Dowland: Lachrimae (1604)

Dowland: Lachrimae (1604)

Author: Peter Holman

Publisher: Cambridge University Press

Published: 1999-10-28

Total Pages: 120

ISBN-13: 9780521588294

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Dowland's Lachrimae (1604) is perhaps the greatest but most enigmatic publication of instrumental music from before the eighteenth century. This new handbook, the first detailed study of the collection, investigates its publication history, its instrumentation, its place in the history of Renaissance dance music, and its reception history. Two extended chapters examine the twenty-one pieces in the collection in detail, discussing the complex internal relationships between the cycle of seven 'Lachrimae' pavans, the relationships between them and other pieces inside and outside the collection, and possible connections between the Latin titles of the seven pavans and Elizabethan conceptions of melancholy. The extraordinarily multi-faceted nature of the collection also leads the author to illuminate questions of patronage, the ordering and format of the collection, pitch and transposition, tonality and modality, and even numerology.


Musical Creativity in Restoration England

Musical Creativity in Restoration England

Author: Rebecca Herissone

Publisher: Cambridge University Press

Published: 2013

Total Pages: 568

ISBN-13: 1107289556

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Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.


Monteverdi

Monteverdi

Author: Paolo Fabbri

Publisher: Cambridge University Press

Published: 1994-06-23

Total Pages: 370

ISBN-13: 0521351332

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Paolo Fabbri's Monteverdi, first published in Italian, is the leading study of the greatest composer of late Renaissance and early Baroque Italy, rightly called the "father of modern music." A large number of contemporary documents, including some 130 of his own letters, offer rich insights into the composer and his times, also illuminating the many and varied contexts for music-making in the most important musical centers in Italy. This newly revised translation brings an indispensable text to a much broader readership.


Dowland

Dowland

Author: Associate Professor School of Music Theatre and Dance K Dawn Grapes

Publisher: Oxford University Press

Published: 2024

Total Pages: 281

ISBN-13: 0197558852

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Dowland recounts the story of one of the most important composers to emerge from early modern England. More than a biography, this book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). The narrative follows the master lutenist on his journeys to France, through the German and Italian lands, and to the Danish and English courts of Christian IV and James I, as he developed a musical style that was at once personal and cosmopolitan.


Bruckner: Symphony No. 8

Bruckner: Symphony No. 8

Author: Benjamin M. Korstvedt

Publisher: Cambridge University Press

Published: 2000-03-30

Total Pages: 156

ISBN-13: 9780521635370

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This book explores Bruckner's Eighth Symphony (1890) from several angles, offering an accessible guide to its musical design.


The Cambridge Companion to Bartók

The Cambridge Companion to Bartók

Author: Amanda Bayley

Publisher: Cambridge University Press

Published: 2001-03-26

Total Pages: 292

ISBN-13: 1139826093

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This Companion is an accessible guide to Bartók's music and is an ideal introduction to the composer for students, performers and concert-goers. Part I of the book sets out the cultural, social and political background in Hungary at the beginning of the twentieth century, and considers Bartók's interest in and research into folk music. Part II surveys his compositional output in all genres, relating changes in style to broad aesthetic issues, his folk music studies, and his activities as a pianist, music editor and teacher. The final part reveals the wide variety of responses to Bartók's music in Europe and the United States, both during and after his lifetime. It includes a comparison of analytical approaches to his music and an evaluation of performances including those of the composer himself. The book is written by a team of specialists, who represent more recent thinking on the composer and his music.


The Lute in Britain

The Lute in Britain

Author: Matthew Spring

Publisher: Oxford University Press, USA

Published: 2001

Total Pages: 576

ISBN-13: 9780195188387

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"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.


1001 Classical Recordings You Must Hear Before You Die

1001 Classical Recordings You Must Hear Before You Die

Author: Matthew Rye

Publisher: Chartwell Books

Published: 2017-10-24

Total Pages: 963

ISBN-13: 0785835822

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A thick and informative guide to the world of classical music and its stunning recordings, complete with images from CD cases, concert halls, and of the musicians themselves.


Dowland: Lachrimae (1604)

Dowland: Lachrimae (1604)

Author: Peter Holman

Publisher: Cambridge University Press

Published: 1999-10-28

Total Pages: 120

ISBN-13: 9780521581967

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Dowland's famous Lachrimae (1604) is the earliest collection of instrumental music generally known to nonspecialists, yet it has never been studied in detail before. Among other things, this comprehensive guide investigates its publication history, its place in the development of Renaissance dance music, the significance of its writing for particular stringed instruments, and the possible connections between the famous cycle of "Lachrimae" pavans and Elizabethan conceptions of melancholy.