Patterns and Layering is a journey into the activities of Kengo Kuma Research Lab. The book aims to establish the interrelation between patterns and layering within architecture. These two previously detached notions can now be integrated into one methodology mediated by structural concepts. Patterns and Layering is the first book to introduce this new interrelationship, which has the potential to begin a new architectural and design revolution.
Japanese Screens in Miniature is a collection of six of Japan's masterpieces reproduced as actual miniature screens, with an introduction to this most colorful, exuberant, and decorative aspects of the Golden Age of Japanese art. The development of the Japanese screen as an ant form in the Momoyama period (1575-1615) presents a fascinating example of the converging influences of art traditions,history, politics, religion, and architecture.
B.B. King's own guitar solos, plus melody line, rhythm guitar, lyrics, chords and a special photo/biography section. Features songs such as: God Bless The Child * Lift Ev'ry Voice And Sing * Frankie And Johnnie * more.
Through a precise and expansive definition of what a pattern is, this book offers ways to understand and use patterns in contemporary design. From the structure of the universe to the print on your grandmother’s couch, patterns are found in a variety of concrete and conceptual phenomena. For architecture, something that so easily traffics between science and taste demands attention, which partially explains patterns’ recent revival across diverse stylistic and intellectual camps. Yet, despite their ubiquity, their resurgence remains un-theorized and their capabilities underutilized. To date no account has been given for their recent proliferation, nor have their various formal and functional capacities been examined. In fact, the relationship between patterns and architecture hasn’t been addressed in almost 30 years. This book fills that gap by tracking the definitions and applications of patterns in a number of fields, and by suggesting how contemporary patterns might be used in design. Drawing on historical material and recent case studies, it gives shape to patterns’ emerging potential. The Architecture of Patterns provides an updated definition of patterns that is at once precise and expansive—one that allows their sensory, ephemeral, and iterative traits to be taken as seriously as their functional, everlasting, and essential ones. Book design by David Carson. Foreword by Sanford Kwinter. Projects by Atelier Manferdini, Bjarke Ingels Group, Ciro Najle, EMERGENT/Thomas Wiscombe, Foreign Office Architects, Jason Payne and Heather Roberge, Herzog and de Meuron, J. Mayer H. Architects, Reiser+Umemoto, Responsive Systems Group, and !ndie architecture.
This issue explores the creation, materialisation and theorisation of some of the world's most significant and spectacularly patterned spaces. It investigates how interiors, buildings, cities and landscapes are patterned through design, production and manufacturing, use, time, accident and perception. It also brings into focus how contemporary advanced spatial practices and CAD/CAM are now pushing patterns to encompass a greater range of structural, programmatic, aesthetic and material effects and properties.
A detailed history of Katsura, the seventeenth-century Imperial Palace in Kyoto, Japan, a pivotal work of Japanese architecture, often described as the 'quintessence of Japanese taste'. First revealed to the modern architectural world by Bruno Taut, the great German architect, in the early twentieth-century, Katsura stunned and then excited the architectural community of the West. Le Corbusier and Walter Gropius, pillars of the Modernist establishment, were fascinated by Katsura's 'modernity'. This book documents the palace in detail, combining newly commissioned photographs, detailed drawings, archival material, and historical analysis.
This book displays the uniqueness and creativity of Japan in terms of the interplay between traditional and postmodern perspectives. It deals with the traditional elements in Japanese culture in the light of or in contrast to postmodernism.
