Great-grandmother Nell eats fish for breakfast, she doesn't hug or kiss, and she does NOT want to be called grandma. Her great-granddaughter isn't sure what to think about her. As she slowly learns more about Nell's life and experiences, the girl finds ways to connect with her prickly great-grandmother.
To most people, the very word grandma conjures up images of old, blue-haired women in a flower-print apron and wearing sensible shoes in the kitchen, baking cookies. But times have changed. In her book Don't Call Me Grandma! A Guide for the 21st-Century Grandmother, author Ilene Leventhal dispels the stereotype of the so-called typical grandmother. Today's grandmother is so much more. They are socially active and even text and e-mail. They bring a whole new definition of cool, proving once and for all that some things never go out of style. Don't Call Me Grandma! is a handbook for the new generation of grandmothers, as well as mothers and even mothers-in-law. Blue hair has been traded for younger cuts, our baking for trips for fun fast food, and the flower-print aprons for tennis skirts, matching tops, and cute boots. Don't Call Me Grandma! A Guide for the 21st-Century Grandmother shows how to break out of that "old" image, and still bake cookies if you want. You can become someone who knows how to relate to her grandchildren. Your grandchildren will never think of you simply as "grandma" ever again.
One night, as Mama bathed me, I asked why she didnt paint her nails. Who have you seen wearing nail polish? she asked. The blond lady Daddy takes me to see on Sundays. After my parents were divorced, I overheard Grandma say, Yetta, your baggage will hamper you from finding another husband. So as Mama bathed me, she said, Dont call me Mama. Hearing this was hurtful. My father hadnt taken me with him when he left. Now, I felt Mama no longer wanted me. I was four years old. Who would take care of me? It was a desperate, sometimes devastating journey through the depths of despair I lived daily as a preschooler. Then it was a tumultuous adolescence with my malicious grandmother. How did I find the courage to survive the journey through these challenges? You will find it an exciting yet uplifting reading experience.
Paul is a good boy. Everybody says so. But his new neighbor is enough to try anyone’s patience. She walks her cat on a leash, calls Paul and his dog mean names, and makes a general nuisance of herself. Will the mild-mannered Paul survive the first week next door to Prudence? Debut picture book author Janet Reed Ahearn and illustrator Drazen Kozjan use humor and style to show the classy approach to confronting one's peers. Loaded with color, feisty energy, and lots of good jokes, Don’t Call Me Pruneface! will teach kids how to deal with bullies even as it entertains.
When you babysit a grandma, if you're lucky . . . it's a sleepover at her house! And with the useful tips found in this book, you're guaranteed to become an expert grandma-sitter in no time. (Be sure to check out the sections on: How to keep a grandma busy; Things to do at the park; Possible places to sleep, and what to do once you're both snugly tucked in for the night.) From the author-illustrator team behind the bestselling How to Babysit a Grandpa comes a funny and heartwarming celebration of grandmas and grandchildren. This Read & Listen edition contains audio narration.
Perfect for fans of Jennifer E. Smith and Huntley Fitzpatrick, Don't Call Me Baby is a sharply observed and charming story about mothers and daughters, best friends and first crushes, and our online selves and the truth you can only see in real life. All her life, Imogene has been known as the girl on that blog. Imogene's mother has been writing an incredibly embarrassing, and incredibly popular, blog about her since before she was born. The thing is, Imogene is fifteen now, and her mother is still blogging about her. In gruesome detail. When a mandatory school project compels Imogene to start her own blog, Imogene is reluctant to expose even more of her life online . . . until she realizes that the project is the opportunity she's been waiting for to define herself for the first time.
Highlighting the words and experiences of 16 mixed race women (who have one white parent and one parent who is a person of color), Silvia Bettez exposes hidden nuances of privilege and oppression related to multiple positionalites associated with race, class, gender and sexuality. These women are “secret agent insiders” to cultural Whiteness who provide unique insights and perspectives that emerge through their mixed race lenses. Much of what the participants share is never revealed in mixed – White/of color – company. Although critical of racial power politics and hierarchies, these women were invested in cross-cultural connections and revealed key insights that can aid all in understanding how to better communicate across lines of cultural difference. This book is an invaluable resource for a wide range of activists, scholars and general readers, including sociologists, sociologists of education, feminists, anti-oppression/social justice scholars, critical multicultural educators, and qualitative researchers who are interested in mixed race issues, cross cultural communication, social justice work, or who simply wish to minimize racial conflict and other forms of oppression. “Theoretically grounded and with vivid detail, this book amplifies the voices of mixed race women to trouble and expand our understandings of race, gender, hybridity and education. Silvia Bettez fills a stark gap in the research literature, and sets the bar high for what comes next.” - Kevin Kumashiro, editor of Troubling Intersections of Race and Sexuality: Queer Students of Color and Anti-Oppressive Education “In But Don’t Call Me White, Silvia Bettez accomplishes the difficult task of presenting complex theories in accessible ways while introducing the reader to the intersectional nature of identities in the 21st century. Through the voices of her participants, Bettez illuminates aspects of gender, race, sexuality and social class that cannot be discerned when examined in isolation, and she does so in an engaging manner. In addition to presenting a model of excellent qualitative research, the book makes a valuable contribution to mixed race studies, gender studies, and education.” - Kristen A. Renn, Associate Professor at Michigan State University “Silvia Bettez has given us a window into lives that are marked by borders of our own racist creations. Yet these women soar and inspire. They are insightful and beautiful. They teach us the limits of racism and the power of a future where race is mezcla not marker. ” - George W. Noblit, Joseph R. Neikirk, Distinguished Professor of Sociology of Education, University of North Carolina at Chapel Hill Silvia Cristina Bettez teaches about issues of social justice and is an Assistant Professor of Cultural Foundations in the School of Education at the University of North Carolina at Greensboro.
“I wanted to tell the secret stories that my great-grandmother Blanche whispered to me on summer nights in a featherbed in Iowa. I was eight and she was eighty . . .” At the age of four, a little girl stands on a cold, windy railroad platform in Wichita, Kansas, watching a train take her mother away. For the rest of her life, her mother will be an only occasional—and always troubled—visitor who denies her the love she longs for. Linda Joy Myers’s compassionate, gripping, and soul-searching memoir tells the story of three generations of daughters who, though determined to be different from their absent mothers, ultimately follow in their footsteps, recreating a pattern that they yearn to break. Accompany Linda as she uncovers family secrets, seeks solace in music, and begins her healing journey—ultimately transcending the prison of her childhood and finding forgiveness for her family and herself. This edition includes a new afterword in which Myers confronts her family’s legacy and comes full circle with her daughter and grandchildren, seeding a new path for them.