#1 NEW YORK TIMES BESTSELLER It was never supposed to be this close. And of course she was supposed to win. How Hillary Clinton lost the 2016 election to Donald Trump is the riveting story of a sure thing gone off the rails. For every Comey revelation or hindsight acknowledgment about the electorate, no explanation of defeat can begin with anything other than the core problem of Hillary's campaign--the candidate herself. Through deep access to insiders from the top to the bottom of the campaign, political writers Jonathan Allen and Amie Parnes have reconstructed the key decisions and unseized opportunities, the well-intentioned misfires and the hidden thorns that turned a winnable contest into a devastating loss. Drawing on the authors' deep knowledge of Hillary from their previous book, the acclaimed biography HRC, Shattered offers an object lesson in how Hillary herself made victory an uphill battle, how her difficulty articulating a vision irreparably hobbled her impact with voters, and how the campaign failed to internalize the lessons of populist fury from the hard-fought primary against Bernie Sanders. Moving blow-by-blow from the campaign's difficult birth through the bewildering terror of election night, Shattered tells an unforgettable story with urgent lessons both political and personal, filled with revelations that will change the way readers understand just what happened to America on November 8, 2016.
Bryan Stark describes himself as the "Greek Chorus," constantly watching the action and drama unfold around him in the arena with the most high school divas possible--the theater! At his posh private school in Malibu, Orion Academy, the teens are entitled, the boys are cute, and the theatre productions extremely elaborate. Bryan sees it all as he directs his best friend Samantha, the most talented of the Orion divas, through the throng. This bind-up is filled with friends, theatre, and romance, but underneath it all DRAMA! is a heartfelt comedic series.
Hailed as the first original American fairy tale, The Wizard of Oz inspired countless sequels and imitations, as well as the classic American musical film and the Broadway musical The Wiz. In L. Frank Baum's imaginative story, Dorothy Gale takes a magical journey from the American heartland into the wonderful land of Oz to meet the Tin Woodman, the Scarecrow, and the Cowardly Lion.
Margaret can’t wait to see her family, but her homecoming is not what she expected. Traveling to be reunited with her family in the arctic, 10-year-old Margaret Pokiak can hardly contain her excitement. It’s been two years since her parents delivered her to the school run by the dark-cloaked nuns and brothers. Coming ashore, Margaret spots her family, but her mother barely recognizes her, screaming, “Not my girl.” Margaret realizes she is now marked as an outsider. And Margaret is an outsider: she has forgotten the language and stories of her people, and she can’t even stomach the food her mother prepares. However, Margaret gradually relearns her language and her family’s way of living. Along the way, she discovers how important it is to remain true to the ways of her people—and to herself. Highlighted by archival photos and striking artwork, this first-person account of a young girl’s struggle to find her place will inspire young readers to ask what it means to belong.
ÒThis volume is the outcome of the work of six members of the Narrative and Imagination working group of the Academy of Homiletics. . . . ÒWe hope that this volume will encourage those who have not tried narrative preaching to do so, especially since we present a variety of models of how to do narrative preaching and show how each of us moved toward the particular model we present. We also hope that this volume will contribute to the development of the discipline of narrative preaching. . . . When done well, narrative preaching has the power to effect the kind of transformation in people's lives which we all hope for when we as vehicles attempt to communicate the good news. ÒThis is so in part because narrative preaching both reflects and impacts on the narrative quality of life as we live it. We recognize ourselves in narratives, and we can imagine ourselves changed through narrative in a way that does not often happen through other means of preaching. -- from the Introduction Contributors: Robert G. Hughes Eugene L. Lowry Wayne Bradley Robinson Lucy Rose Richard L. Thulin Michael E. Williams