Drama and Theatre in Nigeria
Drama and Theatre in Nigeria

Author: Yemi Ogunbiyi

Publisher:

Published: 2014

Total Pages: 736

ISBN-13: 9789788453819

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"A critical look at the Nigerian Theatre from its inception to the present, while correcting omissions and erroneous impressions made in past studies. In short, it gives a perspective to Nigerian Drama and foreign ones alike including those actually involved in Nigerian Drama and Theatre. The study, therefore, presents a description and criticism of the major aspects of Nigerian Drama and Theatre, bringing forward new data and fresh insights concerning the subject."--Page xi.

Theatre in Nigeria
Theatre in Nigeria

Author: Foluke Ogunleye

Publisher: Integritas Services

Published: 2007

Total Pages: 116

ISBN-13: 9789783626676

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Building on earlier works on the African video film movement this book discusses: The Dynamics of Finance in the Nigerian Traveling Theatre; Christian Morality Plays in Nigeria; Television Docudrama as Alternative Records of History; Nigerian Tele-Drama and Propaganda; Money and Mercantilism in Nigerian Historical Plays; History of the Ori Olokun Theatre; and The Socio-Economic Construct of the Nigerian Home Video Film.

Committed Theatre in Nigeria
Committed Theatre in Nigeria

Author: Segun Oyeleke Oyewo

Publisher: Rowman & Littlefield

Published: 2020-06-01

Total Pages: 231

ISBN-13: 149859381X

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This book provides an overview of the full range of the teaching and practice of Committed Theatre and theatre of commitment in Nigeria for scholars in the arts and cultural studies. It is divided into four sections; Chapter 1: Theatre in Development Discourse, which is comprised of four papers that explore the theories of practice of theatre of commitment. Chapter 2 : Nigerian Theatre in Perspective discusses the trends, ethos of revolution, theatrical elements and communalistic/individualistic tendencies and the taboos theatre, drama and traditional theatre in Nigeria. In Chapter 3, the social, cultural and historical implications of Nigeria theatre, is examined in papers that focus on politics, theatre, and echoes of separatism in Nigeria and including an analysis of Aesthetagement of the Calabar Carnival in Nigeria. Chapter 4 performs a critical analysis of committed theatre practices from a global perspective. Interviews were conducted with committed artistes from Nigeria, Canada, Ethiopia, and Indonesia. Committed Theatre Perspectives in Teaching and Practice in Nigeria has the potential to impact the philosophy, teaching, and practice of theatre. The ideas contained in the book provide an excellent framework for understanding the importance and more importantly, the impact of theatre on society.

Socio-political Theatre in Nigeria
Socio-political Theatre in Nigeria

Author: Iremhokiokha Peter Ukpokodu

Publisher: Mellen University Press

Published: 1992

Total Pages: 340

ISBN-13:

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This work is a study of Nigerian drama from the eve of independence to the 1980s with supportive materials from Nigeria's socio-political history. It examines the appropriateness and usage of the term Nigerian Drama and sets limits on its meaning. It also looks at what influences the Negritude movement and independence had on Nigerian drama, and why it is important to study Nigerian drama of socio-political concern. It examines pre-Colonial Nigeria, the style of politics and electioneering that marked the first Republic, the Marxist phenomenon in drama, the effects of the civil war, and the drama that resulted. It includes play synopses, and biographies of playwrights.

Pre-colonial and Post-colonial Drama and Theatre in Africa
Pre-colonial and Post-colonial Drama and Theatre in Africa

Author: Lokangaka Losambe

Publisher: New Africa Books

Published: 2001

Total Pages: 170

ISBN-13: 9781919876061

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In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.

The Generation of Plays
The Generation of Plays

Author: Karin Barber

Publisher: Indiana University Press

Published: 2003-03-21

Total Pages: 516

ISBN-13: 9780253216175

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Since the 1980s, Yoruba popular theatre has virtually disappeared due to radio, TV and other mass media in Nigeria. This is the personal account of a theatre worker on tour with the Oyin Adejobi Company. Drawing on archives, interviews and transcribed plays, she describes a successful Yoruba drama.