Ubiquitous illegal lotteries known as policy flourished in Chicago’s Black community during the overlapping waves of the Great Migration. Policy “queens” owned stakes in lucrative operations while women writers and clerks canvased the neighborhood, passed out winnings, and kept the books. Elizabeth Schroeder Schlabach examines the complexities of Black women’s work in policy gambling. Policy provided Black women with a livelihood for themselves and their families. At the same time, navigating gender expectations, aggressive policing, and other hazards of the infromal economy led them to refashion ideas about Black womanhood and respectability. Policy earnings also funded above-board enterprises ranging from neighborhood businesses to philanthropic institutions, and Schlabach delves into the various ways Black women straddled the illegal policy business and reputable community involvement. Vivid and revealing, Dream Books and Gamblers tells the stories of Black women in the underground economy and how they used their work to balance the demands of living and laboring in Black Chicago.
Along the Streets of Bronzeville examines the flowering of African American creativity, activism, and scholarship in the South Side Chicago district known as Bronzeville during the period between the Harlem Renaissance in the 1920s and the Black Arts Movement of the 1960s. Poverty stricken, segregated, and bursting at the seams with migrants, Bronzeville was the community that provided inspiration, training, and work for an entire generation of diversely talented African American authors and artists who came of age during the years between the two world wars. In this significant recovery project, Elizabeth Schroeder Schlabach investigates the institutions and streetscapes of Black Chicago that fueled an entire literary and artistic movement. She argues that African American authors and artists--such as Gwendolyn Brooks, Richard Wright, Langston Hughes, painter Archibald Motley, and many others--viewed and presented black reality from a specific geographic vantage point: the view along the streets of Bronzeville. Schlabach explores how the particular rhythms and scenes of daily life in Bronzeville locations, such as the State Street "Stroll" district or the bustling intersection of 47th Street and South Parkway, figured into the creative works and experiences of the artists and writers of the Black Chicago Renaissance. She also covers in detail the South Side Community Art Center and the South Side Writers' Group, two institutions of art and literature that engendered a unique aesthetic consciousness and political ideology for which the Black Chicago Renaissance would garner much fame. Life in Bronzeville also involved economic hardship and social injustice, themes that resonated throughout the flourishing arts scene. Schlabach explores Bronzeville's harsh living conditions, exemplified in the cramped one-bedroom kitchenette apartments that housed many of the migrants drawn to the city's promises of opportunity and freedom. Many struggled with the precariousness of urban life, and Schlabach shows how the once vibrant neighborhood eventually succumbed to the pressures of segregation and economic disparity. Providing a virtual tour South Side African American urban life at street level, Along the Streets of Bronzeville charts the complex interplay and intersection of race, geography, and cultural criticism during the Black Chicago Renaissance's rise and fall.
She stood at danger′s threshold-- then love beckoned her in. In the shelter of her country cottage, Sara Feilding puts pen to paper to create dreams. But curiosity has enticed the prim, well-bred gentlewoman out of her safe haven--and into Derek Craven′s dangerous world. A handsome, tough and tenacious Cockney, he rose from, poverty to become lord of London′s most exclusive gambling house--a struggle that has left Derek Craven fabulously wealthy, but hardened and suspicious. And now duty demands he allow Sara Fielding into his world--with her impeccable manners and her infuriating innocence. But here, in a perilous shadow-realm of ever-shifting fortunes, even a proper "mouse" can be transformed into a breathtaking enchantress--and a world-weary gambler can be shaken to his cynical core by the power of passion. . .and the promise of love. "A Real Joy . . . Hard To Put Down" -- Kathleen E. Woodiwiss "Wonderfully Refreshing . . . I Enjoyed It From Beggining To End." -- Johanna Lindsey "Lisa Kleypas is more than just a fine writer of rich and passionate historical romances, she′s a genuine phenomenon." -- Heart to Heart
Meet Kim, a fairly ordinary, middle-aged woman with a job, two adult children, and a difficult husband. For enjoyment, she plays the stock market, buys expensive handbags and sneaks an occasional cigarette. But when a casino opens within driving distance of her house, her life as she knows it will soon be over. This is a story of addiction. This is a story of one woman's descent into gambling hell, where the compulsion to play slots and power machines is so great, she will risk it all in order to place just one more bet.
The Greatest Gambling Story Ever Told is an inspiring personal narrative about a filly named Winning Colors who broke through the male-dominated world of horseracing, and a trio of gamblers who embark on an unforgettable adventure as epic as the horse's historic victory. It's Seabiscuit meets Narcos, and the best true-life gambling story ever tol
Inside the Mind of a Gambler offers a fascinating insight into the mind of a gambler and why they do what they do. This is in the form of a case study of a man called Guy and goes in depth into his gambling addiction. The book is split into the case study of a pathological gambler who hit the depths of despair and came back to lead a gambling-free life, and then the book looks at the psychological side of the gambler. There is the advice from Guy himself, psychological strategist and a leading psychiatrist on how to quit.
Every day in the United States, people test their luck in numerous lotteries, from state-run games to massive programs like Powerball and Mega Millions. Yet few are aware that the origins of today’s lotteries can be found in an African American gambling economy that flourished in urban communities in the mid-twentieth century. In Running the Numbers, Matthew Vaz reveals how the politics of gambling became enmeshed in disputes over racial justice and police legitimacy. As Vaz highlights, early urban gamblers favored low-stakes games built around combinations of winning numbers. When these games became one of the largest economic engines in nonwhite areas like Harlem and Chicago’s south side, police took notice of the illegal business—and took advantage of new opportunities to benefit from graft and other corrupt practices. Eventually, governments found an unusual solution to the problems of illicit gambling and abusive police tactics: coopting the market through legal state-run lotteries, which could offer larger jackpots than any underground game. By tracing this process and the tensions and conflicts that propelled it, Vaz brilliantly calls attention to the fact that, much like education and housing in twentieth-century America, the gambling economy has also been a form of disputed terrain upon which racial power has been expressed, resisted, and reworked.
