Double Check

Double Check

Author: Malcolm Rose

Publisher: Pan Macmillan

Published: 2007

Total Pages: 228

ISBN-13: 9780753414927

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Everton Kohter is a young man on death row, but Luke Harding has been tipped off that he is innocent. Luke wants to reopen the case, but the authorities want him to investigate suspected pairing committee fraud instead. Against the ticking clock, Luke and Malc chase all leads - including a freak electrical storm and a plane crash. Can they uncover the truth behind the forensic traces?


Double-Check for Sleeping Children

Double-Check for Sleeping Children

Author: Kirstin Allio

Publisher: University of Alabama Press

Published: 2024

Total Pages: 255

ISBN-13: 1573662062

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"Kirstin Allio's fourth book Double-Check for Sleeping Children is a short story collection that features twenty poetically and morally propulsive fictions that deal in codedness and transgression, coming of age in middle age, anxiety about time and technology, inverted revelation, prayers, curses, redemption, and abasement"--


Report

Report

Author: New Hampshire. State Department of Health

Publisher:

Published: 1928

Total Pages: 290

ISBN-13:

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1881/82-1882/83, 1936/38- include also the registration reports for 1881-1882, 1936/37-


Risk Quantification

Risk Quantification

Author: Laurent Condamin

Publisher: John Wiley & Sons

Published: 2007-01-30

Total Pages: 286

ISBN-13: 0470060433

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This book offers a practical answer for the non-mathematician to all the questions any businessman always wanted to ask about risk quantification, and never dare to ask. Enterprise-wide risk management (ERM) is a key issue for board of directors worldwide. Its proper implementation ensures transparent governance with all stakeholders’ interests integrated into the strategic equation. Furthermore, Risk quantification is the cornerstone of effective risk management,at the strategic and tactical level, covering finance as well as ethics considerations. Both downside and upside risks (threats & opportunities) must be assessed to select the most efficient risk control measures and to set up efficient risk financing mechanisms. Only thus will an optimum return on capital and a reliable protection against bankruptcy be ensured, i.e. long term sustainable development. Within the ERM framework, each individual operational entity is called upon to control its own risks, within the guidelines set up by the board of directors, whereas the risk financing strategy is developed and implemented at the corporate level to optimise the balance between threats and opportunities, systematic and non systematic risks. This book is designed to equip each board member, each executives and each field manager, with the tool box enabling them to quantify the risks within his/her jurisdiction to all the extend possible and thus make sound, rational and justifiable decisions, while recognising the limits of the exercise. Beyond traditional probability analysis, used since the 18th Century by the insurance community, it offers insight into new developments like Bayesian expert networks, Monte-Carlo simulation, etc. with practical illustrations on how to implement them within the three steps of risk management, diagnostic, treatment and audit. With a foreword by Catherine Veret and an introduction by Kevin Knight.


Hollywood's African American Films

Hollywood's African American Films

Author: Ryan Jay Friedman

Publisher: Rutgers University Press

Published: 2011

Total Pages: 265

ISBN-13: 0813550483

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In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.