Measures Taken and Other Lehrstucke

Measures Taken and Other Lehrstucke

Author: Bertolt Brecht

Publisher: Bloomsbury Publishing

Published: 2015-04-10

Total Pages: 93

ISBN-13: 140817782X

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The Lehrstücke (or 'learning-plays') lie at the heart of Brechtian theatre. Written during 1929 and 1930, years of far-reaching political and economic upheaveal in Germany and the period of Brecht's most sharply Communist works, these short plays show an abrupt rejection of most of the trappings of conventional theatre. The Lehrstücke are spare and highly formalized pieces intended for performance by amateurs, on the principle that the moral and political lessons contained in them can best be taught by participation in an actual production. There is nothing in the drama of the twentieth century to match the precision of their language and the economy of their theatrical technique.


Edward II

Edward II

Author: Bertolt Brecht

Publisher: Grove Press

Published: 1994-04

Total Pages: 132

ISBN-13: 9780802151476

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Edward II is, in a sense, Bertolt Brecht's only tragedy. Based on Christopher Marlowe's classic of the same name, it departs from its source as widely as The Threepenny Opera departs from Gay's Beggar's Opera. Brecht has made a multitude of technical changes calculated to streamline the play, with a smaller cast and simpler action, and he has created virtually new and totally compelling characters with his extravagant variations on Anne, Edward's queen, and Mortimer, the villain of the piece. Brecht also reinterprets Marlowe's famously homosexual protagonist, creating an Edward initially more crudely homoerotic and ultimately more truly heroic. Brecht's Edward is a hero for the modern era: an existential hero defying a meaningless universe with his courage.


Brecht Collected Plays: 3

Brecht Collected Plays: 3

Author: Bertolt Brecht

Publisher: Bloomsbury Publishing

Published: 2015-08-09

Total Pages: 465

ISBN-13: 1472538528

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The most comprehensive and authoritative editions of Brecht's plays in the English language Volume Three of Brecht's Collected Plays includes St Joan of the Stockyards - a play which recasts St Joan as Joan Dark springing hope into the hearts of factory workers at the mercy of meatpacker king Pierpont Mauler threatening cuts in the Depression; and the Lehrstücke or short 'didactic' pieces written during the years 1929 to 1933, are some of his most experimental work. Lindbergh's Flight, The Baden-Baden Lesson on Consent, He Said Yes / He Said No, The Decision,The Exception and the Rule, and The Horatians and the Curiatians reject conventional theatre; they are spare and highly formalised, drawing on traditional Japanese and Chinese forms. They show Brecht in collaboration with the composers Hindemith, Weill and Eisler, influenced by the new techniques of montage in the visual arts and seeking new means of expression. Also included is The Mother, based on Gorky's novel about the progress of a factory strike in Tver and the journey of a peasant mother from illiteracy to card-carrying communism. The translators include H R Hays (The Horatians and the Curiatians), Ralph Manheim (St Joan of the Stockyards), Tom Osborn (The Exception and the Rule), Geoffrey Skelton (The Baden-Baden Lesson on Consent), John Willett (Lindbergh's Flight;The Decision;The Mother) and Arthur Waley (He Said Yes / He Said No). The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.


Baal, A Man's a Man, and The Elephant Calf

Baal, A Man's a Man, and The Elephant Calf

Author: Bertolt Brecht

Publisher: Grove Press

Published: 1964

Total Pages: 228

ISBN-13: 9780802131591

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The story of a charming, ruthlessly amoral young poet, Baal (1918) is Brecht's first play and "a passionate acceptance of the world in all its sordid grandeur" (Martin Esslin). A Man's A Man (1926), Brecht's first excursion into "epic theater," traces the terrifying transformation of the sweet, good Galy Gay into a bloodthirsty "human fighting machine." Galy reappears in the brief, sardonic Elephant Calf, a sort of coda. Powerful stage works in their own right, these three early plays also provide crucial insights into Brecht's dramatic techniques and preoccupations before the decisive embrace of Marxism in 1928.