Dorothy Porter Wesley at Howard University
Dorothy Porter Wesley at Howard University

Author: Janet L. Sims-Wood

Publisher: American Heritage

Published: 2014

Total Pages: 0

ISBN-13: 9781626196445

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When Dorothy Burnett joined the library staff at Howard University in 1928, she was given a mandate to administer a library of Negro life and history. The school purchased the Arthur B. Spingarn Collection in 1946, along with other collections, and Burnett, who would later become Dorothy Porter Wesley, helped create a world-class archive known as the Moorland-Spingarn Research Center and cemented her place as an immensely important figure in the preservation of African American history. Wesley's zeal for unearthing materials related to African American history earned her the name of Shopping Bag Lady." Join author, historian and former Howard University librarian Janet Sims-Wood as she charts the award-winning and distinguished career of an iconic archivist."

The Negro in the United States
The Negro in the United States

Author: Dorothy Porter Wesley

Publisher:

Published: 1999

Total Pages: 336

ISBN-13:

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Identifies some 1,700 works about African Americans. Entries include full bibliographic information as well as Library of Congress call numbers and location in 11 major university libraries. Entries are arranged by subjects such as art, civil rights, folk tales, history, legal status, medicine, music, race relations, and regional studies. First published in 1970 by the Library of Congress.

William Cooper Nell, Nineteenth-century African American Abolitionist, Historian, Integrationist
William Cooper Nell, Nineteenth-century African American Abolitionist, Historian, Integrationist

Author: William Cooper Nell

Publisher: Black Classic Press

Published: 2002

Total Pages: 772

ISBN-13: 9781574780192

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For the first time, a biography of William Cooper Nell and a major portion of his articles for "The Liberator", "The National Anti-Slavery Standard", and "The North Star" have been published in a single volume. The book is the first to document the life and works of Nell and includes correspondence with many noted abolitionists such as Wendell Phillips, Frederick Douglass, Amy Kirby Post and Charles Sumner.

Early Negro Writing, 1760-1837
Early Negro Writing, 1760-1837

Author: Dorothy Porter

Publisher: Black Classic Press

Published: 1995

Total Pages: 686

ISBN-13: 9780933121591

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In Early Negro Writing, first published in 1971, Dorothy Porter presents a rare and indispensable collection of writings of literary, social, and historical importance. Most of the writings contained in this collection are no longer in print. In some cases, only one or two original copies are known to exist. Early Negro Writing is rich with narratives, poems, essays, and public addresses by many of Americas's early Black literary pioneers and champions of racial equality. Represented in this work are poems by Jupiter Hammon and Phillis Wheatley and a spiritual song by Richard Allen, founder of the African Methodist Episcopal church. The essays in this collection document the fact that from the earliest days of this country, Black Americans have voiced their concerns on the subject of freedom, slavery, politics, morals, religion, education, emigration, and other issues. Confronted by an often hostile social environment Blacks learned quickly the value of mutual aid and fraternal organizations. Addresses by Masonic organizer and abolitionist Prince Hall and others highlight the importance of these early self-help efforts.

Shadow Archives
Shadow Archives

Author: Jean-Christophe Cloutier

Publisher: Columbia University Press

Published: 2019-09-03

Total Pages: 239

ISBN-13: 0231550243

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Recasting the history of African American literature, Shadow Archives brings to life a slew of newly discovered texts—including Claude McKay’s Amiable with Big Teeth—to tell the stories of black special collections and their struggle for institutional recognition. Jean-Christophe Cloutier offers revelatory readings of major African American writers, including McKay, Richard Wright, Ann Petry, and Ralph Ellison, and provides a nuanced view of how archival methodology, access, and the power dynamics of acquisitions shape literary history. Shadow Archives argues that the notion of the archive is crucial to our understanding of postwar African American literary history. Cloutier combines his own experiences as a researcher and archivist with a theoretically rich account of the archive to offer a pioneering study of the importance of African American authors’ archival practices and how these shaped their writing. Given the lack of institutions dedicated to the black experience, the novel became an alternative site of historical preservation, a means to ensure both individual legacy and group survival. Such archivism manifests in the work of these authors through evolving lifecycles where documents undergo repurposing, revision, insertion, falsification, transformation, and fictionalization, sometimes across decades. An innovative interdisciplinary consideration of literary papers, Shadow Archives proposes new ways for literary scholars to engage with the archive.

Modern Negro Art
Modern Negro Art

Author: James Amos Porter

Publisher:

Published: 1992

Total Pages: 320

ISBN-13:

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A benchmark in African American art history, originally published in 1943, later reissued in 1969. The present edition adds a new introduction by David C. Driskell that places the book and Porter's work in context. With four color and 79 bandw illustrations on glossy stock. Annotation copyright by Book News, Inc., Portland, OR

Slave Portraiture in the Atlantic World
Slave Portraiture in the Atlantic World

Author: Agnes Lugo-Ortiz

Publisher: Cambridge University Press

Published: 2013-09-30

Total Pages: 489

ISBN-13: 1107354781

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Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.