Drama and Ethos
Drama and Ethos

Author: Robert L. Fiore

Publisher: University Press of Kentucky

Published: 2014-07-15

Total Pages: 133

ISBN-13: 0813162947

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Spanish Golden Age drama as an expression of morality falls between the extremes of art-for-art's-sake and utilitarianism. According to Spanish literary critics of the 16th and 17th centuries, drama imitated reality, the subject and domain of philosophy. The integration of drama and scholastic moral philosophy was an important aspect of the critical theory of this era, which held that art should both teach and delight. Through close textual analysis of representative plays, this book examines the artistic fusion of natural-law philosophy and drama. It demonstrates the relationship between ethics and the central ideological themes of these works, illustrating that an awareness of the doctrines of natural law ethics is crucial to an enriched comprehension of the drama of Golden Age Spain.

Natural Law, Constitutionalism, Reason of State, and War
Natural Law, Constitutionalism, Reason of State, and War

Author: J. A. Fernández-Santamaría

Publisher: Peter Lang

Published: 2005

Total Pages: 444

ISBN-13: 9780820476384

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Natural Law, Constitutionalism, Reason of State, and War: Counter-Reformation Spanish Political Thought (Volumes I and II) aims at understanding how Spanish thinkers in the sixteenth and early seventeenth centuries approached the emerging institution of the state. The volumes are divided evenly into four distinct but related parts that cover the Spaniards' central concerns. In the first, a fundamental question is asked: Is the state a natural institution? In the second, the theme is the best form of government. The third part is concerned with the imperative need to define the ethical boundaries beyond which the state must not trespass. Finally, the fourth part examines the question of war as an instrument of policy.

Drama and Ethos
Drama and Ethos

Author: Robert L. Fiore

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 157

ISBN-13: 0813186137

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Spanish Golden Age drama as an expression of morality falls between the extremes of art-for-art's-sake and utilitarianism. According to Spanish literary critics of the 16th and 17th centuries, drama imitated reality, the subject and domain of philosophy. The integration of drama and scholastic moral philosophy was an important aspect of the critical theory of this era, which held that art should both teach and delight. Through close textual analysis of representative plays, this book examines the artistic fusion of natural-law philosophy and drama. It demonstrates the relationship between ethics and the central ideological themes of these works, illustrating that an awareness of the doctrines of natural law ethics is crucial to an enriched comprehension of the drama of Golden Age Spain.

The Ethos of Drama
The Ethos of Drama

Author: Robert L. King

Publisher: CUA Press

Published: 2010-04-26

Total Pages: 249

ISBN-13: 0813217415

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*A groundbreaking approach to drama criticism*

Pedro Calderón de la Barca and the World Theatre in Early Modern Europe
Pedro Calderón de la Barca and the World Theatre in Early Modern Europe

Author: Rasmus Vangshardt

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2023-11-20

Total Pages: 285

ISBN-13: 1501517023

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Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.

Lope de Vega: Fuente Ovejuna
Lope de Vega: Fuente Ovejuna

Author:

Publisher: Hispanic Classics

Published: 1989-05

Total Pages: 233

ISBN-13: 0856683280

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Fuente Ovejuna (C.1613) is the most famous and frequently performed play by the creator of Spanish theatre, Lope de Vega (1562-1635). Astonishingly for its period, it celebrates the murder in 1476 of a nobleman, the Grand Commander of the Military Order of Calatrava, by the peasants he had oppressed, and their subsequent solidarity under torture. Fuente Ovejuna, however, is less a history lesson or political tract than an optimistic moral fable.

Bodies beyond Labels
Bodies beyond Labels

Author: Daniel Holcombe

Publisher: University of Toronto Press

Published: 2024-06-03

Total Pages: 266

ISBN-13: 1487556918

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Bodies beyond Labels explores moments of joy and joyful expressions of self-identity, intimacy, sexuality, affect, friendship, social relationships, and religiosity in imperial Spanish cultures, a period when embodiments of such joy were shadowed by comparatively more constrictive social conventions. Viewed in this manner, joy frames historic references to gender, sexuality, and present-day concepts of queerness through homoeroticism, non-labelled bodies, gender fluidity, and performativity. This collection reveals diverse glimmers of joy through a variety of genres, including plays, poems, novels, autobiographies, biblical narratives, and civil law texts, among others. The book is divided into five categories: theatrical works that use mythology to enjoy themes of homoeroticism; narrative prose and visual arts that reveal public and private homoerotic expressions; scopophilia within garden and museum spaces that make possible joyous observations of non-labelled and non-corporeal bodies; biblical narratives and epistolary works that signal religious transgressions of gender and friendship; and sexual geographies explored in historic and legal documents. As new generations develop more nuanced senses of gender and sexual identities, Bodies beyond Labels strives to provide new academic optics, as framed by non-labelled bodies, queer theorizations, joy in unexpected places, and the light that has historically (re)emerged from the shadows.

Allegories of Kingship
Allegories of Kingship

Author: Stephen Rupp

Publisher: Penn State Press

Published: 2010-11

Total Pages: 201

ISBN-13: 0271039280

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This study examines issues in politics and political theory in selected works of Pedro Calder&ón de la Barca (1600&–1681), the major dramatist of the middle and later decades of the seventeenth century in Spain. By analyzing secular dramas (comedias) and religious plays (autos sacramentales), Stephen Rupp demonstrates Calder&ón's awareness of the ideas and institutions of power in Hapsburg Spain and explores the terms of his intervention in the long debate over the principles of Christian statecraft. Through references to Rivadeneira, Saavedra Fajardo, and Quevedo, Rupp describes the anti-Machiavellian theory of kingship that informs Calder&ón's political theater. Rupp's argument proceeds from abstract principles of political theory to particular institutions and events at the Hapsburg court. Discussion of two comedias (La vida es sue&ño and La cisma de Inglaterra) and five autos (La vida es sue&ño, A Dios por raz&ón de Estado, El maestrazgo del Tois&ón, El nuevo palacio del Retiro, and El lirio y la azucena) demonstrates Calder&ón's assimilation of true reason of state to providence, his attitudes concerning the conciliar system and the regime of the royal favorite or valido, and his allegorical treatment of significant state occasions.