Catalogue of the Private Library of the Late Hon. Albert G. Greene
Author: Albert Gorton Greene
Publisher:
Published: 1869
Total Pages: 546
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Albert Gorton Greene
Publisher:
Published: 1869
Total Pages: 546
ISBN-13:
DOWNLOAD EBOOKAuthor: Albert Gorton GREENE
Publisher:
Published: 1869
Total Pages: 538
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert C. Toll
Publisher: New York : Oxford University Press
Published: 1974
Total Pages: 320
ISBN-13:
DOWNLOAD EBOOKFrom the Peter Neil Isaacs collection.
Author: Brown University. Library
Publisher: Providence, [R.I.] : Providence Press Company
Published: 1886
Total Pages: 358
ISBN-13:
DOWNLOAD EBOOKAuthor: Sarah Meer
Publisher: University of Georgia Press
Published: 2005
Total Pages: 356
ISBN-13: 9780820327372
DOWNLOAD EBOOKTom-Mania looks at the novel Uncle Tom's Cabin and the songs, plays, sketches, translations and imitations it inspired. In particular it shows how the theatrical mode of blackface minstrelsy, the slavery question, and America's emerging cultural identity affected how the novel was read, discussed, dramatized, merchandized and politicised.
Author: Caleb Fiske Harris
Publisher:
Published: 1874
Total Pages: 192
ISBN-13:
DOWNLOAD EBOOKAuthor: Eric Lott
Publisher: Oxford University Press
Published: 2013-07-10
Total Pages: 342
ISBN-13: 0199361630
DOWNLOAD EBOOKFor over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. This new edition celebrates the twentieth anniversary of this landmark volume. It features a new foreword by renowned critic Greil Marcus that discusses the book's influence on American cultural studies as well as its relationship to Bob Dylan's 2001 album of the same name, "Love & Theft." In addition, Lott has written a new afterword that extends the study's range to the twenty-first century.
Author: Anonymous
Publisher: BoD – Books on Demand
Published: 2023-04-18
Total Pages: 182
ISBN-13: 3368821962
DOWNLOAD EBOOKReprint of the original, first published in 1874.
Author: Michael Sappol
Publisher: Princeton University Press
Published: 2004-04-25
Total Pages: 444
ISBN-13: 0691118752
DOWNLOAD EBOOKA Traffic of Dead Bodies enters the sphere of bodysnatching medical students, dissection-room pranks, and anatomical fantasy. It shows how nineteenth-century American physicians used anatomy to develop a vital professional identity, while claiming authority over the living and the dead. It also introduces the middle-class women and men, working people, unorthodox healers, cultural radicals, entrepreneurs, and health reformers who resisted and exploited anatomy to articulate their own social identities and visions. The nineteenth century saw the rise of the American medical profession: a proliferation of practitioners, journals, organizations, sects, and schools. Anatomy lay at the heart of the medical curriculum, allowing American medicine to invest itself with the authority of European science. Anatomists crossed the boundary between life and death, cut into the body, reduced it to its parts, framed it with moral commentary, and represented it theatrically, visually, and textually. Only initiates of the dissecting room could claim the privileged healing status that came with direct knowledge of the body. But anatomy depended on confiscation of the dead--mainly the plundered bodies of African Americans, immigrants, Native Americans, and the poor. As black markets in cadavers flourished, so did a cultural obsession with anatomy, an obsession that gave rise to clashes over the legal, social, and moral status of the dead. Ministers praised or denounced anatomy from the pulpit; rioters sacked medical schools; and legislatures passed or repealed laws permitting medical schools to take the bodies of the destitute. Dissection narratives and representations of the anatomical body circulated in new places: schools, dime museums, popular lectures, minstrel shows, and sensationalist novels. Michael Sappol resurrects this world of graverobbers and anatomical healers, discerning new ligatures among race and gender relations, funerary practices, the formation of the middle-class, and medical professionalization. In the process, he offers an engrossing and surprisingly rich cultural history of nineteenth-century America.