The Drawings of Annibale Carracci

The Drawings of Annibale Carracci

Author: Daniele Benati

Publisher: Lund Humphries Publishers

Published: 2000

Total Pages: 304

ISBN-13: 9780853317647

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Widely regarded as one of the greatest draughtsmen of all time, Annibale Carracci (1560-1609) is celebrated for his naturalism. Born in a time when the elegant deformations and exaggerations of Italian mannerism were still in vogue, Carracci turned instead to nature as his principal inspiration. Much attuned to the everyday world around him, he took as much interest in studying a man bowling, a butcher weighing a piece of meat, or a street entertainer with his monkey as he did in the preparatory studies for his grand mythological and religious paintings. The fruit of this intensive study is abundantly evident in his magnificent drawings of the human figure - from his early works in Bologna to those made in preparation for his greatest commission, the decoration of the Farnese Gallery in Rome. This stunning publication brings together a plethora of Carracci's masterful drawings to provide a unique insight into the technique and skill of one of the premier artists of his time.


The Invention of Annibale Carracci

The Invention of Annibale Carracci

Author: Clare Robertson

Publisher:

Published: 2008

Total Pages: 430

ISBN-13:

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Annibale Carracci (1560-1609) fu una delle figure chiave (1560-1609) nello sviluppo dell'arte barocca italiana, e tuttavia la sua arte può sembrare problematica per diversi aspetti. Questo volume analizza la sua carriera dagli esordi a Bologna fino alle opere successive a Roma, il cui apice è raggiunto con il suo capolavoro, gli splendidi affreschi della Galleria Farnese. Il volume indaga inoltre il linguaggio religioso fortemente espressivo che sviluppò nelle pale d'altare, adeguate espressioni dei princìpi della Contro-Riforma, e i suoi importanti contributi all'evoluzione del paesaggio classico. Annotation Supplied by Informazioni Editoriali


Rubens, Rembrandt, and Drawing in the Golden Age

Rubens, Rembrandt, and Drawing in the Golden Age

Author: Victoria Sancho Lobis

Publisher: Yale University Press

Published: 2019-10-29

Total Pages: 357

ISBN-13: 0300247079

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An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist’s mind.


Annibale Carracci

Annibale Carracci

Author: Carel van Tuyll van Serooskerken

Publisher:

Published: 2020-05-15

Total Pages:

ISBN-13: 9780875980027

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The most famous achievement of Annibale Carracci (1560-1609) is his celebrated series of frescoes in the Palazzo Farnese in Rome (1596-1604). The unveiling of the Galleria Farnese's ceiling led to a growing stream of artistic commissions from Cardinal Farnese and other patrons, all eager to secure works by the artist. However, the severe mental and physical breakdown that Annibale suffered in early 1605 made it impossible for him to undertake new projects, and few works are known from the last years of his life other than some etchings and some remarkable-and too often underrated-drawings. This publication aims to take a fresh look at these late drawings of one of Italy's foremost draftsmen, highlighting some well-known works as well as other, less familiar sheets from the Morgan and elsewhere.


Invisible Labor

Invisible Labor

Author: Marion Crain

Publisher: Univ of California Press

Published: 2016-06-28

Total Pages: 326

ISBN-13: 0520287177

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"Demographic and technological trends have yielded new forms of work that are increasingly more precarious, globalized, and brand centered. Some of these shifts have led to a marked decrease in the visibility of work or workers. This edited collection examines situations in which technology and employment practices hide labor within the formal paid labor market, with implications for workplace activism, social policy, and law. In some cases, technological platforms, space, and temporality hide workers and sometimes obscure their tasks as well. In other situations, workers may be highly visible--indeed, the employer may rely upon the workers' aesthetics to market the branded product--but their aesthetic labor is not seen as work. In still other cases, the work occurs within a social interaction and appears as leisure--a voluntary or chosen activity--rather than as work. Alternatively, the workers themselves may be conceptualized as consumers rather than as workers. Crossing the occupational hierarchy and spectrum from high- to low-waged work, from professional to manual labor, and from production to service labor, the authors argue for a broader understanding of labor in the contemporary era. This book adopts an interdisciplinary approach that integrates perspectives from law, sociology, and industrial/labor relations"--Provided by publisher.


Reframing Seventeenth-Century Bolognese Art

Reframing Seventeenth-Century Bolognese Art

Author: Raffaella Morselli

Publisher: Amsterdam University Press

Published: 2019-08-30

Total Pages: 191

ISBN-13: 904853755X

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These ground-breaking essays, all based on original archival research, consider the evolving interest in Bolognese art in seventeenth-century Italy, particularly focusing on the period after the death of Guido Reni in 1642. Edited by Bolognese specialists Raffaella Morselli and Babette Bohn, the studies collected here focus on the taste for Bolognese art within Bologna itself and in other parts of the Italian peninsula, including Mantua, Ferrara, Rome, and Florence. Essays examine the roles of gender, class, and the social status of the artist in early modern Bologna; approaches to exhibiting artworks in noble Bolognese collections; the reputations of local women artists; the popularity of Bolognese quadratura painting; and the relative success of both contemporary and earlier Bolognese artists with Italian collectors.


The Sacred Image in the Age of Art

The Sacred Image in the Age of Art

Author: Marcia B. Hall

Publisher:

Published: 2011

Total Pages: 310

ISBN-13: 9780300169676

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Underlying the religious art of the Renaissance is a tension between the needs of the Church and the impulse to create great works. This beautifully illustrated book presents sacred images from the 15th and 16th centuries, leading up to two pivotal events in 1563. The Council of Trent, which signified the beginning of the Counter-Reformation, defined requirements that curtailed the freedom of painters and patrons in creating art for churches, while the founding of the Accademia del Desegno in Florence symbolically acknowledged that artists had achieved the status of creators not craftsmen. The author takes a fresh look at some of the greatest painters of the Italian Renaissance not typically associated with sacred imagery and shows how they navigated their way through the paradox of 'limited freedom' to forge a new kind of religious art. -- from Book Jacket