E. Vuillard

E. Vuillard

Author: Guy Cogeval

Publisher: Yale University Press

Published: 2003-01-01

Total Pages: 534

ISBN-13: 0300097379

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"The long and illustrious career of Edouard Vuillard spans the fin-de-siecle and the first four decades of the twentieth century, during which time the French painter, printmaker, and photographer created an extraordinary body of work. This is the first volume to explore Vuillard's rich and varied career in its totality, presenting nearly 350 works that demonstrate the full range of his subject matter and reveal both the public and private sides of this quintessentially Parisian artist." "In a series of illustrated essays and catalogue entries, the authors explore Vuillard's complex and diverse artistic development, beginning with his academic training in Paris in the late 1880s and the innovative Nabi paintings of the 1890s for which he is best known, including his provocative, disquieting middle-class interiors and his work associated with the avant-garde theatre. The authors also examine Vuillard's splendid but lesser known large-scale decorations, his luminous landscapes, and the elegant portraits from the last decades of his career. In addition to paintings, the volume includes a substantial selection of drawings and graphics, together with a large group of striking photographs by the artist, many of which are published here for the first time." "This illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the work of Edouard Vuillard (1868-1940). The exhibition opens at the National Gallery of Art in Washington and travels to the Montreal Museum of Fine Arts, the Galeries nationales du Grand Palais in Paris, and the Royal Academy of Arts, London."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Venus Betrayed

Venus Betrayed

Author: Julia Frey

Publisher:

Published: 2019

Total Pages: 0

ISBN-13: 9781789141603

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"Marvelous, beautifully illustrated."--Wall Street Journal Édouard Vuillard was so secretive that he berated himself for betraying his emotions in conversation. He was a reticent, impassioned man, at once a timid stalker and a social climbing anarchist, caught in conflicting desires. From the 1880s until the advent of World War II, using styles from academic to pointillist to Nabi to Fauve, Vuillard's abundant paintings revealed his turmoil of love and hatred: models pose beside a plaster torso cast from the Venus of Milo, women appear without faces, anxiety radiates from many masterpieces--while other works were left unfinished for months or years. Drawing on insights and images from Vuillard's still unpublished diaries, Julia Frey takes us into Vuillard's private world of cabarets, experimental theaters, holiday resorts, and intimate boudoirs, showing how his art reflects his fraught personal relations and his artistic struggles. Frey highlights many of his finest works, from his famous intimate interior scenes to book illustrations and poster designs, and she examines his complex relationships with iconic friends like Pierre Bonnard, Henri de Toulouse-Lautrec, Stéphane Mallarmé, and Felix Vallotton, as well as with the women he loved--his mother and sister, penniless models, and rich men's wives.


Maman

Maman

Author: Francesca Berry

Publisher:

Published: 2018

Total Pages: 83

ISBN-13: 9781911300465

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Madame Vuillard is a particular focus of the work produced during the initial decade of Edouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom', whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928.00Exhibition: The Barber Institute of Fine Arts, Birmingham, UK (19.10.2018 - 20.01.2019).


Edouard Vuillard

Edouard Vuillard

Author: Gloria Lynn Groom

Publisher: Yale University Press

Published: 1993-01-01

Total Pages: 288

ISBN-13: 9780300055559

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Edouard Vuillard (1868-1940), one of the most admired post-impressionist artists, is best-known for his small easel paintings and their charming portrayals of everyday life. However, a major part of his work during his early life was the painting of large decorative panels in the Parisian homes of wealthy private patrons, produced between 1892 and 1912. These panels - some fifty in total - have been little studied, due principally to the inaccessibility of many of them and the impossibility of their being included in exhibitions.


Beyond the Easel

Beyond the Easel

Author: Gloria Lynn Groom

Publisher: Yale University Press

Published: 2001-01-01

Total Pages: 318

ISBN-13: 0300089252

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"The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication." "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


The William S. Paley Collection

The William S. Paley Collection

Author: William Rubin

Publisher: The Museum of Modern Art

Published: 2012

Total Pages: 189

ISBN-13: 0870708406

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"William S. Paley, founder of CBS, Inc., and a towering figure in the development of entertainment and communications industries, was also a committed collector and patron of modern art. This book catalogues the highly personal collection of paintings, sculptures, prints and drawings, by such artists as [Paul] Cézanne, [Paul] Gauguin, [Henri] Matisse, [Pablo] Picasso, and others, that he bequeathed to the Museum of Modern Art. ..."--Back cover.


Monet to Moore

Monet to Moore

Author: Richard R. Brettell

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 241

ISBN-13: 0300081340

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This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States."--BOOK JACKET.


Millet to Matisse

Millet to Matisse

Author: Kelvingrove Art Gallery and Museum

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 234

ISBN-13: 0300097808

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The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.