* Fascinating and revealing case-histories reflect changing attitudes of the time towards love, marriage, and divorce * Completes Lawrence Stone's acclaimed trilogy on marriage and family life * Offers compelling insights into daily life and marital conduct from the mid-17th to the mid-19th century
Spanning the island of Ireland over three centuries, this first history of Irish divorce places the human experience of marriage breakdown centre stage to explore the impact of a highly restrictive and gendered law, and its reform, on Irish society.
The book explores the rise of civil divorce in Victorian England, the subsequent operation of a fault system of divorce based solely on grounds of adultery, and the repeal of the Victorian divorce law during the Interwar years. It will be valuable to academics and researchers with interest in Legal History, Family Law, and Victorian Studies.
Lawrence Stone is one of the world's foremost historians. In such widely acclaimed volumes as The Crisis of the Aristocracy, The Family, Sex and Marriage in England and The Open Society, he has shown himself to be a provocative and engaging writer as well as a master chronicler of English family life. Now, with Road to Divorce, Stone examines the complex ways in which English men and women have used, twisted, and defied the law to deal with marital breakdown. Despite the infamous divorce of Henry VIII in 1529, Britons before the 20th century were predominantly, in Stone's words, "a non-divorcing and non-separating society." In fact, before divorce was legalized in 1857, England was the only Protestant country with virtually no avenue for divorce on the grounds of adultery, desertion, or cruelty. Yet marriages did fail, and in Road to Divorce, Stone examines a goldmine of court records--in which witnesses speak freely about love, sex, adultery, and marriage--memoirs, correspondence, and popular imaginative works to reveal how lawyers and the laity coped with marital discord. Equally important, in tracing the history of divorce, Stone has discovered a way to recapture the slow, irregular, and tentative evolution of moral values concerning relations between the sexes as well as the consequent shift from concepts of patriarchy to those of sexual equality. He thus offers a privileged, indeed almost unique, insight into the interaction of the public spheres of morality, religion, and the law. Written by the foremost historian of family life, Road to Divorce provides the first full study of a topic rich in historical interest and contemporary importance, one that offers astonishingly frank and intimate insights into our ancestors' changing views about what makes and breaks a marriage.
In the first part of this book, Lawrence Stone provides a series of case-studies which paint a vivid picture of how individuals coped with the manifold uncertainties of the law of marriage before the Marriage Act of 1753. There are stories of unwise courtship, prenuptial pregnancies, forced marriages, and bigamy, told in intimate, often ribald detail. The case-studies in the second part reveal how the break-up and dissolution of marriages was contrived before the first Divorce Act in 1857. Offering details of dramatic courtroom confrontations, secret negotiations, blackmail, and bribery, they provide sobering evidence of the huge gap between the enacted law and actual practice in early modern England.
Bridging the fields of political theory and history, this comprehensive study of Victorian reforms in marriage law reshapes our understanding of the feminist movement of that period. As Mary Shanley shows, Victorian feminists argued that justice for women would not follow from public rights alone, but required a fundamental transformation of the marriage relationship.
An absorbing account of the origins of women's rights to property and children in the UK. A true story which reads like a Victorian novel. 'In law a husband and wife are one: and that one is the husband': Blackstone This was the law until well into the nineteenth century. Until They Are Seven is based on research into the historical background to the modern problems of child custody and access. The result is an absorbing tale of the origins of women's rights to their children and their property in which John Wroath recounts the brave moves by Henrietta Greenhill and Caroline Norton which led to the Infant Custody Act 1839 and Matrimonial Causes Act 1857-the rest being history. The story is also fascinating for the insights it gives into the private lives of several famous people of the time who were involved in or around these events-included among them the prime minister Lord Melbourne, the poet and playwright Richard Brinsley Sheridan and Mary Shelley, author of Frankenstein.
Women's Legal Landmarks commemorates the centenary of women's admission in 1919 to the legal profession in the UK and Ireland by identifying key legal landmarks in women's legal history. Over 80 authors write about landmarks that represent a significant achievement or turning point in women's engagement with law and law reform. The landmarks cover a wide range of topics, including matrimonial property, the right to vote, prostitution, surrogacy and assisted reproduction, rape, domestic violence, FGM, equal pay, abortion, image-based sexual abuse, and the ordination of women bishops, as well as the life stories of women who were the first to undertake key legal roles and positions. Together the landmarks offer a scholarly intervention in the recovery of women's lost history and in the development of methodology of feminist legal history as well as a demonstration of women's agency and activism in the achievement of law reform and justice.
Barbara Leckie mines novels, newspapers, and court and parliamentary records to explore how adultery became visible in the public sphere in the second half of the nineteenth century and how the history of the Victorian novel is revised when the culture's concern with adultery and censorship is brought into focus.
Emily "Fido" Faithfull, a spinster pioneer in the British women's movement, is distracted from her cause by the details of her friend's failing marriage and affair with a young army officer, in this drama of friends, lovers, and divorce, Victorian style.