For every author whose manuscript gets published, there are tens of thousands who are rejected. At literary agencies and publishing houses, screeners go through piles of submissions, searching for original voices, attention-grabbing characters, and writing styles that rise above the rest. The piles are large; time is short. The writer who has labored a year or more on a story may have only a page, a paragraph, or a sentence read before the screener moves on to the next submission. It is this heartbreaking reality that the author (who is also an editor and writing teacher) addresses in this helpful book. Pitched midway between the writing advice books that concentrate on format and grammar and those that outline the large-bone mystery basics such as plot, character, dialogue, and creating suspense, Don't Murder Your Mystery identifies twenty-four aspects of the mystery novel, some dealing with the nitty-gritty of submissions but most discussing topics to help inexperienced writers improve the quality of their written work. Roerden's pitch is to help new writers identify and correct pedestrian mistakes and avoid amateurish writing, so they won't be quickly dismissed by screeners. What she has created is an essential handbook for writers longing to improve their knowledge of craft and technique.
"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.
THE FIRST IN A NEW BOOK THEMED COZY MYSTERY SERIES You won't be able to stop turning the pages of this small town mystery, which is: Perfect for fans of Ellery Adams and Lorna Barrett A riveting bookclub cozy mystery Full of quirky, Southern charm Not every murder is by the book... As Sugar Springs gears up for its all-class high school reunion, Mississippi bookstore owner Arlo Stanley prepares to launch her largest event: a book-signing with the town's legendary alum and bestselling author, Wally Harrison. That's when Wally is discovered dead outside of Arlo's front door and her best friend is questioned for the crime. When the elderly ladies of Arlo's Friday Night Book Club start to investigate, Arlo has no choice but to follow behind to keep them out of trouble. Yet with Wally's reputation, the suspect list only grows longer—his betrayed wife, his disgruntled assistant, even the local man who holds a grudge from a long-ago accident. Between running interference with the book club and otherwise keeping it all together, Arlo anxiously works to get Chloe out of jail. And amidst it all, her one-time boyfriend-turned-private-eye returns to town, just another distraction while she digs to uncover the truth around Wally's death and just what Sugar Springs secret could have led to his murder. If you love women's murder club books, Amy Lillard's cozy mysteries are just for you!
One morning legendary wit Dorothy Parker discovers someone under Manhattan's famed Algonquin Round Table. A little early for a passed out drunk, isn't it? But he's not dead drunk, just dead. When a charming writer from Mississippi named Billy Faulkner becomes a suspect in the murder, Dorothy decides to dabble in a little detective work, enlisting her literary cohorts. It's up to the Algonquins to outwit the true culprit-preferably before cocktail hour-and before the clever killer turns the tables on them.
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A young woman has a new position - but will she listen to the voice warning her not to cross the threshold of that sinister house... Classic crime from one of the greats of the Detection Club Nora Deane, a young nurse, has been instructed to report to 12 Askew Avenue, Charlbury, to look after a new patient. As she steps from the station into an impenetrable blanket of fog, she is glad to accept the escort of a mysterious young man to the address. Once alone in the darkness, she presses the bell and waits. She shivers. She wants to be inside, out of the dangers of the dark. Yet some inner voice persistently warns her not to cross the threshold of that sinister house . . .
The third instalment in the bestselling Murder Most Unladylike series; just like the iconic Agatha Christie, Hazel and Daisy have boarded the Orient Express! ----- 'A delight . . . Hazel and Daisy are aboard the Orient Express: cue spies, priceless jewels, a murder and seriously upgraded bun breaks' The Bookseller 'Addictive . . . A rumbustious reworking of Agatha Christie's Orient Express caper' New Statesman ----- Daisy Wells and Hazel Wong are taking a holiday on the world-famous Orient Express - and it's clear that each of their fellow first-class passengers has something to hide. Even more intriguing: there is rumour of a spy in their midst. Then, during dinner, there is a scream from inside one of the cabins. When the door is broken down, a passenger is found murdered, her stunning ruby necklace gone. But the killer has vanished - as if into thin air. Daisy and Hazel are faced with their first ever locked-room mystery - and with competition from several other sleuths, who are just as determined to crack the case.
With their intimate settings, subdued action and likeable characters, cozy mysteries are rarely seen as anything more than light entertainment. The cozy, a subgenre of crime fiction, has been historically misunderstood and often overlooked as the subject of serious study. This anthology brings together a groundbreaking collection of essays that examine the cozy mystery from a range of critical viewpoints. The authors engage with the standard classification of a cozy, the characters who appear in its pages, the environment where the crime occurs and how these elements reveal the cozy story's complexity in surprising ways. Essays analyze cozy mysteries to argue that Agatha Christie is actually not a cozy writer; that Columbo fits the mold of the cozy detective; and that the stories' portrayals of settings like the quaint English village reveal a more complicated society than meets the eye.
Mystery novels are published in a number of subgenres to satisfy the tastes of every reader. Not only do we have the traditional mystery—also known as the cozy—there are historicals, suspense and thriller novels, crime, police procedurals, private eyes and senior sleuths (also known as “geezer lit”). Then there are medical thrillers, romantic suspense as well as science fiction mysteries and the niche novels that cover endless subjects. The mystery writers interviewed here have written articles about various aspects of publishing, including writing techniques, marketing, promotional advice and their opinions on the current state of the publishing industry. Carolyn Hart, bestselling author of the Henrie O and Death on Demand series, talks about her new protagonist, Bailey Ruth Raeburn, who returns to earth as a ghost to anonymously solve mysteries. Jeffrey Deaver’s varied careers prepared him to write insightful as well as thrilling novels, John Gilstrap explains why some bestselling novelists hold down fulltime jobs, and Rick Mofina provides sixteen great tips for writing thriller novels. A number of Canadian and UK authors share their publishing views as well as comparing books from their own countries with those of the U.S. suspense novelist Paul Johnston writes from his native Scotland as well as his home in Greece while Tim Hallinan divides his time between Thailand, Cambodia, and southern California, writing much of his work in Bangkok cafés. Gillian Phillip writes YA mystery novels from Barbados and her native Scottish highlands, and international airline pilot Mark W. Danielson composes his suspense novels during layovers in various parts of the world, while S. J. Bolton thrills us with snakes and other creepy creatures in and from the British Isles. English native Carola Dunn writes historical mysteries about her countrymen as does Rhys Bowen, who writes about historical English royals. Other historical novelists include Larry Karp, who provides us with the history of Ragtime music and the people who made the genre popular during its heyday and Beverle Graves Myers delves into operatic mysteries set in 18th century Venice. The work of several writing teams inhabits this book, including Eric Mayer and Mary Reed, who pen historical mysteries. Mark and Charlotte Phillips write suspense novels, and Morgan St. James and her sister Phyllice Bradner collaborate on humorous mysteries. Jeff Cohen, Tim Maleeny, and Carl Brookins also add humor to their mysterious plots, so prepare to laugh when you open their books. There are police procedurals, medical thrillers and romantic suspense novelists represented here as well as niche mysteries designed for readers who love dogs, scrapbooking, zoos, the Arizona desert, space shuttles, weight-loss clinics, actors, designer gift baskets and other specialty subjects. Nonfiction books about the mystery genre round out this eclectic collection with Edgar winner E.J. Wagner, Agatha winner Chris Roerden, Lee Lofland, Jeffrey Marks, and small press publishers Vivian Zabel and Tony Burton. The advice offered here is invaluable to fledgling writers, so pull up a comfortable chair and begin the mysterious tour of nearly every subgenre.
For the first time in one place, Roger M. Sobin has compiled a list of nominees and award winners of virtually every mystery award ever presented. He has also included many of the “best of” lists by more than fifty of the most important contributors to the genre.; Mr. Sobin spent more than two decades gathering the data and lists in this volume, much of that time he used to recheck the accuracy of the material he had collected. Several of the “best of” lists appear here for the first time in book form. Several others have been unavailable for a number of years.; Of special note, are Anthony Boucher’s “Best Picks for the Year.” Boucher, one of the major mystery reviewers of all time, reviewed for The San Francisco Chronicle, Ellery Queen Mystery Magazine, and The New York Times. From these resources Mr. Sobin created “Boucher’s Best” and “Important Lists to Consider,” lists that provide insight into important writing in the field from 1942 through Boucher’s death in 1968.? This is a great resource for all mystery readers and collectors.; ; Winner of the 2008 Macavity Awards for Best Mystery Nonfiction.
