In this freshly revised edition, discover the ultimate architecture and design journal's coverage of the years 1940 to 1949, from the widespread destruction caused by World War II to the reconstruction, democratization, and search for new social values in the postwar era.
This book discusses Joseph Antoni Coderch's architectural output during the period from 1940 to 1964, and includes much unpublished graphic material, as well as a catalog of his entire oeuvre.
A twenty-fifth anniversary edition of Robert A. Orsi's classic study of popular religion in Italian Harlem. In a new preface, Orsi discusses significant shifts in the field of religious history and calls for new ways of empirically studying divine presences in human life. "The Madonna of 115th Street has over the last quarter century become a classic of American religious history. There are few books that I have enjoyed teaching more over the years and even fewer that have taught me as much about American Catholic history."—Leigh E. Schmidt, author of Hearing Things: Religion, Illusion, and the American Enlightenment
In this freshly revised edition, discover the ultimate architecture and design journal's coverage of the years 1940 to 1949, from the widespread destruction caused by World War II to the reconstruction, democratization, and search for new social values in the postwar era.
The Architecture of Landscape, 1940-1960 provides a groundbreaking collection of worldwide perspectives on a vital and underappreciated era of landscape architecture. It is also the first critical assessment of this period, with information and insight previously unavailable to English-language readers.
Peasant women were the largest female occupational group in Italy between the wars. They led lives characterised by great poverty and heavy workloads, but Fascist propaganda extolled them as the mothers of the nation and the guardians of the rural worlds, the most praiseworthy of Italian women. This study is the first published history of the Massaie Rurali, the Fascist Party's section for peasant women, which, with three million members by 1943, became one of the largest of the regime's mass mobilizing organizations. The section played a key role in such core fascist campaigns as nation-building and ruralization. Perry Willson draws on a wide range of archival and contemporary press sources to investigate the nature of the Massaie Rurali and the dynamics of class and gender that lay at its heart. She explores the organization's political message, its propaganda and the reasons why so many women joined it.
The School of Mathematics is a masterpiece of the early 1930s by Gio Ponti, who is today regarded as a master of Italian Modernism. Although World War II bombings shattered the coloured stained-glass window that once adorned the balanced and harmonious white travertine façade, the building remains a striking and significant piece of architecture. Although it underwent a series of transformations over the years before its historical and artistic relevance was recognised, it can still be appreciated and admired for its magnificent expressivity. Its uniqueness derives from its complexity, such as is often found in Italian monuments of all ages: a rare synthesis of urban design, architecture, art, industrial design, historical archives and – perhaps the first of its kind – scientific production in the field of mathematics. This illustrated report is a synopsis of the extensive technical research documents produced by the research team for each step of the work. It is also a premise for the conservation management plan proposed at the end of the full report. As in any area of science, knowledge is at the basis of future action: we need to understand today how to take care of the historical buildings of our campus tomorrow – buildings recognised worldwide as architectural and historical monuments.
Peeking into the home through the eyes of artists and image-makers, this book unveils the untold story of Italian domestic experiences from the 1940s to the 1970s. Torn between the trauma of World War II and the frenzied optimism of the postwar decades, and haunted by the echoes of fascism, the domestic realm embodied contrasting and often contradictory meanings: care and violence, oppression and emotional fulfillment, nourishment and privation. Silvia Bottinelli casts a fresh light on domestic experiences that are easily overlooked and taken for granted, finding new expressions of home - as an idea, an emotion, a space, and a set of habits - in a variety of cultural and artistic movements, including new realism, visual poetry, pop art, arte povera, and radical architecture, among others. Double-Edged Comforts finds nuance by viewing artistic interpretations of domestic life in dialogue with contemporaneous visual culture: the advertisements, commercials, illustrations, and popular magazines that influenced and informed art, even materially, and often triggered the critical reactions of artists. Bottinelli pays particular attention to women's perspectives, discussing artworks that have fallen through the cracks of established art historical narratives and giving specific consideration to women artists: Carla Accardi, Marisa Merz, Maria Lai, Ketty La Rocca, Lucia Marcucci, and others who were often marginalized by the Italian art system in this period. From sleeping and bathing, chores, and making and eating food to the arrival of television, Double-Edged Comforts provides a fresh account of modern domesticity relevant to anyone interested in understanding how we make sense of the places we live and what we do there, showing how art complicates the familiar comforts and meanings of home.