David Langlinais weaves textured, evocative tales of family and outdoorsmanship, of the human struggle to find identity in an ever-changing landscape. Duck Thief and Other Stories--set mostly in Louisiana's southern parishes--is reminiscent of Ellen Gilchrist, with stories rich in the native culture and French patois. Langlinais's voice is clear, straight-forward and seemingly effortless. Pride, race, death, mental illness, infidelity--no subject is off-limits. Cajun narratives, as well as those taking place in big-city Texas, shine a light on characters trying to find their way through the world, to make sense of situations that make no sense at all.
Jiangnan, that part of east-central China watered by the Yangzi River, is the ironically Edenic setting for these six powerful tales of devotion, betrayal, and defilement. Zhu Lin, a uniquely angry female voice on China’s literary scene, takes a particular interest in the plight of young women whose exceptional qualities condemn them to exploitation by men. No other contemporary Chinese writer renders the hostility of rural society toward women in such stark and ultimately tragic terms. Serpents tyrannize the innocent in this fictional Jiangnan garden. The title story refers to a fragrant, blood-red flower known as the snake’s pillow, which symbolizes an innocent girl betrayed and violated by a male figure of authority. Immersed in the heady and sensual imagery of the natural world, Zhu Lin’s female protagonists invite comparisons not only with Eve but also with Thomas Hardy’s Tess. Zhu Lin has said of her fiction that its purpose is to “summon the souls” of readers who have lost themselves in the turbulence of a society in the transition to modernity—and then to restore these lost souls to the bodies they have left. An evocation of both flesh and spirit, these Jiangnan stories give voice to the complex and disturbing experience of women in a changing society.
Fast-paced and fun, ‘The Thief in the Night and Other Stories’ is a collection of six tales from the pen of one of the 20th Century’s most prolific writers. The title story follows Inspector Jack Danton as he investigates a proliferation of poison pen letters and thefts to and from wealthy young debutantes. Other novelettes, such as ‘Findings are Keepings’ and ‘The Compleat Criminal,’ are laced with Wallace’s trademark wit and critical appraisal of life in the upper echelons during the early 20th century. A superb read for fans of Wallace's body of work. Born in London, Edgar Wallace (1875 – 1932) was an English writer so prolific, that his publisher claimed that he was responsible for a quarter of all books sold in England. Leaving school at the age of 12, Wallace made his first steps into the literary world by selling newspapers on the corner of Fleet Street. He worked as a war correspondent after joining the army at age 21, which honed his writing abilities. This led to the creation of his first book, ‘The Four Just Men.’ Wallace is best remembered as the co-creator of ‘King Kong,’ which has been adapted for film 12 times (most notably directed by ‘Lord of the Rings’ director, Peter Jackson, and starring Jack Black and Naomi Watts). However, he leaves behind an extensive body of work, including stories such as ‘The Crimson Circle’ and ‘The Flying Squad’.
From the award-winning author of Little Pea, Little Hoot, and Little Oink comes a clever take on the age-old optical illusion: is it a duck or a rabbit? Depends on how you look at it! Readers will find more than just Amy Krouse Rosenthal's signature humor herethere's also a subtle lesson for kids who don't know when to let go of an argument. A smart, simple story that will make readers of all ages eager to take a side, Duck! Rabbit! makes it easy to agree on one thing—reading it again!
“[Eisenberg] reminds us in every line of certain saving virtues: wit, wild intelligence, great heart, the beauty of the inquiring human voice. If our culture can produce a writer this wonderful, there must be something beautiful about us yet.” — George Saunders Instead of forcing her characters’ stories into neat, arbitrary, preordained shapes, [Eisenberg] allows them to grow organically into oddly shaped, asymmetrical narratives—narratives that possess all the surprising twists and dismaying turns of real life.” — New York Times “Deborah Eisenberg, one of America’s finest writers, offers new ways of seeing and feeling, as if something were being perfected at the core.” — San Francisco Chronicle “Reading [Eisenberg] makes you wish, as you study the family in front of you in the grocery line, that you could see their thoughts rendered as one of Eisenberg’s stunning inner monologues.” — Los Angeles Times “...[S]uperlative and entertaining...Eisenberg is funny, grim, biting, and wise, but always with a light touch and always in the service of worlds that extend far beyond the page. A virtuoso at rendering the flickering gestures by which people simultaneously hide and reveal themselves, Eisenberg is an undisputed master of the short story.” — Publishers Weekly (starred review) “[Eisenberg] is always worth the wait...so instantly absorbing that it feels like an abduction...This book offers no palliatives to its characters or to its readers — no plan of action. But it is a compass.” — The New York Times “Eisenberg is a gorgeous writer...I thank my stars that there’s a writer in the increasingly imperiled world as smart and funny and blazingly moral and devastatingly sidelong as she is.” — New York Times Book Review “Every character is memorable, every situation seizes our attention, and not a single word is out of place...It’s my fervent hope...that someday we’ll have the opportunity to look back on the many more stories that Deborah Eisenberg has yet to write.” — Financial Times
A globetrotting, time-bending, wildly entertaining masterpiece hailed by the New York Times Book Review as "Audaciously well written...the book I was raving about to my friends before I'd even finished it." Publishers Weekly raved that "with near-universal appeal . . . Seay’s debut novel is a true delight, a big, beautiful cabinet of wonders that is by turns an ominous modern thriller, a supernatural mystery, and an enchanting historical adventure story." Set in three cities in three eras, The Mirror Thief calls to mind David Mitchell and Umberto Eco in its mix of entertainment and literary bravado. The core story is set in Venice in the sixteenth century, when the famed makers of Venetian glass were perfecting one of the old world's most wondrous inventions: the mirror. An object of glittering yet fearful fascination—was it reflecting simple reality, or something more spiritually revealing?—the Venetian mirrors were state of the art technology, and subject to industrial espionage by desirous sultans and royals world-wide. But for any of the development team to leave the island was a crime punishable by death. One man, however—a world-weary war hero with nothing to lose—has a scheme he thinks will allow him to outwit the city's terrifying enforcers of the edict, the ominous Council of Ten . . . Meanwhile, in two other Venices—Venice Beach, California, circa 1958, and the Venice casino in Las Vegas, circa today—two other schemers launch similarly dangerous plans to get away with a secret . . . All three stories will weave together into a spell-binding tour-de-force that is impossible to put down—an old-fashioned, stay-up-all-night novel that, in the end, returns the reader to a stunning conclusion in the original Venice . . . and the bedazzled sense of having read a truly original and thrilling work of art.
Ten stories and a novella. Steampunk, Sci-Fi Dystopian, Fantasy, American Wild West, Horror, American Detective Noir -- Freelance, The Kid in the Cold, In the Eyes, Blanket of Crickets, Hunger, Invisible Chain, Le Morte d'Dupin, The Spring Stand, Three Ravens, The Case of the Glowing Scarabs, Mile High Cold
