Brand new stories by: Ken Bruen, Eoin Colfer, Jason Starr, Laura Lippman, Olen Steinhauer, Peter Spiegelman, Kevin Wignall, Jim Fusilli, John Rickards, Patrick J. Lambe, Charlie Stella, Ray Banks, James O. Born, Sarah Weinman, Pat Mullan, Gary Phillips, Craig McDonald, Duane Swierczynski, Reed Farrel Coleman, and others. Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin. Dublin Noir features an awe-inspiring cast of writers who between them have won all major mystery and crime-fiction awards. This collection introduces secret corners of a fascinating city and surprise assaults on the "Celtic Tiger" of modern Irish prosperity. "The stories paint a picture of Dublin as the Celtic Tiger, a beast crouched on its hind legs about leap at you and roaring with its intensity . . . The cynicism and despair of classic noir is portrayed within each of these stories." --Metro LA "Dublin Noir is perhaps the best short story anthology I've read." --Reviewing the Evidence
“To travel through the 19 works of poetry and prose in this remarkable anthology is to experience Trinidad and Tobago through a kaleidoscopic lens.” —Publishers Weekly, starred review Two of Trinidad’s top writers masterfully curate this literary retrospective of the nation’s best writing over the past century from authors who were largely part of the literary wave that swept in with Trinidadian Independence in 1962. Though Trinidad Noir: The Classics encompasses a variety of moods and themes, it winds up capturing the uniquely Trinidadian character. Influenced by the waning days of the colonial world—an era rife with crime, violence, enslavement, and indentureship—the selections highlight the often heroic individuals of the underclass. In this anthology, you’ll find reprints of classic stories and poems by C.L.R. James, Derek Walcott, Samuel Selvon, Eric Roach, V.S. Naipaul, Harold Sonny Ladoo, Michael Anthony, Willi Chen, Earl Lovelace, Robert Antoni, Elizabeth Nunez, Ismith Khan, Lawrence Scott, Wayne Brown, Jennifer Rahim, Elizabeth Walcott-Hackshaw, Sharon Millar, Barbara Jenkins, and Shani Mootoo. “Lovelace and Antoni offer a ‘subversive’ take on island culture . . . Whether history repeats itself or progress is stalled by people’s infinite capacity to get in their own ways, these 19 reprinted tales offer a bittersweet perspective on the cussedness of human nature.” —Kirkus Reviews “Holds strong appeal for fans of noir and literary writing.” —Library Journal
"Brooklyn Noir came first in 2004, and now, 15 years later, Houston Noir--14 stories of intrigue, betrayal and death set from Tanglewood to Third Ward penned by current or former Houston authors--goes on sale." --Houston Chronicle "Akashic Books's long-running Noir Series tasks writers with imagining the dark sides of their communities, spinning gritty, shocking tales atop the local landscape. Recently the publisher tapped writer and former Houston poet laureate Gwendolyn Zepeda to serve as editor on a collection of stories about her native Bayou City. The end result is Houston Noir, out this month, whose 14 entries explore the murder, betrayal, and brujería lurking everywhere from River Oaks to the Ship Channel to a trailer park off FM 1960." --Houstonia Magazine "Houston is a city on the rise when it comes to crime fiction--something about all those lonely highways, gravity-defying overpasses, and drastic urban sprawl (and of course, the crime rate) make Houston a perfect setting for noir. This port city of close to five million residents is ready for a new reputation as a world capital of literature, and we're here to support Akashic's new collection of noir tales from Texas's most complex city." --CrimeReads, included in The Best New Crime Fiction of May 2019 "With sprawl and serial killers, Houston Noir packs a mean punch...Houston Noir is a welcome addition to the city's slowly filling bookcase." --Texas Observer "Editor Gwendolyn Zepeda has cannily divided the collection into four separate areas of the city, which only serves to multiply a reader's certainty: Like the sodden sheet covering a much-lacerated corpse, all of Houston is pretty much dripping with crime. Best to experience it, we suggest, only between the covers of this new paperback." --Austin Chronicle Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Tom Abrahams, Robert Boswell, Sarah Cortez, Anton DiSclafani, Stephanie Jaye Evans, Wanjiku Wa Ngugi, Adrienne Perry, Pia Pico, Reyes Ramirez, Icess Fernandez Rojas, Sehba Sarwar, Leslie Contreras Schwartz, Larry Watts, and Deborah D.E.E.P. Mouton. From the introduction by Gwendolyn Zepeda: In a 2004 essay, Hunter S. Thompson described Houston as a "cruel, crazy town on a filthy river in East Texas with no zoning laws and a culture of sex, money and violence. It's a shabby, sprawling metropolis ruled by brazen women, crooked cops and super-rich pansexual cowboys who live by the code of the West--which can mean just about anything you need it to mean, in a pinch." For what it's worth, that quote is now posted on a banner somewhere downtown and regularly, gleefully repeated by our local feature writers. Houston is a port city on top of a swamp and, yes, it has no zoning laws. And that means it's culturally diverse, internally incongruous, and ever-changing. At any intersection here, I might look out my car window and see a horse idly munching St. Augustine grass. And, within spitting distance of that horse, I might see a "spa" that's an obvious brothel, a house turned drug den, or a swiftly rising bayou that might overtake a car if the rain doesn't let up...Overall, this collection represents the very worst our city has to offer, for residents and visitors alike. But it also presents some of our best voices, veteran and emerging, to any reader lucky enough to pick up this book.
Sixteen stories reveal the dark side of Arizona’s capital, including tales from #1 New York Times–bestselling authors Lee Child and Diana Gabaldon. Even a desert metropolis has its share of cold-blooded criminals. Along with suburban sprawl, Phoenix is home to shady developers, police corruption, and organized crime. Being close to the country’s southern border makes it a hot spot for trafficking humans, guns, and drugs. Though known as the Valley of the Sun, Phoenix exists under a long shadow. In Phoenix Noir, you’ll find stories from powerhouse authors Diana Gabaldon, Lee Child, James Sallis, Luis Alberto Urrea, Jon Talton, Megan Abbott, Charles Kelly, Robert Anglen, Patrick Millikin, Laura Tohe, Kurt Reichenbaugh, Gary Phillips, David Corbett, Don Winslow, Dogo Barry Graham, and Stella Pope Duarte. “Patrick Millikin . . . as if to prove his witty claim that ‘sunshine is the new noir,’ offers one superb specimen, ‘Whiteout on Van Buren,’ in which [author] Don Winslow makes skillful use of a city street at high noon to provide the perfect metaphor for life and death.” —The New York Times Book Review
Orange County, California, brings to mind the endless summer of sand and surf, McMansion housing tracts, a conservative stronghold, and tony shopping centers. It's a place where pilates classes are run like boot camps, real estate values are discussed at your weekly colonic, and ice cream parlors on Main Street, USA, exist side-by-side with pho shops and taquerias. Orange County Noir pulls back the veil to reveal what lurks behind the curtain. Features brand-new stories by: Susan Straight, Robert S. Levinson, Rob Roberge, Nathan Walpow, Barbara DeMarco-Barrett, Dan Duling, Mary Castillo, Lawrence Maddox, Dick Lochte, Robert Ward, Gary Phillips, Gordon McAlpine, Martin J. Smith, and Patricia McFall. Editor Gary Phillips is the author of many novels and short stories. He lives in Southern California.
The author of The Rage delivers “an absorbing, beautifully written, gritty tale of Irish detection and corruption” (The Times, London). Danny Callaghan is having a quiet drink in a Dublin pub when two men with guns walk in. They’re here to take care of a minor problem—petty criminal Walter Bennett. On impulse, Callaghan intervenes to save Walter’s life. Soon, his own survival is in question. With a troubled past and an uncertain future, Danny finds himself drawn into a vicious scheme of revenge. Dark Times in the City depicts an edgy city where affluence and cocaine fuel a ruthless gang culture, and a man’s fleeting impulse may cost the lives of those who matter most to him. Gene Kerrigan’s new novel is his finest yet; a CWA Gold Dagger Crime Novel finalist, it’s gripping from start to finish, powerful, original, and impossible to put down. “Following The Rage, Kerrigan delivers another spare, cut-to-the-bone noir in which a well-meaning ex-con finds himself trapped in the vice of circumstance. . . . Kerrigan’s grasp of contemporary Dublin and its underworld denizens puts him shoulder to shoulder with the best Irish crime writers.” —Booklist (starred review) “Kerrigan gives us a Dublin we never knew in sharp clear prose and neatly bounded dramatic scenes of Irish cops and robbers that leave us fearing that some of the dust and other detritus they stir up may very well end up splattering on our shoes.” —The Boston Globe “Kerrigan’s gripping police procedural . . . is good news for readers who can appreciate the moral complexities of this flawed hero.” —The New York Times
Gritty all-new crime stories set in the bustling Texas city, by Ben Fountain, Kathleen Kent, James Hime, and many more. In a country with so many interesting cities, Dallas is often overlooked—except on November 22 every year. On that day in 1963, Dallas became American noir. This collection of crime stories takes its inspiration from the darker corners of everyday life in a city that many associate only with a historic assassination—or a glitzy TV show about oil fortunes and family feuds. Featuring brand-new stories by Kathleen Kent, Ben Fountain, James Hime, Harry Hunsicker, Matt Bondurant, Merritt Tierce, Daniel J. Hale, Emma Rathbone, Jonathan Woods, Oscar C. Peña, Clay Reynolds, Lauren Davis, Fran Hillyer, Catherine Cuellar, David Haynes, and J. Suzanne Frank.
“American crime fiction fans will welcome the opportunity to sample the short fiction of some worthy Canadian authors.” —Publishers Weekly Following the success of Toronto Noir, the Noir Series explores new Canadian terrain, featuring both English and Francophone authors. Like the city it springs from, Montreal Noir is an intriguing mix of culture, identities, and neighborhoods with one thing in common: the dark side of human nature. This collection presents stories by Patrick Senécal, Tess Fragoulis, Howard Shrier, Michel Basilières, Robert Pobi, Samuel Archibald, Geneviève Lefebvre, Ian Truman, Johanne Seymour, Arjun Basu, Martin Michaud, Melissa Yi, Catherine McKenzie, Peter Kirby, and Brad Smith. “Montreal solidifies its reputation as the epicentre for Canadian noir in a strong new anthology.” —Quill & Quire “Brings together a bicultural roster of talent by some of the city’s best crime-fiction specialists, with tales from the city’s many neighbourhoods.” —Toronto Star “An impressive roster . . . Stories from across the many sub-genres of mystery: police procedural, thriller, private eye, psychological suspense, and hard-boiled crime.” —Montreal Review of Books “Whether it’s the quirkiness of the characters, the ingenuity of the puzzles, or the big hearts inside some of the darkest villains, noir’s different north of the border.” —Kirkus Reviews
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and ANU, plays by Owen McCafferty, Stacey Gregg, and David Ireland, dramatizing the legacy of the Troubles, and adaptations of Greek tragedy by Marina Carr and others reflecting the conditions of modern Ireland. From 2015, the movement #WakingTheFeminists led to a sharpened awareness of gender. While male playwrights showed a toxic masculinity on the stage, a generation of female dramatists including Carr, Gregg, and Nancy Harris gave voice to the experiences of women long suppressed in conservative Ireland. For three separate periods, 2006, 2016, 2020-2, the author served as one of the judges for the Irish Times Irish Theatre Awards, attending all new productions across the island of Ireland. This allowed him to provide the detailed overview of the 'state of play' of Irish theatre in each of those times which punctuate the book as one of its most innovative features. Drawing also on interviews with Ireland's leading theatre makers, Grene provides readers with a close-up understanding of Irish theatre in a period when Ireland became for the first time a fully modernized, secular, and multi-ethnic society.
