For the world's strangest heroes, staving off the annihilation of free will or the reformatting of the universe into an artistic statement is all in a day's work -- not to mention the everyday assassination attempts and visits from Satan.
The groundbreaking series from Grant Morrison that led American comics in a wholly unexpected direction. Originally conceived in the 1960s by the visionary team of writer Arnold Drake and artist Bruno Premiani, the Doom Patrol was reborn a generation later through Grant Morrison’s singular imagination. Though they are super-powered beings, and though their foes are bent on world domination, convention ends there. Shunned as freaks and outcasts, and tempered by loss and insanity, this band of misfits faces threats so mystifying in nature and so corrupted in motive that reality itself threatens to fall apart around them-but it’s still all in a day’s work for the Doom Patrol. Written by Grant Morrison and featuring art by Richard Case, John Nyberg, Doug Braithwaite, Scott Hanna and Carlos Garzón, DOOM PATROL BOOK ONE collects issues #19-34 and includes introductions by Morrison and editor Tom Peyer.
The world's strangest super-team faces against the government's dirty little secret. But if the Doom patrol and the Suicide Squad are going to survive this latest caper, they will have to set aside their differences and work together.
The new Doom Patrol puts itself back together after nearly being destroyed, and things start to get a lot weirder for everybody. The Chief leads Robotman, the recently formed Rebis and new member Crazy Jane against the Scissormen, part of a dangerous philosophical location that has escaped into our world and is threatening to engulf reality itself. Collecting Grant Morrison's definitive run, which launched his career as one of the comic industry's most innovative and creative writers! Collects Doom Patrol #19-63 and Doom Force Special #1.
A new criminal named the Baron has appeared and has been pulling off boastful and fantastic crimes. He brags that he will rob a jewelry store next, garnering the attention of the Doom Patrol. The Chief believes he knows the identity of this new villain, but heÕll have to reveal his origin to the Doom Patrol to expose the thief!
“MILK WARS” part one! Welcome to the un-event of the year! Kicking off a line-wide adventure, DC’s Young Animal collides with the DC Universe to bring you a different kind of crossover. The Doom Patrol has discovered that an interdimensional corporation called RetCo has been stealing stories, reconfiguring them and repackaging them for new markets. Our gang of misfit heroes have felt the touch of this nefarious company, and it has already started to change them. Even scarier, though, is how deeply RetCo has embedded itself into current continuity, using the radioactive milk of psychic cows to quell the more dangerous impulses of the Justice League and turn them into heroes safe for the masses. And to kick this off, RetCo has gone all the way to the top. Meet Milkman Man, heretofore unknown final son of Krypton, who was sent to our planet to save him from the destruction of his homeworld, only to be adopted by an evil dairy farmer and raised to love all things dairy! Co-plotted by Steve Orlando and Gerard Way, with art by ACO (MIDNIGHTER), this extra-sized special starts “Milk Wars” with a splash! Plus, who is Eternity Girl, and how does she connect to this whole scheme? A special four-part back-up feature by Magdalene Visaggio (Kim and Kim) and Sonny Liew (The Art of Charlie Chan Hock Chye) begins here.
Science-fiction author Rachel Pollack brings her unique and inventive sensibility to DC’s weirdest super-team! This massive hardcover collects her entire Doom Patrol run for the first time. Starting in 1989, Doom Patrol evolved into something truly bizarre—and brilliant—with some of the most unique ideas in fiction given shape. The book was part of a wave of unbridled creativity that helped inspire the creation of DC’s groundbreaking Vertigo imprint, and its impact is still felt today in the HBO Max Doom Patrol original series. In 1993, writer Rachel Pollack took over Doom Patrol from Grant Morrison, and quickly made the title her own—retaining its offbeat spirit while pushing its characters in new directions, and tackling important social issues in the Doom Patrol’s thoroughly unconventional way. This hardcover omnibus is the first-ever collection of Pollack’s run on Doom Patrol. In these stories, the Doom Patrol must pull themselves together yet again as they move into a bizarre new headquarters, gain two new members and try to cope with the preteen menace known as the Wild Girls! Then, artist Ted McKeever brings his surreal sensibility to the series, bringing it to a fittingly unique conclusion. This volume collects Doom Patrol #64-87, Doom Patrol Annual #2, Totems #1, and Vertigo Jam #1.
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.