Studying at the university and living in the lap of luxury with her parents, Pat Vicky couldn't ask for more. She had it all until Juan De La Vega appears at her door. The tall, handsome stranger quickly seduces the young, innocent Indian woman.
Capturing the decadent and dangerous world of the Spanish Golden Age, this historical novel explores universal questions about the nature of love and desire--brought to life through Don Juan's secret childhood in a convent to his inescapable fall into the madness of love.
An essential guide for those who seek to reconsider the theoretical problems of (trans-civilizational) comparative literature, those who are interested in the literary and cultural history of modern East Asian countries, and those with a general interest in issues of sexuality.
A journey of healing and transformation through Toltec mysticism, shamanic dreaming, and the teachings of the Mayan prophecies. • The author studied with don Juan Matus and the Nagual sorcerers who taught Carlos Castaneda. • Includes numerous transcripts of Toltec Dreamwork sessions, providing examples of how dreamwork can transform personal life challenges. Merilyn Tunneshende learned the secrets of Dream Power, energetic healing, and sorcery from don Juan Matus, the Toltec shaman who mentored Carlos Castaneda. This book is her personal story of over 30 years of interaction with the mystical guides, dreams, and prophecies of the Maya. Through her journey we learn of the power of transmutational energies and how they might be applied to heal and transform our world. Like so many in the early 1970s, Merilyn Tunneshende had plans to travel the world beatnik-style, beginning with Mexico. Traumatized by the sudden death of her fiance after a series of premonitions, Merilyn found her adventurous trip transformed into a path of spiritual awakening, which took her into an intense apprenticeship with Toltec shaman don Juan Matus. After becoming a fully initiated Toltec sorceress and Nagual Dreaming Woman, she experienced a second trauma that threw her from the path of mystical study back into the everyday world of the West. For years she pursued her career as a teacher and linguist--all but dismissing her former mystical experiences as madness. When a series of dreams begin to pervade her consciousness and she received a heart-breaking diagnosis that she had AIDS, Merilyn returned to the world of Mayan prophecy and nagualist training in order to unleash the powers of transmutative energies in healing her own body and actualizing transcendent liberation.
'Shabono' – the name of the hamlets of palm-thatched dwellings where the Yanomama Indians of Venezuela and southern Brazil live – recounts the vivid and unforgettable experience of anthropologist Florinda Donner's time with an indigenous tr
'She has a talent amounting to genius' John Updike Don Juan, that notorious libertine, has disappeared. Has he been dragged down to hell by demons, as rumoured - or has he escaped? Doña Ana, the woman he tried to seduce, will stop at nothing to discover the truth. Set in a rural eighteenth-century Spain rife with suspicion and cruelty, and featuring a glorious cast of peasants, aristocrats and vengeful ghosts, this moving, surprising tragicomedy is also Sylvia Townsend Warner's response to the dark days of the Spanish Civil War. 'The kind of novelist who inspires an intense sense of ownership in her fans' Sarah Waters
In 1818, when he was in his mid-thirties, Stendhal met and fell passionately in love with the beautiful Mathilde Dembowski. She, however, was quick to make it clear that she did not return his affections, and in his despair he turned to the written word to exorcise his love and explain his feelings. The result is an intensely personal dissection of the process of falling - and being - in love: a unique blend of poetry, anecdote, philosophy, psychology and social observation. Bringing together the conflicting sides of his nature, the deeply emotional and the coolly analytical, Stendhal created a work that is both acutely personal and universally applicable.
Don Juan, the "Seducer of Seville," originated as a hero-villain of Spanish folk legend, is a famous lover and scoundrel who has made more than a thousand sexual conquests. One of Molière's best-known plays, Don Juan was written while Tartuffe was still banned on the stages of Paris, and shared much with the outlawed play. Modern directors transform Don Juan in every new era, as each director finds something new to highlight in this timeless classic. Richard Wilbur's flawless translation will be the standard for generations to come, as have his translations of Molière's other plays. Witty, urbane, and poetic in its prose, Don Juan is, most importantly, as funny now as it was for audiences when it was first presented.
An examination of ideas and ideals of medieval courtly love and the transition into later Romantic love, analyzing the work of Dante, Shakespeare, and Schopenhauer, among many others. Review), "monumental" (Boston Globe), "one of the major works of philosophy in our century" (Nous), "wise and magisterial" (Times Literary Supplement), and a "masterpiece of critical thinking [that] is a timely, eloquent, and scrupulous account of what, after all, still makes the world go round" (Christian Science Monitor). In the second volume, Singer studies the ideas and ideals of medieval courtly love and nineteenth-century Romantic love, as well as the transition between these two perspectives. According to the traditions of courtly love in the twelfth century and thereafter, not only God but also human beings in themselves are capable of authentic love. The pursuit of love between man and woman was seen as a splendid ideal that ennobles both the lover and the beloved. It was something more than libidinal sexuality and involved sophisticated and highly refined courtliness that emulated religious love in its ability to create a holy union between the participants. Adherents to Romantic love in later centuries, affirmed the capacity of love to effect a merging between two people who thus became one. Singer analyzes the transition from courtly to Romantic by reference to the writings of many artists beginning with Dante and ending with Richard Wagner, as well as Neoplatonist philosophers of the Italian Renaissance, Descartes, Spinoza, Rousseau, Hume, Kant, Hegel, and Schopenhauer. In relation to romanticism itself, he distinguishes between two aspects—"benign romanticism" and "Romantic pessimism"—that took on renewed importance in the twentieth century.
This is a collection of psychoanalytical essays on a broad spectrum of well-known Russian authors, such as Puskin, Dostoevsky, Gogol, Belyj, Tjutcev, Axmatova, and Nabokov. The volume includes some reprints, among which a contribution by Sigmund Freud on Dostoevsky and Parricide'. The majority of the contributions are original publications by present-day specialists in the field. This is a book which may benefit literary scholars as well as professional psychoanalysts.