In this groundbreaking collection, twelve international scholars – with backgrounds in disability studies, English and world literature, classics, and history – discuss the representation of dis/ability, medical "cures," technology, and the body in science fiction.
Preface / JoSelle Vanderhooft -- Introduction / Kathryn Allan & Djibril al-Ayad -- Pirate songs / Nicolette Barischoff -- Pay attention / Sarah Pinsker -- Invisible people / Margaret Killjoy -- The lessons of the moon / Joyce Chng -- Screens / Samantha Rich -- A sense all its own / Sara Patterson -- -- Pay attention-- Better to have loved / Kate O'Connor -- Morphic resonance / Toby MacNutt -- Losing touch / Louise Hughes -- Into the waters I rode down / Jack Hollis Marr -- Playa song / Petra Kuppers -- Puppetry / A.C. Buchanan -- Lyric / A.F. Sanchez -- Courting the silent sun / Rachael K. Jones -- In open air / David Jon Fuller.
This title brings cultural disability studies and genre fiction studies into dialogue for the first time. Analysing representations of disability in contemporary science fiction, romance, fantasy, horror, and crime fiction, it offers new and transformative insights into both the workings of genre and the affective power of disability.
Helva had been born human, but only her brain had been saved—saved to be schooled, programmed, and implanted into the sleek titanium body of an intergalactic scout ship. But first she had to choose a human partner—male or female—to share her exhilirating excapades in space! Her life was to be rich and rewarding . . . resplendent with daring adventures and endless excitement, beyond the wildest dreams of mere mortals. Gifted with the voice of an angel and being virtually indestructable, Helva XH-834 antipitated a sublime immortality. Then one day she fell in love!
In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.
A deafblind writer and professor explores how the misrepresentation of disability in books, movies, and TV harms both the disabled community and everyone else. As a deafblind woman with partial vision in one eye and bilateral hearing aids, Elsa Sjunneson lives at the crossroads of blindness and sight, hearing and deafness—much to the confusion of the world around her. While she cannot see well enough to operate without a guide dog or cane, she can see enough to know when someone is reacting to the visible signs of her blindness and can hear when they’re whispering behind her back. And she certainly knows how wrong our one-size-fits-all definitions of disability can be. As a media studies professor, she’s also seen the full range of blind and deaf portrayals on film, and here she deconstructs their impact, following common tropes through horror, romance, and everything in between. Part memoir, part cultural criticism, part history of the deafblind experience, Being Seen explores how our cultural concept of disability is more myth than fact, and the damage it does to us all.
As a response to real or imagined subordination, popular culture reflects the everyday experience of ordinary people and has the capacity to subvert the hegemonic order. Drawing on central theoretical approaches in the field of critical disability studies, this book examines disability across a number of internationally recognised texts and objects from popular culture, including film, television, magazines and advertising campaigns, children’s toys, music videos, sport and online spaces, to attend to the social and cultural construction of disability. While acknowledging that disability features in popular culture in ways that reinforce stereotypes and stigmatise, Disability and Popular Culture celebrates and complicates the increasing visibility of disability in popular culture, showing how popular culture can focus passion, create community and express defiance in the context of disability and social change. Covering a broad range of concerns that lie at the intersection of disability and cultural studies, including media representation, identity, the beauty myth, aesthetics, ableism, new media and sport, this book will appeal to scholars and students interested in the critical analysis of popular culture, across disciplines such as disability studies, sociology and cultural and media studies.
“Disability rights activist Alice Wong brings tough conversations to the forefront of society with this anthology. It sheds light on the experience of life as an individual with disabilities, as told by none other than authors with these life experiences. It's an eye-opening collection that readers will revisit time and time again.” —Chicago Tribune One in five people in the United States lives with a disability. Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people, just in time for the thirtieth anniversary of the Americans with Disabilities Act, From Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.
This book is the first study of disability in postcolonial fiction. Focusing on canonical novels, it explores the metaphorical functions and material presence of disabled child characters. Barker argues that progressive disability politics emerge from postcolonial concerns, and establishes dialogues between postcolonialism and disability studies.
Nolan doesn't see darkness when he closes his eyes. Instead, he’s transported into the mind of Amara, a girl living in a different world. Nolan’s life in his small Arizona town is full of history tests, family tension, and laundry; his parents think he has epilepsy, judging from his frequent blackouts. Amara’s world is full of magic and danger--she’s a mute servant girl who’s tasked with protecting a renegade princess. Nolan is only an observer in Amara's world--until he learns to control her. At first, Amara is terrified. Then, she's furious. But to keep the princess--and themselves--alive, they'll have to work together and discover the truth behind their connection. A fascinating premise, clearly and compellingly written and imagined by a startlingly original debut writer. Praise for Otherbound FOUR STARRED REVIEWS "Original and compelling; a stunning debut." --Kirkus Reviews, starred review "Numerous plot twists drive the story along, and it’s grounded in worldbuilding that creates a believable, authentic setting. Duyvis makes ingenious use of a fascinating premise." --Publishers Weekly, starred review "While Duyvis’s debut is an exciting take on the fantasy genre, as it alternates between our world and that of the Dunelands, the true strength of the novel is in its positive portrayal of LGBT issues." --School Library Journal, starred review "Fantasy and speculative fiction fans will no doubt enjoy the ride, while authors should take note—this is how you do fantasy in a global world." --The Bulletin of The Center for Children’s Books, starred review "Duyvis creates a humdinger of an adventure that contains the agony of loyalty, the allure of magic, and, most gratifyingly, the element of surprise." --The Horn Book Magazine "Debut author Duyvis has written a nice twist on the classic bodysnatchers theme and keeps the pace moving smoothly, even when jumping between Nolan’s and Amara’s perspectives. Her racially diverse characters struggle with both disabilities and sexual identity, but she keeps her focus solidly on the story and character development so that diversity integrates naturally into both Nolan’s and Amara’s experiences." --Booklist