This is a memoir and self-help book. The author shares her experiences and exposes her personal life just to help those who are going through something in their personal life. The book discusses how the author spent most of her days fighting for a better life. It explains how to deal with fear in pursuit of accomplishing your goals. The author shares her experience and touches on marriage, when to hold on and when to let go, building yourself back up after a breakup, and building solid relationships. Asiah discusses her view about the music industry and gives tips on creating music and finding your voice. This book is an overall guide, coaching you on how to win in this game called life.
Her life is a movie. She lives in a world where catastrophic situations consistently occur, distracting her from evolving into the woman she was born to be. In Dreams, Love, and Music Lifestyle Revised, she shares her story, using background music to set the tone. This memoir tells how she transformed from a lost little girl who struggled and fought destiny out of fear, to a grown woman who finally surrendered to elevation and blossomed spiritually because she stayed driven after getting stuck throughout her journey. She includes open and honest conversations about sex and relationships that were long overdue but necessaryfor her to thrive and to create the music for her soundtrack. Reflecting the testimony of many different women globally Dreams, Love, and Music Lifestyle Revised offers insights into Million’s world. She discusses how she wants her music to be real,and she wants her music to be felt. She seeks to bring love back into the world by way of music, but she recognizes she was receiving artificial love because it didn’t last. Million now understands that before she can share love with the world, she must first find love within.
"It's never too late to make a new dream, It's never too late to reach for the stars. It's never too late when the fear won't subside. It's never too late, to try." Audrey McKenna is a vibrant grandmother and mother of thirteen. When her granddaughter pursues a career onstage, Audrey is confronted with the unfulfilled dreams of her youth to perform at Carnegie Hall. With the help of her best friend Rose, they journey to the New York Theater scene of their past, exploring choices, sacrifices and experiences that shaped them. While their paths are drastically different, the one constant throughout is their friendship. Through trials and triumphs, love and loss, Rose and Audrey redefine their identities as independent women in a time where society tried to define that for them. Inspired by a true story, Ballad of Dreams sings of the power of friendship and dances through different eras of society from the 1930s to early 2000s. It combines the richness of storytelling and flare of musical theater by seamlessly weaving musical lyrics with the narrative. Ballad of Dreams by Allyson Hernandez inspires us to fill our own cups by chasing after our dreams.
By age thirty-nine, Blair Kilpatrick had settled into life as a practicing psychologist, wife, and mother. Then a chance encounter in New Orleans turned her world upside down. She returned home to Chicago with unlikely new passions for Cajun music and its defining instrument, the accordion. Captivated by recurring dreams of playing the Cajun accordion, she set out to master it. Yet she was not a musician, was too self-conscious to dance, and didn't even sing in the shower. Kilpatrick's obsession took her from Chicago's Cajun dance scene to a folk music camp in West Virginia, back and forth to south Louisiana, and even to a Cajun festival in France. An unexpected family move brought her to the San Francisco Bay Area, home to the largest Cajun-zydeco music scene outside the Gulf Coast. There she became a prot--and--eacute;g--and--eacute; of renowned accordionist Danny Poullard, a Louisiana-born Creole and the guiding spirit of the local Louisiana French music community. Engaging, uplifting, and illuminating a unique patch of the American cultural landscape, Accordion Dreams is Kilpatrick's account of the possibility of passion, risk-taking, and change--at any age. Blair Kilpatrick has an independent practice in psychotherapy in the San Francisco Bay Area. She also performs and records with Sauce Piquante, a traditional Cajun-Creole band she founded in the late 1990s. Learn more at www.blairkilpatrick.com
A no-holds-barred look into the remarkable life and career of the prolific musician, songwriter, and producer behind Eurythmics and dozens of pop hits. Dave Stewart’s life has been a wild ride—one filled with music, constant reinvention, and the never-ending drive to create. Growing up in industrial northern England, he left home for the gritty London streets of the seventies, where he began collaborating and performing with various musicians, including a young waitress named Annie Lennox. The chemistry between Stewart and Lennox was undeniable, and an intense romance developed. While their passion proved too much offstage, they thrived musically and developed their own sound. They called themselves Eurythmics and launched into global stardom with the massively popular album Sweet Dreams (Are Made of This). For the first time, Stewart shares the incredible, high-octane stories of his life in music—the drug-fueled adventures, the A-list collaborations and relationships, and the creative process that brought us blockbusters from Eurythmics like “ Here Comes the Rain Again” and “Would I Lie to You” as well as Tom Petty’s “Don’t Come Around Here No More,” No Doubt’s “Underneath It All,” Golden Globe winner “Old Habits Die Hard” with Mick Jagger, and many more. From great friendships and creative partnerships including the group SuperHeavy along with Jagger, Joss Stone, Damian Marley, and A. R. Rahman, to inspired performances and intimate moments in the studio—Stewart highlights the musicians he admires and calls friends, from Bob Dylan, Stevie Nicks, Elton John, George Harrison, and Ringo Starr to Bono, Bon Jovi, and Katy Perry. With a behind-the-scenes look at Stewart’s innovative endeavors that keep him on the cutting-edge of the music business, Sweet Dreams Are Made of This is a one-of-a-kind portrait of the creative heart of one of its most gifted and enterprising contributors. With a Foreword by Mick Jagger!
Make the most of your creativity and inner abilities with this guide to achieving lucid awareness and reaping its healing and mindfulness benefits. Aimed at beginners, Lucid Dreaming, Plain and Simple shows the reader how to enter and fully experience the lucid dreaming. Among the amazing things Waggoner and McCready teach readers are how to: Consciously decide what actions to perform Explore dream space (or the contents of your subconscious) Interact with dream figures Conduct personal and scientific experiments Be free of waking state limitations (e.g., flying, walking through walls, and discovering creative solutions to waking issues) This book approaches lucid dreaming from a more cognitive psychology stance, and focuses more on how to lucid dream and how to use lucid dream techniques for personal growth, insight and transformation. Whether a reader is completely new to lucid dreaming or someone who has experienced that incredible moment of realizing, “This is a dream!” readers will learn valuable tips and techniques gleaned from scientific research and decades of experience to explore this unique state of awareness more deeply.
Music as Dream: Essays on Giacinto Scelsi showcases recent scholarly criticism on the music and philosophy of the brilliantly original composer Giacinto Scelsi. In this collection, Franco Sciannameo and Alessandra Carlotta Pellegrini select and translate into English for the first time essays that reflect the evolution of recent scholarship on Scelsi’s musical compositions. Music as Dream opens with “The Scelsi Case,” which erupted shortly after Scelsi’s death in 1988 when composer Vieri Tosatti claimed ownership of his works. This quarrel reached its zenith in the pages of PianoTime’s March 1989 issue, where musicologist Guido Zaccagnini questioned a group of noted composers, writers, and arts managers about whether a composer can claim sole authorship for a work accomplished in collaboration with others. The essays are wide-ranging in scope. French musicologist Michelle Biget-Mainfroy, a specialist in “gestural” piano writing, offers an in-depth study of Scelsi’s complex piano output; Gianmario Borio looks at Scelsi’s “Sound as Compositional Process”; Alessandra Montali examines and details Scelsi’s theoretical and literary writings; Luciano Martinis and Franco Sciannameo explore the lives and whereabouts of obscure composers Giacinto Sallustio, Walther Klein, and Richard Falk, who were Scelsi’s collaborators until the early 1940s when Tosatti took sole charge; Alessandra Carlotta Pellegrini elaborates on Scelsi’s most important composition of his first period, presenting a tour-de-force that pieces together its complex story through research at the newly organized Scelsi Archive at the Fondazione Isabella Scelsi in Rome; and Friedrich Jaecker’s and Sandro Marrocu’s essays also draw on research conducted at the archive of Fondazione. Finally, an updated bibliography and discography conclude the book
NEW YORK TIMES BESTSELLER • From the genre-defying icon Ben Folds comes a memoir that is as nuanced, witty, and relatable as his cult-classic songs. “A Dream About Lightning Bugs reads like its author: intelligent, curious, unapologetically punk, and funny as hell.”—Sara Bareilles NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND PASTE Ben Folds is a celebrated American singer-songwriter, beloved for songs such as “Brick,” “You Don’t Know Me,” “Rockin’ the Suburbs,” and “The Luckiest,” and is the former frontman of the alternative rock band Ben Folds Five. But Folds will be the first to tell you he’s an unconventional icon, more normcore than hardcore. Now, in his first book, Folds looks back at his life so far in a charming and wise chronicle of his artistic coming of age, infused with the wry observations of a natural storyteller. In the title chapter, “A Dream About Lightning Bugs,” Folds recalls his earliest childhood dream—and realizes how much it influenced his understanding of what it means to be an artist. In “Measure Twice, Cut Once” he learns to resist the urge to skip steps during the creative process. In “Hall Pass” he recounts his 1970s North Carolina working-class childhood, and in “Cheap Lessons” he returns to the painful life lessons he learned the hard way—but that luckily didn’t kill him. In his inimitable voice, both relatable and thought-provoking, Folds digs deep into the life experiences that shaped him, imparting hard-earned wisdom about both art and life. Collectively, these stories embody the message Folds has been singing about for years: Smile like you’ve got nothing to prove, because it hurts to grow up, and life flies by in seconds. Praise for A Dream About Lightning Bugs “Besides being super talented, and an incredibly poignant and multifaceted musician, Ben Folds is a fantastic author. I couldn’t put this book down—and not just because I taped it to my hand. Ben takes us into his mind and into his process from the very beginnings of his childhood to where he is today—one of the greatest musicians and writers that has ever graced the art.”—Bob Saget
"Kristen Laine went back to the heartland-- to the America so many of us fly over without blinking an eye-- and uncovered ... a world where salvation and ambition and teenage angst collide in strange ways no outsider could ever understand, unless you read American Band." --Michael Bamberger, author of Wonderland: A Year in the Life of an American High School Every fall, marching bands take to the field in a uniquely American ritual. From the stands, it looks easy. You don’t see them sweat. For millions of kids, band is more than a show. It’s a rite of passage—a first foray into leadership and adult responsibility, and a chance to learn what it means to be part of a community. Nowhere is band more serious than at Concord High School in Elkhart, Indiana, where the entire town is involved with the success of its defending state champion band, the Marching Minutemen. In the place where this tradition may have originated, in the city that became the band instrument capital of the world, band is a religion. But it’s not the only religion, as director Max Jones discovers. After four decades, Jones’s single-minded devotion to musical excellence has fallen out of step with a younger generation increasingly focused on personal salvation. In what his students do not know is his final season of directing, he has assembled his most ambitious show ever, for the strongest senior class he has ever directed. Amid conflicting notions of greatness, the band marches through a season that starts in hope and promise, progresses through uncertainty and disappointment, and ends, ultimately, in redemption. AMERICAN BANDis an unusually intimate chronicle of life, in all its triumph, disappointment, and drama, in the kind of community in which most of America lives. It is an especially timely portrait, capturing as it does the spirit of the heartland at a time of profound change. If you have ever been—or yearned to be—part of something bigger than yourself, you will be rooting for the kids whose voices fill this book.
