Djogbachiachuwa is an attempt by the Liberian Literature Project 2012 set forth by the Liberian History, Education & Development, Inc. (LIHEDE) to close this literary gap. It is also an attempt to have the rest of the world to read more of Liberian literature through the eyes of Liberians other than themselves. It is believed that people who do not know their own history, culture or language have nothing of worth and beauty to pass on to successive generations, and is thus doomed and condemned to perpetual warfare and poverty. The Liberian Literature Anthology Project 2012 is an endeavor to depart from this self-defeating historical trend to produce an Anthology of Liberian literature that draws on the tradition of each ethnic subgroup in Liberia.
Discover the fascinating (and sometimes downright odd!) ways that people and nations celebrate the holiday season and share this festive compendium's unique traditions together with family and friends. Do you know that in Guatemala there's a "Burn the Devil" tradition to kick off the Christmas season, where revelers gather to set fire to devil-piñatas? In Sweden, a popular figure in Christmas traditions is the Yule Goat, a rowdy, menacing character who demands gifts. And in Japan, a big bucket of Kentucky Fried Chicken has become the classic Christmas Day feast. These and many other global Christmas traditions are featured here in this delightful book. From decorations and activities to feasts and special treats, there's a wide range of both lovely and unusual traditions from around the globe.
Explores the stories of African Muslim slaves in the New World. The author argues that although Islam as brought by the Africans did not outlive the last slaves, "what they wrote on the sands of the plantations is a successful story of strength, resilience, courage, pride, and dignity." She discusses Christian Europeans, African Muslims, the Atlantic slave trade, literacy, revolts, and the Muslim legacy. Annotation copyrighted by Book News, Inc., Portland, OR
An important literary debut from the Vice President of Ghana, a fable-like memoir that offers a shimmering microcosm of post-colonial Africa. 'A much welcome work of immense relevance' Chinua Achebe My First Coup D'Etat chronicles the coming-of-age of John Dramani Mahama in Ghana during the dismal post-independence 'lost decades' of Africa. He was seven years old when rumours of a coup reached his boarding school in Accra. His father, a minister of state, was suddenly missing, then imprisoned for more than a year. My First Coup D'Etat offers a look at the country that has long been considered Africa's success story. This is a one-of-a-kind book: Mahama's is a rare literary voice from a political leader, and his stories work on many levels - as fables, as history, as cultural and political analysis, and, of course, as the memoir of a young man who, unbeknownst to him or anyone else, would grow up to be vice president of his nation. Though non-fiction, these are stories that rise above their specific settings and transport the reader - much like the fiction of Isaac Bashevis Singer and Nadine Gordimer - into a world all their own, one which straddles a time lost and explores the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.
The Introduction of the book indicates the necessity to start with the archaeology of the early settlements of the West Bank of the Nile , a territory to be considered as the mother or matrix of all Egyptian civilization. It establishes the pioneer nature of this Etymological Essay in the English language, as most of the studies in keeping with its findings are to be found in the scholarly literature of Europe and North Africa. 1. Archaic Terminology: The chapter traces the origins of early settlements of the northwestern region of Egypt, the desert oases, the Fayum, the region of the Lakes, and the western portion of the delta of the Nile, by Saharan and Libyan archaic people, with specific emphasis on archaic topography which can be directly related to Modern Amazigh spoken today in North Africa (Tamazirt.) 2,The Pillar People: The review of a number of terms from the mythology and ceremonial procedures of dynastic Egypt shows the influence of those early settlers named The People of the Pillars (Intui) on the beliefs and practices perpetuated through centuries in Egypt, and the presence of an all pervasive worship of these early origins: (cult of ancestors.) 3.The Holy rulers of First Princes of Egypt: An intensive comparative review of ancient Egyptian and Modern Amazigh terms reveals that the first noble rulers of the area were of Amazigh origin. A series of families of terms link quite clearly a number of beliefs and practices to the North African cultural complex. 4.Tehuti, time and the Wisdom of the stars is a chapter delving a little more deeply into the cosmogony and cosmology of the early Egyptians, and the roots of that knowledge in archaic practices, which have parallel indicators in North Africa. 5. The Innermost Shrine from The Book of the Dead: The geography of the Land of the Beyond, Tu-at (Du-Ament), and a variety of important indices throughout the Book of the Dead indicate quite clearly that the final return of the defunct to the Blessed Land of the Ancestors was also a step by step description of their claim of descent from these original beings. The rule of “Ma-aa-at,” the organizing principle of an entire civilization for centuries, or ‘NTR,” originated in the area of the Sacred lakes and the ancient settlements of the Fayum and oasis complex. Linguistic comparison with Modern Amazigh continues to indicate the kinship of those people with North African Imazighen (also known as Berbers.) 6. A Conclusion, Notes, and an Appendix, which is the reproduction of an article published in The Amazigh Voice, a publication of the Amazigh Cultural Association in America, indicate the pioneer aspect of such a work and the direction in which further linguistic studies could bring increasing light into areas of Egyptian scholarship heretofore deemed as obscure and/or of barbarous origin. .
