A Virginia homicide detective must save a young widow from an obsessed serial killer in the New York Times bestselling author’s romantic suspense novel. An aspiring artist. A high-school senior. A stripper. Three missing women with only one thing in common—wealthy Craig Thornton knew them all. For that, they paid the ultimate price. Then Craig comes to his own untimely end, and his wife Adrianna is left to face the shocking truth of his life . . . When Adrianna starts receiving cards and flowers from her late husband, she assumes it’s someone’s cruel joke. Then grisly remains are found on the Thornton estate. Detective Gage Hudson believes the bodies are linked to Craig. But the biggest shocks are yet to come. A psychopath has resumed his work, each death a prelude to his most cherished target. The only way to stop him is to uncover a family’s dark past—and a twisted love someone will kill for, again and again . . .
The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.
The undisputed originator of urban lit, Donald Goines ups the ante with one of his most enduring characters, as he continues the gripping, gritty story of crime in the black ghetto that he began in Crime Partners. Now reissued for the first time in a decade with a fresh new look! Kenyatta has it good. The gang lord’s got the ladies, the clubs, the guns, and an army of deadly brothers at the ready when he says the word. The only problem is the shady dealers who are running the drugs in Detroit. It’s time to get them out, even if means making a deal with the men in blue. Once the plan is in place, nobody’s safe, everybody’s a target, and the streets are about to flood with blood.
A beautiful newscaster teams up with a Virginia detective to stop a serial killer in this romantic thriller by the New York Times bestselling author. Beside each body, he leaves a simple charm bearing a woman’s name: Ruth, Judith, Rachel. The victims were strangers to each other, but they have been chosen with care. Each bears a striking resemblance to Kendall Shaw, a local anchorwoman. And each is brutally strangled by a madman whose obsession will never end . . . In front of the cameras, Kendall is the picture of stylish confidence. But at night she’s haunted by nightmares in which she is young, alone, and filled with fear. Are these memories—or omens? Despite warnings from Richmond Detective Jacob Warwick, Kendall can’t stop investigating the recent string of murders. She knows she holds the key to catching an obsessed psychopath—ss long as he doesn’t catch her first . . . As Kendall and Jacob dig deep into the victims’ backgrounds, a legacy of evil begins to resurface. Every moment—and every murder—has been leading to Kendall. And nothing will stop the killer making her the final victim . . . “With a gift for artful obfuscation, Burton juggles a budding romance and two very plausible might-be perpetrators right up to the tense conclusion.”—Publishers Weekly
For centuries, something has been slumbering deep inside of Kimmler’s Mountain. In the endless darkness, an unrelenting horror has grown...waiting. In the late 1800’s, greed sets it free. A mine owner named Martin Kimmler releases a plague upon the people of the mountain, a plague that turns the dead into ravenous demons. Cannibals. Monsters that exist only to feed and to spread the horrific infection. As the ancient cosmic evil unleashes its Hell on Earth, the men and women from the mountain towns of White Wood and Gilliam form unlikely alliances with Natives from the sacred tribe of the Madoosk. Some fight the onslaught of the dead or travel toward the heart of the mountain, to the source of the plague. Others risk life and limb to escape Kimmler’s Mountain with as much pilfered gold as possible, cutting ruthless swaths across the lawless landscape and through anyone in their way. Battles great and small will dot the blood-soaked mountain as the good in men battles the cosmic evil. The Great Evil is awake. The Great Plague is spreading. The End of Humanity hangs in the snapping jaws of the Hollow Mountain Dead.
Chorus Of The Dead is a collection of short horror stories that will both terrify as well as raise a smile for the poetic justice it dishes out to it's victims. Witness the supernatural horror of a serial killer caught between this world and the next. Feel the psychological terror of a teenage girl reeking her brand of revenge. Watch shape shifters and the walking dead rule the earth. An old man will slowly lose his mind as he enters your soul...
