A comprehensive, multi-layered examination and discussion of Drama Box’s 30-year history, based on 30 key words. These allow you to connect and refer to the characteristics and social thought of the times on a broader level. The book offers exclusive insight into Drama Box as an independent theatre company, and incisive appreciation of Singapore’s theatre and social landscape.
This pioneering study provides an essential guide to the formative years of Drama Box, a leading Chinese-language theatre company in Singapore. How Wee Ng presents a compelling narrative of how Drama Box has emerged as a prominent force in the field of theatre for social intervention, effectively amplifying the voices of marginalised communities and establishing itself as a foremost advocate of cutting-edge, socially oriented artistic practice. Ng’s in-depth analysis of Drama Box’s most influential works during this pivotal period, and his meticulous examination of the social, political, and economic contexts of their productions, illuminate the remarkable balance the company has achieved in its engagement with government policy, censorship, and financial imperatives, while fiercely defending its artistic autonomy. As well as unveiling the remarkable history of Drama Box, the book offers readers a unique lens through which to understand the complex relationship between the arts and state authority, and the broader socio-cultural and political landscape of contemporary Singapore.
Asian City Crossings is the first volume to examine the relationship between the city and performance from an Asian perspective. This collection introduces "city as method" as a new conceptual framework for the investigation of practices of city-based performing arts collaboration and city-to-city performance networks across East- and Southeast Asia and beyond. The shared and yet divergent histories of the global cities of Hong Kong and Singapore as postcolonial, multiethnic, multicultural, and multilingual sites, are taken as points of departure to demonstrate how "city as method" facilitates a comparative analytical space that foregrounds in-betweenness and fluid positionalities. It situates inter-Asian relationality and inter-city referencing as centrally significant dynamics in the exploration of the material and ideological conditions of contemporary performance and performance exchange in Asia. This study captures creative dialogue that travels city-based pathways along the Hong Kong-Singapore route, as well as between Hong Kong and Singapore and other cities, through scholarly analyses and practitioner reflections drawn from the fields of theatre, performance, and music. This book combines essays by scholars of Asian studies, theatre studies, ethnomusicology, and human geography with reflective accounts by Hong Kong and Singapore-based performing arts practitioners to highlight the diversity, vibrancy, and complexity of creative projects that destabilise notions of identity, belonging, and nationhood through strategies of collaborative conviviality and transnational mobility across multi-sited networks of cities in Asia. In doing so, this volume fills a considerable gap in global scholarly discourse on performance and the city and on the production and circulation of the performing arts in Asia.
The Rough Guide to Hong Kong & Macau is the comprehensive guide to this region, taking into account the vast rate of change and giving a clear focus from both a Western and Chinese perspective. Packed with information and clear maps of old buildings and local historical sites, it also has detailed accounts of outdoor activities and revised restaurant listings, from world cuisine to local Chinese dim sum lunch. The guide caters to all visitors whatever their budget. For shopping, there are comprehensive listings on where to find clothing, jewellery, electronics, art or simply souvenirs, plus advice on how to avoid getting ripped off. For those on a budget, the guide is packed with tips on how to stay, travel, eat and enjoy yourself cheaply (including a list of all the free things to do in town). Anyone in Hong Kong with more time to explore will find coverage of everything from taking the Star Ferry Ride to shopping at Temple Street market, with in-depth coverage of downtown bars, remote villages, stunning mountains and the best beaches. Make the most of your holiday with The Rough Guide to Hong Kong & Macau.
Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.
This resource includes full details of Hong Kong harbour, its shopping and nightlife districts, traditional sites and off-the-beaten track areas of the New Territories and outlying islands. A history and a cultural guide is included, as well as places to eat, drink and sleep on every budget. Background information on post-handover politics and features on festivals, feng shui and Chinese astrology are also included.
_______________ The 50 Fantastic Ideas series is packed full of fun, original, skills-based activities for Early Years practitioners to use with children aged 0-5. Each activity features step-by-step guidance, a list of resources, and a detailed explanation of the skills children will learn. Creative, simple, and highly effective, this series is a must-have for every Early Years setting. In order to be able to think creatively, children have to be encouraged to use their imaginations and play autonomously. When setting up open-ended learning opportunities that stimulate children to investigate possibilities practitioners need easily accessible, cost effective resources. The rationale behind using cardboard boxes is the simple fact that they are cheap and open-ended, meaning they can be easily sourced and simply transformed by both adults and children. A cardboard box is a resource that when left alone, does nothing in particular but comes to life in the hands of children, requiring them to use their imagination or to build on their past experiences. Boxes as open-ended materials greatly enhance the play experience, as they require children to bring their thoughts into the play experience in a deeper way.
"By asking readers to understand how the profession of scenic design was constructed and drawing attention to the work of talented but overlooked women, queer, and Black designers, this book expands the canon of design history and gives insight into how and why some designers were excluded from the professionalization of scenic design"--
