Photographer Zoe Leonard practices a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has crisscrossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections between them. Leonard's photographs of anatomical wax figures, fashion shows, trees and fences present figures in sparse black-and-white images that open up visual fields of thought and reveal within them our visible world--the concrete and established structures that make up our reality. Leonard first created an international stir at the Documenta 9 exhibition in Kassel, Germany, in 1992, when she placed black-and-white photographs of female genitalia in the context of a male-dominated museum. Since then, the political aspects of her work have formed a backdrop for her constant struggle with shape, imagery and the union of symbols and content. This is the first book to showcase Leonard's complete oeuvre.
Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Prologue. Old Bones for a New City -- 1 Granada in the Sixteenth Century -- 2 Controversy and Propaganda -- 3 Forging History: Granadino Historiography and the Sacromonte -- 4 Civic Ritual and Civic Identity -- 5 The Plomos and the Sacromonte in Granadino Piety -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z.
"A deep and genuine analysis of the women writers who are the objects of each chapter, utilizing the most modern methods of literary criticism . . . this book will be viewed as essential not only by scholars of women in literature but also for specialists dealing with the nineteenth century."--Gregorio C. Martin, Duquesne University "She shows us things we have not seen before. . . . This is a sophisticated, elegant, and important text. It demonstrates clearly, and for the first time, how women helped to shape Spanish Romantic discourse--both as subject and as object--and how prevailing attitudes shaped their writings."--David T. Gies, University of Virginia "A deep and genuine analysis of the women writers who are the objects of each chapter, utilizing the most modern methods of literary criticism . . . this book will be viewed as essential not only by scholars of women in literature but also for specialists dealing with the nineteenth century."--Gregorio C. Martin, Duquesne University
Between 1850 and 1930, Latin America's integration into the world economy through the export of raw materials transformed the region. This encounter was nearly as dramatic as the conquistadors' epic confrontation with Native American civilizations centuries before. An emphasis on foreign markets and capital replaced protectionism and self-sufficiency as the hemisphere's guiding principles. In many ways, the means employed during this period to tie Latin America more closely to western Europe and North America resemble strategies currently in vogue. Much can be learned from analyzing the first time that Latin Americans embraced export-led growth. This book focuses on the impact of three key export commodities: coffee, henequen, and petroleum. The authors concentrate on these rather than on national economies because they illustrate more concretely the interaction between the environment, natural and human resources, and the world economy. By analyzing how different products spun complex webs of relationships with their respective markets, the essays in this book illuminate the tensions and contradictions found in the often conflictive relationship between the local and the global, between agency and the not-so-invisible hand. Ultimately, the contributors argue that the results of the "second conquest" were not one-sided as Latin Americans and foreigners together forged a new economic order—one riddled with contradictions that Latin America is still attempting to resolve today.