Don Owen

Don Owen

Author: Steve Gravestock

Publisher: Indiana University Press

Published: 2005-10-06

Total Pages: 186

ISBN-13: 9780968913246

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Don Owen, perhaps best known as the director of the seminal 1964 feature Nobody Waved Goodbye, is one of the central figures in the development of English-Canadian cinema. Owen spent much of his career at the National Film Board of Canada, working on both short documentary films, including Runner; Cowboy and Indian; and You Don’t Back Down, and feature-length works such as The Ernie Game (which sparked a scandal in Parliament); the innovative, Godard-influenced short features Notes for a Film about Donna and Gail; and Ladies and Gentlemen—Mr. Leonard Cohen, a portrait of the poet co-directed with Donald Brittain. In Don Owen: Notes on a Filmmaker and His Culture, the first book-length treatment of themes and motifs in Owen’s work, Steve Gravestock situates Owen within a cultural context while focusing on the development of the English-Canadian film industry in the 1960s and beyond. The book also features interviews with Owen and many of his principal collaborators. Published by the Toronto International Film Festival and distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.


Indwelling Sin in Believers

Indwelling Sin in Believers

Author: Associate Professor John Owen

Publisher: Gideon House Books

Published: 2015-06-17

Total Pages: 220

ISBN-13: 1943133077

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“I find then a law, that when I would do good, evil is present with me.” Romans 7:21 For nearly 500 years "Indwelling Sin in Believers" has aided countless saints in recognizing the reality of the ongoing struggle with sin and resting in the all-powerful grace of Jesus Christ. In this Puritan Reformed classic, John Owen uncovers the true and deep nature of sin in the life of a believer. A methodical and clear teacher, Owen systematically reveals how sin works to deceive and ultimate disable those who don’t fully trust in God’s amazing grace.


Christianity and Wokeness

Christianity and Wokeness

Author: Owen Strachan

Publisher: Simon and Schuster

Published: 2021-07-20

Total Pages: 274

ISBN-13: 1684512530

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In a world that is "woke," how many Christians are actually awake? This short, theologically sound primer is a resource for pastors, ministry leaders, community leaders, and other thinking Christians that explains carefully and clearly what Critical Race Theory and wokeness truly are, what the Bible teaches about race and ethnicity, why wokeness is distinct from Christianity and should be rejected, and how the church can work for unity based in the gospel of grace. Owen Strachan is a respected Reformed theologian and thought leader who can help Christians: Better understand Critical Race Theory, something very few do; Understand the high stakes—for the church and society at large—of wokeness as a movement; Think through America’s complex past with nuance and sensitivity; Study how God has made humanity one through the imago Dei; Grasp the beauty of the biblical doctrine of ethnicity and “race”; and Be ready to work for unity in perilous times


Canadian Film and Video

Canadian Film and Video

Author: Loren R. Lerner

Publisher: University of Toronto Press

Published: 1997-01-01

Total Pages: 1862

ISBN-13: 0802029884

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This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.


The Story of Owen

The Story of Owen

Author: E. K. Johnston

Publisher: Carolrhoda Lab ®

Published: 2014-03-01

Total Pages: 340

ISBN-13: 1467739995

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Listen! For I sing of Owen Thorskard: valiant of heart, hopeless at algebra, last in a long line of legendary dragon slayers. Though he had few years and was not built for football, he stood between the town of Trondheim and creatures that threatened its survival. There have always been dragons. As far back as history is told, men and women have fought them, loyally defending their villages. Dragon slaying was a proud tradition. But dragons and humans have one thing in common: an insatiable appetite for fossil fuels. From the moment Henry Ford hired his first dragon slayer, no small town was safe. Dragon slayers flocked to cities, leaving more remote areas unprotected. Such was Trondheim's fate until Owen Thorskard arrived. At sixteen, with dragons advancing and his grades plummeting, Owen faced impossible odds—armed only with a sword, his legacy, and the classmate who agreed to be his bard. Listen! I am Siobhan McQuaid. I alone know the story of Owen, the story that changes everything. Listen!


Where are the Voices Coming From?

Where are the Voices Coming From?

Author: Coral Ann Howells

Publisher: Rodopi

Published: 2004

Total Pages: 294

ISBN-13: 9789042016231

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This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French, produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary, aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures, illustrated by works treating some of the different groups which make up Canadian society - English-Canadian, Québecois, Acadian, Native, and ethnic minorities. The emphasis is on the problematic representation of Canadianness, which is closely bound up with constructions of history and its legacies - dispossession, criminality, nomadism, Gothicism, the Maritime. The English/French language difference is emblematic of Canadian difference; the two-part arrangement, with one section on Literature and the other on Film, sets up the pattern of relationships between the two forms of cultural representation that these essays explore. Essays in the Literature section are on single texts by such writers as: Margaret Atwood, Tomson Highway, Ann-Marie MacDonald, Anne Michaels, and Alice Munro; Gabrielle Roy, Anne Hébert, Antonine Maillet, Bernard Assiniwi, and Régine Robin. The Film section with its mirror structure both supplements and amplifies this dialogue, extending notions of Canadianness with its emphasis on voices from Quebec and Acadia traditionally 'othered' in Canadian history. Filmmakers treated include: Phillip Borsos, Atom Egoyan, Ted Kotcheff, Mort Ransen, and Vincent Ward; Denys Arcand, Gilles Carle, Alanis Obomsawin, Léa Pool, and Jacques Savoie.


The Cinema of Canada

The Cinema of Canada

Author: Jerry White

Publisher: Wallflower Press

Published: 2006

Total Pages: 292

ISBN-13: 9781904764601

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Containing 24 essays, each on a different film, this work provides a fascinating historical account of the development of film and documentary traditions across the diverse national and regional communities in Canada.