbers. He, however, had never taken part in anyone of the robberies, even though he took most of the loots for himself. The rest of the gang had had enough of him and decided they were taking off to Jamaica without his knowledge after one final heist in which a security guard was killed. Robbie was angry when he found out what had happened and vowed to find them if it took every cent he had. He found out where they were and he went there and employed the services of two of Jamaica's most notorious criminals and together, they eliminated his cronies one by one. But Robbie didn't stop there; he went about wiping out all of the witnesses, who could identify him if he were caught, including the two notorious gunmen, whom he had employed. But he made one mistake, or rather two, when he left cigarettes butts on two crime scenes.
2020 Blues Hall of Fame Classic of Blues Literature Jimi Hendrix called Earl Hooker "the master of the wah-wah pedal." Buddy Guy slept with one of Hooker's slides beneath his pillow hoping to tap some of the elder bluesman's power. And B. B. King has said repeatedly that, for his money, Hooker was the best guitar player he ever met. Tragically, Earl Hooker died of tuberculosis in 1970 when he was on the verge of international success just as the Blues Revival of the late sixties and early seventies was reaching full volume. Second cousin to now-famous bluesman John Lee Hooker, Earl Hooker was born in Mississippi in 1929, and reared in black South Side Chicago where his parents settled in 1930. From the late 1940s on, he was recognized as the most creative electric blues guitarist of his generation. He was a "musician's musician," defining the art of blues slide guitar and playing in sessions and shows with blues greats Muddy Waters, Junior Wells, and B. B. King. A favorite of black club and neighborhood bar audiences in the Midwest, and a seasoned entertainer in the rural states of the Deep South, Hooker spent over twenty-five years of his short existence burning up U.S. highways, making brilliant appearances wherever he played. Until the last year of his life, Hooker had only a few singles on obscure labels to show for all the hard work. The situation changed in his last few months when his following expanded dramatically. Droves of young whites were seeking American blues tunes and causing a blues album boom. When he died, his star's rise was extinguished. Known primarily as a guitarist rather than a vocalist, Hooker did not leave a songbook for his biographer to mine. Only his peers remained to praise his talent and pass on his legend. "Earl Hooker's life may tell us a lot about the blues," biographer Sebastian Danchin says, "but it also tells us a great deal about his milieu. This book documents the culture of the ghetto through the example of a central character, someone who is to be regarded as a catalyst of the characteristic traits of his community." Like the tales of so many other unheralded talents among bluesmen, Earl Hooker, Blues Master, Hooker's life story, has all the elements of a great blues song--late nights, long roads, poverty, trouble, and a soul-felt pining for what could have been.
Duvall, Texas. A small town that’s about to be in some big trouble. Tammy Jo Trask is finally ready to embrace her mixed-up magic, but not everyone in town is what you’d call supportive. While a scripture-spouting posse is organized to kidnap her and “save” Duvall from witchcraft, the president of WAM—the World Association of Magic—arrives to investigate Tammy’s entanglement with the off-limits and drop-dead gorgeous wizard Bryn Lyons. But when a clash between the locals and the magical visitors leads to a series of unnatural disasters, Tammy Jo will have to hope that her magical synergy with Bryn is enough to save the town from certain doom.
