Ducky is unlucky—somehow things just always seem to go wrong. So he decides to look for a four-leaf clover; that will do the trick! But when he goes to the park, there is none to be found. However, what Ducky finds instead is much greater: he meets Piggy, Bunny, and Pup and realizes that having friends makes him the luckiest duck of all! Lucky Ducky is a bright and bubbly new picture book that shows young readers how luck is all about how you perceive it and that anyone has the power to turn his or her luck around.
When a violent ocean storm causes a crate holding assorted plastic tub toys -- including one resilient little duck -- to wash overboard, the course of Ducky's life alters drastically. This engaging story based on a real event includes an author's note.
Leela Great Life is about what a little girl see ́s through her eyes in everyday life. Along with her friend Ducky they will take adventures, talk and play
Whether you want to dash off a limerick, ponder a sonnet or plot an epic poem, this write-in activity book is here to help. Each page is bursting with tips and inspiration for writing all kinds of poems - and inventing brand new styles too. With links to websites where you can listen to many of the poems in this book, and find more helpful writing tips.
The author of "The Gospel According to Peanuts" now turns his attention to the works and verses of Theodor Geisel, a.k.a. Dr. Seuss, who is hardly regarded as a Christian thinker. However, by drawing on the Bible and other works, Short presents quick theological readings of Seusss works.
Energize your story programs by infusing them with the power of movement! This guide offers you dozens of interactive, ready-to-use, age-appropriate and story-based activities that get children actively involved in learning. Designed to expand the child's self-awareness, range of expression, and aesthetic sensibility at particular stages of development, from infancy to puberty, these literature-based programs are simple enough to be used by any educator, even if you have little or no dance experience. Included for each program are learning goals/skill development, a literature-story connection, and detailed instructions for movement and vocal improvisation and creative dramatics. A great resource for after school programs, home schools, and daycare centers. Ages Infant-14 Stories on the Move develops a child's emergent, cultural, and interpretative literacy skills. The first three chapters for babies, toddlers, and preschoolers are based on nationally recognized standards and methods for tapping emergent literacy skills. The fourth chapter takes children on StoryTrips to other countries and includes language, stories, dances, and customs of those countries. The fifth and sixth chapters for older children show them how to interpret story structure and the elements of character, setting, mood, plot, and theme. Included for each program are learning goals/skill development, a literature-story connection, and detailed instructions for movement and vocal improvisation and creative dramatics. A great resource for after school programs, home schools, and daycare centers. Ages Infant-14.
Humor, sex, and satirized or upturned gender roles and social stereotypes characterize the Latin comedies updated and translated into Italian that became popular in Italy at the turn of the 16th century. The translations are by and for scholars of literature and history, rather than for production or performance. There are explanatory notes, but no bibliography or index. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
"Perfect for reading aloud, this counting book not only contains bright bold illustrations but also has lots of . . . sound effects that children will love to replicate." -- BOOKLIST Down by the marsh, by the sleepy, slimy marsh, one duck gets stuck in the muck . . . Can two fish, tails going swish, help? What about three moose, munching on spruce? Bright, spirited illustrations by Jane Chapman enhance this one-of-a-kind counting tale by Phyllis Root - a feast of sounds and numbers that will have listeners scrambling to join in the slippy, sloppy fun.
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
