Dvorak and His World

Dvorak and His World

Author: Michael Beckerman

Publisher: Princeton University Press

Published: 1993-09-12

Total Pages: 296

ISBN-13: 0691000972

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Comprising both interpretive essays and a selection of documents that bear testimony to Dvořák's career and musical works, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal of his work.


German Operetta on Broadway and in the West End, 1900-1940

German Operetta on Broadway and in the West End, 1900-1940

Author: Derek B. Scott

Publisher: Cambridge University Press

Published: 2022-06-23

Total Pages: 393

ISBN-13: 9781108723329

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Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.


Symphony no. 9 in E minor, op. 95

Symphony no. 9 in E minor, op. 95

Author: Antonín Dvo?ák

Publisher: Courier Corporation

Published: 1997-01-01

Total Pages: 84

ISBN-13: 9780486298924

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A great and lasting favorite in the vast symphonic literature, Antonín Dvo?ák's "New World" Symphony is among the composer's most enduring and appealing works, exceptionally popular worldwide ever since its premiere in 1893. The work rose out of the composer's three-year stay in the United States, blending echoes of American Indian impressions with music that reflects Dvo?ák's Bohemian homeland. Folksy, evocative, spontaneous, endlessly melodic, and rhythmically alive and inventive, his Symphony No. 9 is the composer at his very best and most characteristic. This work appears in full score with original instrumentation, bar-numbered movements, and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, convenient-sized volume will be the edition of choice for music students and music lovers alike.


All Music Guide to Classical Music

All Music Guide to Classical Music

Author: Chris Woodstra

Publisher: Hal Leonard Corporation

Published: 2005

Total Pages: 1620

ISBN-13: 9780879308650

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Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.


George Whitefield Chadwick

George Whitefield Chadwick

Author: Bill F. Faucett

Publisher: Scarecrow Press

Published: 1996

Total Pages: 244

ISBN-13: 9780810830387

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Investigates the American composer's six symphonic works, looking at their historical background with respect to contemporary trends in American compositions and comparing them to aesthetic models in European symphonic tradition. Offers detailed musical analysis of the structural and stylistic tendencies in the works, and reviews the critical reception of his symphonic oeuvre. Includes musical examples, works and performance lists, and a discography. Annotation copyright by Book News, Inc., Portland, OR


Gateways to Understanding Music

Gateways to Understanding Music

Author: Timothy Rice

Publisher: Taylor & Francis

Published: 2022-11-14

Total Pages: 1062

ISBN-13: 1000777693

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Gateways to Understanding Music, Second Edition, explores music in all the categories that constitute contemporary musical experience: European classical, popular, jazz, and world music. Covering the oldest forms of human music making to the newest, this chronology presents music from a global rather than a Eurocentric perspective. Each of 60 "gateways" addresses a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time, and what does that music mean today? Students learn to listen to, explain, understand, and ultimately value all the music they encounter in their world. New to this edition is a broader selection of musical examples that reflect the values of diversity, equity, and inclusion advocated by North American universities. Eight gateways have been replaced. A timeline of gateways helps students see the book’s historical narrative at a glance. Features Values orientation—Diverse, equitable, and inclusive approach to music history. All genres of music—Presents all music as worthy of study, including classical, world, popular, and jazz. Global scope within a historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Recurring themes — Aesthetics, emotion, social life, links to culture, politics, economics, and technology. Modular framework—60 gateways—each with a listening example—allow flexibility to organize chronologically or by the seven themes. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. Anthology of scores—For those courses that use the textbook in a music history sequence. Gateways to Understanding Music continues to employ a website to host the audio examples and instructor’s resources.


Music in Words

Music in Words

Author: Trevor Herbert

Publisher: Oxford University Press

Published: 2009-02-12

Total Pages: 249

ISBN-13: 0195373723

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Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format.This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.


Boston Symphony Orchestra

Boston Symphony Orchestra

Author: James H. North

Publisher: Scarecrow Press

Published: 2008

Total Pages: 470

ISBN-13: 0810862093

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This discography addresses all the recordings made by The Boston Symphony Orchestra and by the Boston Symphony Chamber Players. Each entry contains complete details of the recording session and work, including all the soloists and choruses, as well as issued discs and tapes in many formats. The material is cross-referenced in indexes organized by composer, conductor, and soloist. In addition to commercial recordings, this volume has separate sections on recordings issued by the U.S. government, recordings made by BSO musicians under other ensemble names, and 'pirate' recordings of BSO concerts and broadcasts.