Dance and Its Music in America, 1528-1789
Dance and Its Music in America, 1528-1789

Author: Kate Van Winkle Keller

Publisher: Pendragon Press

Published: 2007

Total Pages: 720

ISBN-13: 9781576471272

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Spanish exploration and settlement -- French exploration and settlement -- The English plantation colonies in the South -- The tobacco colonies -- New England -- The Middle Atlantic colonies.

Hoedowns, Reels, and Frolics
Hoedowns, Reels, and Frolics

Author: Phil Jamison

Publisher: University of Illinois Press

Published: 2015-07-15

Total Pages: 305

ISBN-13: 0252097327

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In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.

From the Ballroom to Hell
From the Ballroom to Hell

Author: Elizabeth Aldrich

Publisher:

Published: 1991

Total Pages: 256

ISBN-13:

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In this entertaining glimpse into the manners and mores of a bygone era, Aldrich collects some 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from roughly 1800-1890. Included are step-by-step instructions for performing the various quadrilles, minuets, and waltzes, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. An excellent introduction provides the context. With bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR

Adversaries of Dance
Adversaries of Dance

Author: Ann Louise Wagner

Publisher: University of Illinois Press

Published: 1997

Total Pages: 472

ISBN-13: 9780252065903

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Whether in the private parlor, public hall, commercial "dance palace," or sleazy dive, dance has long been opposed by those who viewed it as immoral--more precisely as being a danger to the purity of those who practiced it, particularly women. In Adversaries of Dance, Ann Wagner presents a major study of opposition to dance over a period of four centuries in what is now the United States. Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited. Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status. "There are no other works that even begin to approach this definitive accomplishment." --Amanda Porterfield, author of Female Piety in Puritan New England

Celebrating Flamenco's Tangled Roots
Celebrating Flamenco's Tangled Roots

Author: K. Meira Goldberg

Publisher: Cambridge Scholars Publishing

Published: 2022-01-18

Total Pages: 492

ISBN-13: 1527579425

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This collection of essays poses a series of questions revolving around nonsense, cacophony, queerness, race, and the dancing body. How can flamenco, as a diasporic complex of performance and communities of practice frictionally and critically bound to the complexities of Spanish history, illuminate theories of race and identity in performance? How can we posit, and argue for, genealogical relationships within and between genres across the vast expanses of the African—and Roma—diaspora? Neither are the essays presented here limited to flamenco, nor, consequently, are the responses to these questions reduced to this topic. What all the contributions here do share is the wish to come together, across disciplines and subject areas, within the academy and without, in the whirling, raucous, and messy spaces where the body is free—to celebrate its questioning, as well as the depths of the wisdom and knowledge it holds and sometimes reveals.