Drag Histories, Herstories and Hairstories

Drag Histories, Herstories and Hairstories

Author: Mark Edward

Publisher: Bloomsbury Publishing

Published: 2021-01-14

Total Pages: 257

ISBN-13: 135010437X

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Drawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance. This volume maps the multi-threaded contexts of contemporary practices while rooting them in their fabulous historical past and memory. The book examines drag histories and what drag does with history, how it enacts or tells stories about remembering and the past. Featuring work about the USA, UK and Ireland, Japan, Australia, Brazil and Barbados, this book allows the reader to engage with a range of archival research including camp and history; ethnicity and drag; queering ballet through drag; the connections between drag king and queen history; queering pantomime performance; drag and military veterans; Puerto Rican drag performers and historical film.


Contemporary Drag Practices and Performers

Contemporary Drag Practices and Performers

Author: Mark Edward

Publisher: Bloomsbury Publishing

Published: 2020-03-19

Total Pages: 243

ISBN-13: 1350082953

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In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.


Their Majesty

Their Majesty

Author: Joe Parslow

Publisher: Taylor & Francis

Published: 2024-08-27

Total Pages: 213

ISBN-13: 1040122647

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This book explores drag performance in London since 2009 via the pubs, bars and clubs that make LGBTQ+ communities thrive. It studies the complex relationship between drag performance, LGBTQ+ venues and queer communities. In exploring drag performance, the book develops a greater understanding of the connection between drag performance and queer communities, in particular exploring how drag might facilitate queer communities and offer queer modes of survival and resistance for queer people. Through this, the book describes a contemporary moment in which drag performance is increasingly popular and increasingly important at a time when homophobic and transphobic violence is prevalent, and LGBTQ+ venues are often under threat of closure. Understanding the increased/increasing mainstream popularity of drag, the book examines drag performance that is connected to and resists mainstream attention in order to account for its complexity in London (and beyond). This book takes the author’s engagement with and love for drag and exerts a critical, political and queer pull in order to develop new terrains of queer studies and queer performance studies.


Contemporary Drag Practices and Performers

Contemporary Drag Practices and Performers

Author: Mark Edward

Publisher: Bloomsbury Publishing

Published: 2020-03-19

Total Pages: 248

ISBN-13: 1350082961

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In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.


RuPaul’s Drag Race and the Shifting Visibility of Drag Culture

RuPaul’s Drag Race and the Shifting Visibility of Drag Culture

Author: Niall Brennan

Publisher: Springer

Published: 2017-08-25

Total Pages: 303

ISBN-13: 3319506188

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This book identifies and analyzes the ways in which RuPaul’s Drag Race has reshaped the visibility of drag culture in the US and internationally, as well as how the program has changed understandings of reality TV. This edited volume illustrates how drag has become a significant aspect of LGBTQ experience and identity globally through RuPaul’s Drag Race, and how the show has reformed a media landscape in which competition and reality itself are understood as given. Taking on lenses addressing race, ethnicity, geographical origin, cultural identity, physicality and body image, and participation in drag culture across the globe, this volume offers critical, non-traditional, and first-hand perspectives on drag culture.


It's a Drag

It's a Drag

Author: Janet Tennant

Publisher: Applause Theatre & Cinema

Published: 2022-08-15

Total Pages: 248

ISBN-13: 9781493059058

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It's a Drag: Cross-Dressing in Performance looks at how performers over the whole period of theatrical history have cross-dressed and why: to tell stories, to amuse, to create memorable alter-egos, to call attention to social and political issues, or merely for expediency. Janet Tennant considers the present and future, and whether the drive towards gender equality will render cross-dressing redundant.


Mesearch and the Performing Body

Mesearch and the Performing Body

Author: Mark Edward

Publisher: Springer

Published: 2018-01-23

Total Pages: 119

ISBN-13: 3319699989

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This book is an anthology of Mark Edward’s creative practice-led projects. It transmits and communicates his research through varied artistic means, primarily contemporary dance, immersive art installation, drag performance, and photography. Through the innovative practice of 'mesearch', in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance. Instead of being an attempt to undervalue or challenge the accepted notions of style within academic research, it promotes a freedom of expression which allows greater fluidity between the researcher, the performer, and the writer.


Arresting Dress

Arresting Dress

Author: Clare Sears

Publisher: Duke University Press

Published: 2015-02-20

Total Pages: 329

ISBN-13: 0822376199

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In 1863, San Francisco’s Board of Supervisors passed a law that criminalized appearing in public in “a dress not belonging to his or her sex.” Adopted as part of a broader anti-indecency campaign, the cross-dressing law became a flexible tool for policing multiple gender transgressions, facilitating over one hundred arrests before the century’s end. Over forty U.S. cities passed similar laws during this time, yet little is known about their emergence, operations, or effects. Grounded in a wealth of archival material, Arresting Dress traces the career of anti-cross-dressing laws from municipal courtrooms and codebooks to newspaper scandals, vaudevillian theater, freak-show performances, and commercial “slumming tours.” It shows that the law did not simply police normative gender but actively produced it by creating new definitions of gender normality and abnormality. It also tells the story of the tenacity of those who defied the law, spoke out when sentenced, and articulated different gender possibilities.


Queering the Museum

Queering the Museum

Author: Nikki Sullivan

Publisher: Routledge

Published: 2019-11-01

Total Pages: 141

ISBN-13: 1351120166

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Queering the Museum develops a queer analysis of the ways in which museums construct themselves, their core business, and their publics through the, often unconscious, use of inherited ways of knowing and doing. Providing a critique of both the practices and conventions associated with the modern public museum, and the ontological assumptions that inform them, the authors consider recent discourse around inclusion in museums and explore the ways this has been taken up in practice. Highlighting the limits of particular approaches to inclusion, and the failure to move away from a traditional museological paradigm, the book outlines an alternative critical museological approach that the authors refer to as ‘queer’. Providing readers with the critical tools necessary for a profound rethinking of museum practice, the book also responds to and problematises the growing call for social inclusion. Queering the Museum will appeal to academics, students, and museum and arts sector practitioners with an interest in critical theory or queer practice. It will be of particular interest to those working in the fields of museum studies, sociology, archaeology, anthropology, cultural studies, media, social policy, politics, philosophy, and history.


Beat Drama

Beat Drama

Author: Deborah Geis

Publisher: Bloomsbury Publishing

Published: 2016-07-28

Total Pages: 377

ISBN-13: 1472567897

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Readers and acolytes of the vital early 1950s-mid 1960s writers known as the Beat Generation tend to be familiar with the prose and poetry by the seminal authors of this period: Jack Kerouac, Gregory Corso, Lawrence Ferlinghetti, Diane Di Prima, and many others. Yet all of these authors, as well as other less well-known Beat figures, also wrote plays-and these, together with their countercultural approaches to what could or should happen in the theatre-shaped the dramatic experiments of the playwrights who came after them, from Sam Shepard to Maria Irene Fornes, to the many vanguard performance artists of the seventies. This volume, the first of its kind, gathers essays about the exciting work in drama and performance by and about the Beat Generation, ranging from the well-known Beat figures such as Kerouac, Ginsberg and Burroughs, to the “Afro-Beats” - LeRoi Jones (Amiri Baraka), Bob Kaufman, and others. It offers original studies of the women Beats - Di Prima, Bunny Lang - as well as groups like the Living Theater who in this era first challenged the literal and physical boundaries of the performance space itself.