In Dream Villa Singh explores how the night transforms what seems ordinary by day into something mysterious and unsettling. This series of colour photographs presents a landscape which exists as much in the artist's imagination as in the real world. Singh travels to many different cities never knowing where Dream Villa or its inhabitants will present themselves. It is a place where nothing is quite as it seems to be - it comes alive at night, when all is lit by artificial light and the moon is just ornamentation.
The ideal model of a suburban residence desired by Leo X (1513-1521), son of Lorenzo the Magnificent, and continued by his cardinal cousin Giulio de' Medici, the future Clement VII (1523-1534), the 'vigna del papa', or papal residence, to be called Villa
Recognizable to millions as a symbol of the American presidency, the White House was first an American home. From 1800 until 1960, it kept pace with changing ideals of the American house and garden. That ended when Jacqueline Kennedy redecorated the White House as a museum to upper-class taste. Today the Obamas are pulling it back to its role as an American home. This book looks at the president's house in the context of American house design and decoration. Hundreds of historic photographs, plans, and drawings compare it to other American houses, gardens, and interiors, showing the White House as it changed through decades of interior renovation, rebuilding, and landscaping.--From publisher description.
Having taken early retirement the author, David Charles, and his manic depressive wife Hazel, decide to rescue their failing marriage with disastrous results. Selling the majority of their belongings and buying an ageing car they drive to southern Spain, buy a plot of land on a mountain and, amid many adventures and setbacks, begin to build their new life. It is not long before Hazel's depression returns and in desperation she attempts to commit suicide. Rescued in the nick of time, and hospitalised, Hazel begins a course of psychiatric therapy but the treatment that is designed to cure her, and her marriage, backfires disastrously when she reveals her deep secret, which finally destroys the marriage and rips the family apart.
Newly retired and looking for more than a vacation, John and Nancy Petralia intrepidly pack a few suitcases and head to the "perfect" Italian city for a year. Within days their dream becomes a nightmare. After residing in two Italian cities, negotiating the roads and health care, discovering art, friends, food and customs, the Petralias learn more than they anticipate -- about Italy, themselves, what it means to be American, and what's important in life.
On the outskirts of the spectacular baroque town of Noto, Sicily, Jacques Garcia has transformed an ancient monastery into an abode of earthly bliss. Celebrated interior designer Jacques Garcia invites readers inside his private residence in Sicily for the first time. The former monastery, rebuilt in Noto’s characteristic golden limestone, boasts spectacular salons that have been restored with a profusion of noble materials and techniques: colored marbles, flamboyant stuccowork, majolica tiles, damask silks, and velvets. Time stops in the elegant music room, decorated with embroidered silks and rococo-style mirrors that reflect the decor to infinity; the gilded dining room is hung with silk damask wall coverings and an eighteenth-century Murano chandelier and furnished with Chantilly porcelain and antique Italian rococo chairs. The grand marble salon features baroque paintings and a stunning collection of sculpture and Sicilian furniture. The exquisite villa—surrounded by shaded terraces planted with towering cacti and succulents—attests to Garcia’s love of ancient civilizations and his masterful blending of Arabian, Norman, Renaissance, and baroque influences that converge in Sicily’s colorful history. The domain, dotted with ancient sculptures and reflecting pools, is graced with splendid panoramic views revealing the sea near Syracuse, a distant folly, a restored villa nestled in an ancient olive grove, and the decaying grandeur of a classical temple reconstructed with ancient fragments.
A San Francisco Chronicle Best Book of the Year. "A work of scope and profound insight into the divided soul of Mexico." —History Today The Life and Times of Mexico is a grand narrative driven by 3,000 years of history: the Indian world, the Spanish invasion, Independence, the 1910 Revolution, the tragic lives of workers in assembly plants along the border, and the experiences of millions of Mexicans who live in the United States. Mexico is seen here as if it were a person, but in the Aztec way; the mind, the heart, the winds of life; and on every page there are portraits and stories: artists, shamans, teachers, a young Maya political leader; the rich few and the many poor. Earl Shorris is ingenious at finding ways to tell this story: prostitutes in the Plaza Loreto launch the discussion of economics; we are taken inside two crucial elections as Mexico struggles toward democracy; we watch the creation of a popular "telenovela" and meet the country's greatest living intellectual. The result is a work of magnificent scope and profound insight into the divided soul of Mexico.
The powerful social and cultural transformations of recent decades as expressed in the shape and form of the city need to be examined and reviewed. New methods and procedures in urban planning and a new relationship between town and land are urgently required. Learning from China calls to mind that seminal work of the post-modern, Learning from Las Vegas, and relates the principles of Taoist thought and action to the perspectives for a new urban design beyond that of today, truly post modern.
Pierre de la Ruffinière du Prey traces the influence of Pliny the Younger as a continuous theme throughout the history of architecture. First he looks at what Pliny considered to be the essential qualities of a villa. He then discusses the many buildings Pliny inspired: from the Renaissance estates of the Medici, to papal summer residences near Rome, to Thomas Jefferson's Monticello, and the home of former Canadian prime minister Pierre Elliott Trudeau. Equally important to du Prey's study are the many designs by architects past and present that remain on paper. These imaginary restitutions of Pliny's villas, each representative of its own epoch, trace in microcosm the evolution of the classical tradition in domestic architecture. In analyzing each project, du Prey illuminates the work of such great masters as Michelozzo, Raphael, Palladio, and Schinkel, as well as such well-known modern architects as Léon Krier, Jean-Pierre Adam, and Thomas Gordon Smith.
Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
