Disco Pigs is the extraordinary debut play about two warped teenagers that confirmed Enda Walsh's place in the forefront of young Irish dramatists. Pig and Runt are two 17-year-olds who share everything: birthday, language, worldview - and that moment when pop songs and life-changing orgasms flash by and last forever. Also published in this volume is Sucking Dublin, a fierce and uncompromising short play about a group of five individuals tormented by a rape in a claustrophobic, drug-infested Dublin."
Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.
It’s eleven o’clock in the morning in a council flat on the Walworth Road in London. In two hours’ time, as is normal, three Irish men will have consumed six cans of Harp, fifteen crackers with spreadable cheese, ten pink biscuit wafers, and one oven-cooked chicken with a strange blue sauce. In two hours’ time, as is normal, five people will have been killed. A remarkable play about what can happen when we become stuck in the stories we tell about our lives. Visceral and tender, The Walworth Farce combines hilarious moments with shocking realism.
After it was known that Jamaican natives failed interviews that were conducted in patois, the writer decided that it was time to awaken Patois. This book was written to inform readers that Patois is a written language which can be learned and spoken like any other language. The words and phrases in this book, originated from English, African, and Creole, and can be heard wherever Jamaican natives reside.
Dismemberment in Drama / Dismemberment of Drama is an essay collection which considers the dramatic possibility contained in the images and narratives of dismemberment frequently recurring on the western stage. The Classical Tragedies of Sophocles and Euripides, the Romanticism of Kleist, the surrealism of Artaud, and the contemporary drama of Suzan-Lori Parks and Marina Carr are just some of the fractured and fragmented bodies analyzed in this collection. Both individually and in concert the contributors ask what a dismembered body means. Such an inquiry allows them to confront dismemberment as a theoretical category which understands such twentieth-century innovations as the Theatre of Cruelty, the Epic Theatre, the Open Theater, and documentary theatre as part of a long dramatic tradition. Dismemberment in drama examines the tenuous bond between representation and the object being represented by highlighting the dismemberment of drama as a form that occurs during drama’s repeated theorizations of its own enactment. There is a conflict between disintegration and unity inherent in mimesis, theatrical phenomenology, and performance.
Emigrating with her mother from Hong Kong to Brooklyn, Kimberly Chang begins a secret double life as an exceptional schoolgirl during the day and sweatshop worker at night, an existence also marked by a first crush and the pressure to save her family from poverty. A first novel.
