International humanitarian law is applied across the world in domestic courts. This book investigates how five domestic courts, the UK, US, Canada, Italy, and Israel, have done so, arguing that they show a range of different approaches, from acting as apologists for the use of force to actively promoting international humanitarian law.
When do "hermit" and "maudit" not rhyme? When you're a fellow traveler in Macgregor Card's global community of canny songsters. Card's deft, lushly Romantic speaker has "friends in London." No, he's got "friends in London," and the emphasis makes all the difference in this worldly debut. These poems are inexhaustibly sophisticated, not just because of the occasional mention of England and the English, or other European citizenry, which functions as a kind of breezy, fond wave to literary tradition, but because of its surefootedness in the terrain of pastoral/personal nostalgia: the longing for that which is a putative past, a past no one lived through. This is a sublime nonsensical balladry, a songbook of meditations on hospitality, fidelity, friendship, regret and the lyric, with a stylistic nod to the late Spasmodic Sydney Dobell, out of print since 1875. Here the song drives the engine and finds brilliant solutions.
Since the suffrage campaigns in the early twentieth century, the advancement of women's rights in the UK has been nonstop. Proponents of the cause have aimed for equality across all sectors: personal and civil rights, employment rights, equal pay – and yet Britain's first official female ambassador did not take up her position until 1976. Many obstacles lay between a capable, educated woman and the fulfilment of her potential. Here, Elizabeth and Richard Warburton cast a detailed eye over the advancement of women in the Foreign Office, as diplomats, ambassadors, ministers and Foreign Secretary. Leaving no stone unturned, they discuss the culturally conservative, closed pillar of the Foreign Office in the context of the times, and of the development of women's rights both in the UK and across the first world. Supported by first-person accounts, they explore the stories of those who successfully broke through the constraints of convention, prejudice and law, and why.
