Because the stories in James Joyce's Dubliners seem to function as models of fiction, they are able to stand in for fiction in general in their ability to make the operation of texts explicit and visible. Joyce's stories do this by provoking skepticism in the face of their storytelling. Their narrative unreliabilities—produced by strange gaps, omitted scenes, and misleading narrative prompts—arouse suspicion and oblige the reader to distrust how and why the story is told. As a result, one is prompted to look into what is concealed, omitted, or left unspoken, a quest that often produces interpretations in conflict with what the narrative surface suggests about characters and events. Margot Norris's strategy in her analysis of the stories in Dubliners is to refuse to take the narrative voice for granted and to assume that every authorial decision to include or exclude, or to represent in a particular way, may be read as motivated. Suspicious Readings of Joyce's Dubliners examines the text for counterindictions and draws on the social context of the writing in order to offer readings from diverse theoretical perspectives. Suspicious Readings of Joyce's Dubliners devotes a chapter to each of the fifteen stories in Dubliners and shows how each confronts the reader with an interpretive challenge and an intellectual adventure. Its readings of "An Encounter," "Two Gallants," "A Painful Case," "A Mother," "The Boarding House," and "Grace" reconceive the stories in wholly novel ways—ways that reveal Joyce's writing to be even more brilliant, more exciting, and more seriously attuned to moral and political issues than we had thought.
Dubliners is a collection of picturesque short stories that paint a portrait of life in middle-class Dublin in the early 20th century. Joyce, a Dublin native, was careful to use actual locations and settings in the city, as well as language and slang in use at the time, to make the stories directly relatable to those who lived there. The collection had a rocky publication history, with the stories being initially rejected over eighteen times before being provisionally accepted by a publisher—then later rejected again, multiple times. It took Joyce nine years to finally see his stories in print, but not before seeing a printer burn all but one copy of the proofs. Today Dubliners survives as a rich example of not just literary excellence, but of what everyday life was like for average Dubliners in their day. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
" ""Serving as tour guide, Fox invites his audience to go with him log rafting down the Kentucky River, bass fishing in the Cumberland Mountains, rabbit hunting in the Bluegrass, and chasing outlaws in the border country of Kentucky and Virginia. Along the route we meet Old South colonels and their ladies, lawless moonshiners and their shy daughters, bloodthirsty preachers, and educated young gentlemen visitors who explore the southern mountains for fun and profit. These sketches offer a delightful blend of macho adventure and sage observation by an erudite young writer who had lived in the two worlds that provide his subject matter-the elegant society of the Bluegrass aristocracy and the hardscrabble feuding clans of mountaineers.""
Enigmatic, vivid, and terse, James Joyce’s Dubliners continues both to puzzle and to compel its readers. This collection of essays by thirty contributors from seven countries presents a revolutionary view of Joyce’s technique and draws out its surprisingly contemporary implications by beginning with a single unusual premise: that meaning in Joyce’s fiction is a product of engaged interaction between two or more people. Meaning is not dispensed by the author; rather, it is actively negotiated between involved and curious readers through the medium of a shared text. Here, pairs of experts on Joyce’s work produce meaning beyond the text by arguing over it, challenging one another through it, and illuminating it with relevant facts about language, history, and culture. The result is not an authoritative interpretation of Joyce’s collection of stories but an animated set of dialogues about Dubliners designed to draw the reader into its lively discussions.
Celebrating the 100th anniversary of the year in which Joyce penned his famous collection, New Dubliners presents eleven deeply human, evocative stories set in the Irish capital, by such award-winning and leading Irish authors as Roddy Doyle, Colum McCann, Joseph O'Connor, Bernard MacLaverty, and Frank McGuinness. B Born in New York, Oona Frawley is currently a Fellow at the Institute of Irish Studies, Queen's University, Belfast. She is the author of Irish Pastoral: Nature and Nostalgia in 20th Century Irish Literature and editor of A New & Complex Sensation: Essays on Joyce's Dubliners.
With an essay by J. I. M. Stewart. 'Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears ... But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work' From a child grappling with the death of a fallen priest, to a young woman's dilemma over whether to elope to Argentina with her lover, to the dance party at which a man discovers just how little he really knows about his wife, these fifteen stories bring the gritty realism of existence in Joyce's native Dublin to life. With Dubliners, James Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
"The Dead is one of the twentieth century's most beautiful pieces of short literature. Taking his inspiration from a family gathering held every year on the Feast of the Epiphany, Joyce pens a story about a married couple attending a Christmas-season party at the house of the husband's two elderly aunts. A shocking confession made by the husband's wife toward the end of the story showcases the power of Joyce's greatest innovation: the epiphany, that moment when everything, for character and reader alike, is suddenly clear.
'Little jets of wheezing laughter followed one another out of his convulsed body. His eyes, twinkling with cunning enjoyment, glanced at every moment towards his companion's face.' 'When he was quite sure that the narrative had ended he laughed noiselessly for fully half a minute. Then he said: - Well...! That takes the biscuit!' James Joyce's naturalistic, unflinching portrayal of ordinary working people in his Dubliners stories was a literary landmark. These four stories from that collection offer glimpses of defeated lives - an unremarkable death, a theft, a desperate plan, a failed writer's dream - yet each creates a compelling and ultimately redemptive vision of a city and of human experience. This book includes Two Gallants, The Sisters, The Boarding House and A Little Cloud.
‘Heady and rambunctious ... Wake up, this book says: in its plot lines, in its humour, in its philosophical underpinnings and political agenda. I'll pay it the highest compliment it knows – this book is a wild thing.’ New York Times Book Review