Dreaming the Southern Song Landscape

Dreaming the Southern Song Landscape

Author: Valérie Malenfer Ortiz

Publisher: BRILL

Published: 1999-06-09

Total Pages: 282

ISBN-13: 9004644997

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The masterpiece, Dream Journey in the Xiao and Xiang Rivers has been celebrated by critics throughout its long history. Now for the first time this study locates its original historical and social context, and traces its subsequent history and the role it fulfilled at various times.


Dreaming the Southern Song Landscape

Dreaming the Southern Song Landscape

Author: Valérie Malenfer Ortiz

Publisher: BRILL

Published: 1999

Total Pages: 296

ISBN-13: 9789004110113

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A study of Chinese landscape painting, centered on the 12th century handscroll, "Dream Journey over Xiao Xiang (Xiao Xiang woyou tu)," in the collection of the Tokyo National Museum.


Qing Encounters

Qing Encounters

Author: Petra ten-Doesschate Chu

Publisher: Getty Publications

Published: 2015-10-01

Total Pages: 322

ISBN-13: 1606064576

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Qing Encounters: Artistic Exchanges between China and the West examines how the contact between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. The essays in the volume reveal the extent to which images, artifacts, and natural specimens were traded and copied, and how these materials inflected both cultures’ visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople on both continents borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex new creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period.


Song Dynasty Figures of Longing and Desire

Song Dynasty Figures of Longing and Desire

Author: Lara C.W. Blanchard

Publisher: BRILL

Published: 2018-06-05

Total Pages: 333

ISBN-13: 9004369392

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This book is the winner of the 2020 Joseph Levenson Pre-1900 Book Prize, awarded by the Association for Asian Studies. In Song Dynasty Figures of Longing and Desire, Lara Blanchard analyzes images of women in painting and poetry of China’s middle imperial period, focusing on works that represent female figures as preoccupied with romance. She discusses examples of visual and literary culture in regard to their authorship and audience, examining the role of interiority in constructions of gender, exploring the rhetorical functions of romantic images, and considering connections between subjectivity and representation. The paintings in particular have sometimes been interpreted as simple representations of the daily lives of women, or as straightforward artifacts of heteroerotic desire; Blanchard proposes that such works could additionally be interpreted as political allegories, representations of the artist’s or patron’s interiorities, or models of idealized femininity.


Semiotics for Art History

Semiotics for Art History

Author: Lian Duan

Publisher: Cambridge Scholars Publishing

Published: 2018-12-02

Total Pages: 304

ISBN-13: 1527522784

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Reading art from a semiotic perspective, this book offers a new interpretation of the development of Chinese landscape painting and outlines a new framework for contemporary semiotics and critical theory. It will appeal to those interested in visual art, Chinese studies, critical theory, semiotics, and other relevant fields, and will allow the reader to learn how to put theory into the practice of studying art, how to give new life to an important theory, and how to acquire a new point of view in appreciating and enjoying art with a certain critical theory.


Fixing Landscape

Fixing Landscape

Author: Corey Byrnes

Publisher: Columbia University Press

Published: 2019-01-15

Total Pages: 345

ISBN-13: 0231547129

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In 1994, workers broke ground on China’s Three Gorges Dam. By its completion in 2012, the dam had transformed the ecology of the Yangzi River, displaced over a million people, and forever altered a landscape immortalized in centuries of literature and art. The controversial history of the dam is well known; what this book uncovers are its unexpected connections to the cultural traditions it seems to sever. By reconsidering the dam in relation to the aesthetic history of the Three Gorges region over more than two millennia, Fixing Landscape offers radically new ways of thinking about cultural and spatial production in contemporary China. Corey Byrnes argues that this monumental feat of engineering can only be understood by confronting its status as a techno-poetic act, a form of landscaping indebted to both the technical knowledge of engineers and to the poetic legacies of the Gorges as cultural site. Synthesizing methods drawn from premodern, modern, and contemporary Chinese studies, as well as from critical geography, art history, and the environmental humanities, Byrnes offers innovative readings of eighth-century poetry, paintings from the twelfth through twenty-first centuries, contemporary film, nineteenth-century British travelogues, and Chinese and Western maps, among other sources. Fixing Landscape shows that premodern poetry and visual art have something urgent to tell us about a contemporary experiment in spatial production. Poems and paintings may not build dams, but Byrnes argues that the Three Gorges Dam would not exist as we know it without them.


云影天光:潇湘山水之画意与诗情

云影天光:潇湘山水之画意与诗情

Author: 衣若芬

Publisher: BEIJING BOOK CO. INC.

Published: 2021-11-08

Total Pages: 527

ISBN-13:

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本书运用跨学科研究方法,探讨“潇湘”山水的诗情与画意。作者亲身探访“潇湘”地域,梳理宋代以降的“潇湘八景”文本,结合丰富的文学与美术作品分析“潇湘”山水诗画的文学意象、文化空间和抒情底蕴,并对其在东亚的传布和演变进行了广泛而深入的探讨。娓娓道来,和读者游观云影天光,宛在“潇湘”画里行。


Res

Res

Author: Francesco Pellizzi

Publisher: Peabody Museum Press

Published: 2010-01-15

Total Pages: 369

ISBN-13: 087365854X

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This volume includes the editorial “The absconded subject of Pop,” by Thomas Crow; “Enlivening the soul in Chinese tombs,” by Wu Hung; “On the ‘true body’ of Huineng,” by Michele Matteini; “Apparition painting,” by Yukio Lippit; “Immanence out of sight,” by Joyce Cheng; “Absconding in plain sight,” by Roberta Bonetti; “Ancient Maya sculptures of Tikal, seen and unseen,” by Megan E. O’Neil; “Style and substance, or why the Cacaxtla paintings were buried,” by Claudia Brittenham; “The Parthenon frieze,” by Clemente Marconi; “Roma sotterranea and the biogenesis of New Jerusalem,” by Irina Oryshkevich; “Out of sight, yet still in place,” by Minou Schraven; “Behind closed doors,” by Melissa R. Katz; “Moving eyes,” by Bissera V. Pentcheva; “‘A secret kind of charm not to be expressed or discerned,’” by Rebecca Zorach; “Ivory towers,” by Richard Taws; “Boxed in,” by Miranda Lash; “A concrete experience of nothing,” by William S. Smith; “Believing in art,” by Irene V. Small; “Repositories of the unconditional,” by Gabriele Guercio; “From micro/macrocosm to the aesthetics of ruins and waste-bodies,” by Jeanette Zwingenberger; “Are shadows transparent?” by Roberto Casati; “Invisibility of the digital,” by Boris Groys; “Des formes et des catégories,” by Remo Guidieri; and “Further comments on ‘Absconding,’” by Francesco Pellizzi.